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251.
本文旨在通过一个新的角度给“白马非马”这一哲学命题以新的剖析,主要的分析手段是形式逻辑学三大定律之一———同一律。通过分析,对原命题的逻辑思路有了全面的清晰认识。最后得出结论:只有遵循同一律的论证才是有意义的。 相似文献
252.
刘先慧 《西昌学院学报(社会科学版)》2004,16(3):143-144
介绍了快速调出白光条纹的方法,分析了为什么白光干涉条纹的中央条纹有的是暗条纹,而有的却是亮条纹。 相似文献
253.
《Public Relations Review》2022,48(5):102209
Public relations research typically conceptualizes the practice as organization-centric by emphasizing strategies, tactics, and tools used to achieve objectives that advance organizational interests. Often less organizational but essential to understanding community self-governance, grassroots actors use public relations to defend, advance, or challenge ideographs such as freedom, democracy or environmental quality. The ideograph analyzed in this case is the postbellum narrative continuity of “Southern Heritage not Hate” which served as camouflage for redeeming the Lost Cause, the argument that the South did not lose the Civil War. This essay normatively identifies, interprets and judges public relations strategies southern advocates used to “stand their ground” by defining place as a cultural issue and source of relational agency. This grassroots public relations campaign sought to defeat the post-Civil War Reconstruction narrative continuity that fostered the societal agency of African Americans; postbellum activists re-imposed a narrative favorable to Southern white male hegemony. To stand their ground, “Southern” voices used military textuality, focused on CSA General Robert E. Lee, as narrative continuity during the U.S. Civil War (1861–1865), Reconstruction (1865–1876), and Jim Crow (1877–1954). The term “camouflage” is used to explore this narrative and critically illuminate how text can define place so as to make it seem different than it is. Camouflage encodes messages differently to different decoders; it conceals as it reveals. Such strategies are typically more emergent contextually than the result of a grand plan. Through grassroots activism by groups such as the United Daughters of the Confederacy and Sons of Confederate Veterans, what once was overt became covert regarding national military culture. 相似文献