视觉与权力：约翰·菲斯克的视觉文化理论

菲斯克把权力斗争理论运用于大众媒介如电视、监控摄像机、MTV等的分析,揭示这些视觉媒介中的权威意识形态的宰制性,发掘后现代状况下大众阅读的抵抗性权力。菲斯克分析了资本主义民主体制下的社会矛盾的新形态,为西方社会的变革寻找革命主体,其视觉文化理论具有重要的政治实践意义。     

It's More Than an M‐shape: The Political Economy of Female Non‐Standard Workers in the Republic of Korea

This study examines the re‐entrance of female workers into the Korean labor market. We highlight that women in their 40s have the highest rate of employment among all female workers and that a large proportion of these women are entering into non‐standard employment. In approaching this question, we examine the political economy of this phenomenon by first discussing the demand side of the Korean labor market using the gendering of the varieties of capitalism argument and then the supply side with the work–life balance argument. When examining re‐entrance into the labor market, women with general skills with lower education and higher education both found it more feasible to re‐enter the labor market as non‐standard workers. While work–life balance is a prominent reason for women's choice of opting out of the labor market, work–life balance choice mattered less for women re‐entering the labor market as non‐standard workers in their 40s and 50s but instead firmly based skill formation mattered more. In addition, the retail service industry is suggested to absorb a large number of female workers with lower skill levels who would have had difficulties in re‐entering other male‐oriented companies.     

我国廉政文化视觉传播中的问题与对策

廉政文化视觉传播作为现当代的一种文化现象,既具有历史的传承性,又具有净化社会的现实意义。我国儒家思想的政治道德观念以及社会规范与准则的建立到当下倡导的"廉洁文化",以及视觉传播的多元化和网络廉政文化的普世性,折射出我国不同时期在廉政文化视觉传播的发展与建设,并对人们建立廉洁从政的信仰和价值观念、形成廉政的行为规范等生活方式都产生了不容忽视的影响。但由于廉政文化传播中的主体缺失、形式与途径的单一以及不健全的传播机制,导致了廉政文化视觉传播未能充分发挥其效力,据此提出了创立廉政视觉符号体系、搭建传播平台等廉政文化视觉传播的相应对策。     

Advancing towards inclusive social research: visual methods as opportunities for people with severe mental illness to participate in research

This article explores the possibilities offered by visual methods in the move towards inclusive research, reviewing some methodological implications of said research and reflecting on the potential of visual methods to meet these methodological requirements. A study into the impact of work on social inclusion and the social relationships of people suffering from severe mental illness (SMI) serves to illustrate the use of visual methods such as photo elicitation and graphic elicitation in the context of in-depth interviews with the aim of improving the aforementioned target group’s participation in research, participation understood as one of the basic elements of inclusive approaches. On the basis of this study, we reflect on the potential of visual methods to improve the inclusive approach to research and conclude that these methods are open and flexible in awarding participantsa voice, allowingpeople with SMI to express their needs, and therefore adding value to said approach.     

Imag(in)ing Women's Agency

The use of images is central to Amnesty International's 2004 campaign ‘Stop Violence against Women’. Looking at how Amnesty International uses images to show women's agency reveals a conflation of the terms sex and gender. Despite its best efforts, Amnesty International's goal of empowering women ultimately remains out of reach because it fails to read violence against women in a gendered context. Through interviews and analyses of the images, this article claims that Amnesty International's concept of agency is trapped in a heterosexist, masculinist grammar that perpetuates non-agential articulations of women in human rights discourse. This article offers an alternative reading of gender and agency that contextualizes violence, opening up spaces in human rights discourse to begin to look at what causes individuals to resort to violence and at how violence may be perpetrated because of the presence of particular genders.     

盐城国家滨海湿地公园的深度开发——基于营销视角的分析

盐城拥有独具特色的湿地生态资源,旅游资源种类丰富,已具备创建国家级滨海湿地公园的物质条件,但目前一直处在较低的开发层次上,主要表现为旅游项目单一,形式简单,内容缺乏新颖性,宣传力度不够,在全国的知名度不高。分析了盐城湿地旅游的优劣势和客源市场的种类和特征,把其定位为太平洋西岸最大的湿地公园、亚洲东部最佳的生态旅游公园,着力打造“东方湿地之都,仙鹤神鹿世界”旅游品牌。对珍禽、麋鹿自然保护区、大丰港生态旅游度假区、东沙蒋家沙游览区和旅游商品提出了具有一定深度的开发策略,并运用多种传播工具持续不断的全方位宣传,积极组团参加各类旅游交易会来整体推介盐城湿地旅游品牌。     

青春、情殇、画面感——郭敬明小说的意义及限度

郭敬明擅长用华丽的语言讲故事,他叙写个体积极的生存与现实认同之间的矛盾,叙写为护卫爱情的纯洁与神圣而自陨的年轻生命,毫不隐藏地将他们那一代人的情感世界揭以示人,以浪漫感伤的画面和流动飘逸的文字向读者呈上他们渴望被了解的青春岁月和成长历程。但是面对未来,如何去激情而昂扬地寻找更深远更宽阔的发展之路是郭敬明亟待解决的实践性问题。     

韩汉英视觉器官隐喻的认知研究

韩汉英视觉器官词语通过隐喻、提喻或换喻等认知方式,从指人体视觉器官到喻指具有某种特征的人或物等具体概念到观点、态度、情感等抽象概念,经历了具体概念抽象化、抽象概念具体化、自然物的人性化、事物的拟人化及事物的形象化等认知过程。     

论中国古代绘画“形”“神”兼重的思想

中国古代绘画"形""神"兼重的思想可分为三个阶段:汉朝时期为"形""神"兼重绘画思想的提出时期,魏晋南北朝时期为"形""神"兼重绘画思想的发展时期,唐朝时期为"形""神"兼重绘画思想的深化时期。