A strange lobster tale of self-sacrificial transversality: or,transversal poetics flourishes in the spectral ether of Deleuze,Bataille, and Shakespeare

ABSTRACT

Written from the perspective of Transversal Poetics, this essay involves an exploration of the theory’s various selves in the context of a self-immolating spectacle staged at London’s New Globe Theatre by the theory’s progenitor, Dr. Bryan Reynolds. The essay outlines the history of this scandalous affair, which was inspired by the work of Rodrigo Garcia (Accidens: Matar Para Comer), Deleuze and Guattari, and George Bataille. Transversal Poetics travels with Reynolds to London and is shocked and appalled by the lurid transgression that unfolds on stage as Reynolds is hung on a massive hook and then dismembered for the adoring crowds. Exploring the complexity of its own reactions to this new initiative by Reynolds – and his attempt to conceive an ‘offspring’ with Bataille through a highly questionable and outrageous Deleuzian approach – Transversal Poetics is itself subtly transformed. It casts a powerful light on the urban milieu surrounding the New Globe (Southwark, the City of London) as it brings the era of neoliberal financialization to a close. A lobster-city that combines both ‘central place’ and the ‘maritime’ qualities (as identified by Christaller), London turns out to be the perfect location for the demolition of the Deleuzian taboo against the sacrificial.     

Minor Shakespeares

ABSTRACT

This introduction to the journal special edition Minor Shakespeares contextualises the articles which follow by exploring Deleuze and Guattari’s concept of ‘minor literature’ as it helps to read and reconceptualise Shakespearean drama and poetics, as well as the range of global Shakespeares. It is illustrated how recent paths taken by Deleuzian scholarship in the fields of literary and film criticism, ontology, vitalism, sexuality studies, ecocriticism and postcolonialism open potentially new lines of enquiry into Shakespeare, and how a Deleuzian/Deleuzoguattarian approach can combine openness to Shakespearean concerns with the bringing of Shakespeare into dialogue with pressing contemporary political questions.     

Southerly winds: Family therapy and Latin America

This article serves as a conversational and conceptual introduction to this special issue. It is written not in Latin America – as the other articles are – but in Australia and it is written by a Chilean who left Chile due to the ravages that the 16 year long dictatorship had on those lands. Using reflections on my experience – as a citizen and later as a student in psychology and in family therapy – both in that country and since, I touch on post-colonial issues and on epistemic violence to interrogate ‘invisibilities’ held in mainstream forms of knowledge in the field, invisibilities that come to us from the Western North. Using references to the work of Edward Said and Gabriel García Márquez, the article invites us to review core assumptions and postures in the conceptual frame of systemic work and proposes a methodology that supports alternative forms of knowledge – knowledges of the South – to forge a voice, a resistance to globalising tendencies that threaten to undermine the work we strive to do.     

The governmentalities of neoliberalism: panopticism,post‐panopticism and beyond

This paper draws on the writings of Michel Foucault, in particular his lectures on biopolitics at the Collège de France from 1978–79, to examine liberalism and neoliberalism as governmental forms that operate through different models of surveillance. First, this paper re‐reads Foucault's Discipline and Punish in the light of his analysis of the art of liberal government that is advanced through the course of these lectures. It is argued that the Panopticon is not just an architecture of power centred on discipline and normalization, as is commonly understood, but a normative model of the relation of the state to the market which, for Foucault, is ‘the very formula of liberal government’. Second, the limits of panopticism, and by extension liberal governance, are explored through analysis of Gilles Deleuze's account of the shift from disciplinary to ‘control’ societies, and Zygmunt Bauman's writings on individualization and the ‘Synopticon’. In response to Deleuze and Bauman, the final section of this paper returns to Foucault's lectures on biopolitics to argue that contemporary capitalist society is characterized not simply by the decline of state powers (the control society) or the passing down of responsibilities from the state to the individual (the individualization thesis), but by the neoliberal marketization of the state and its institutions; a development which is underpinned by a specific form of governmentality. In conclusion, a four‐fold typology of surveillance is advanced: surveillance as discipline, as control, as interactivity, and as a mechanism for promoting competition. It is argued that while these types of surveillance are not mutually exclusive, they are underpinned by different governmentalities that can be used to address different aspects of the relationship between the state and the market, and with this the social and cultural logics of contemporary forms of market capitalism more broadly.     

后哲学话语中的哲学合法性质疑——以德勒兹为例

西方哲学自诞生以来,无论是在古代、近现代时期,还是在后现代时期,一直在为自己进行“合法性”论证。后现代哲学对此前哲学的突破,就在于它质疑了后者的以“同一说”、“树喻说”和“独断思想形象”为要素的“三位一体”的“合法性”基础,并在“哲学就是概念的创造”的旗号下,以“差异说”、“块茎说”和“游牧思想”为基础的“三位一体”重塑了后现代哲学的合法性基础。     

I,that am curtailed

ABSTRACT

The essay investigates desire in Shakespeare’s Richard III as connected to Deleuze and Guattari’s line of flight and war machine. By following the drawing of the line of flight of betrayal and the setting of Richard’s war machine, and by investigating the constitution of his character as a Body without organs, it traces the production of the plane of immanence of a differential subjectivity where desire is free to become.     

Understanding microfascism: reading Deleuze and Guattari alongside management guru texts

ABSTRACT

The ‘management guru’ text has long been a source of interest for academic audiences. In this tradition, this paper argues that the content and underpinning ideology of the guru guide hold important insights for organizational scholars interested in the works of Gilles Deleuze and Felix Guattari (and vice versa). Specifically, this paper will demonstrate that a close reading of entrepreneur and guru, Tim Ferriss’s, Tools of Titans, can provide meaningful exegesis and development of the concept of ‘microfascism’ presented by Deleuze and Guattari across their shared and independent corpuses. Building upon extant organization studies literature, this paper will endeavour to contribute to the commentary on the management guru by suggesting that the desire for fascism, power, conformity, and rule-following of which Deleuze and Guattari speak offers a productive way of understanding the success of the management guru and the broader allure of the management advice industry.     

Freedom and Sociability for Bergson

This paper discusses the way that Bergson relates the notions of freedom and sociability. It retraces a path leading from his first major work to his last, from a proto-phenomenology of freedom to a kind of biology of social life. The continuity of this passage is explained, at least in part, by Bergson's continual rethinking of his chief philosophical invention: the concept of qualitative multiplicity. This paper also seeks to indicate the importance of Bergson's understanding of both freedom and sociability for the poststructuralist political philosophy of Gilles Deleuze.     

Emotions,affects and the production of social life

While many aspects of social life possess an emotional component, sociology needs to explore explicitly the part emotions play in producing the social world and human history. This paper turns away from individualistic and anthropocentric emphases upon the experience of feelings and emotions, attending instead to an exploration of flows of ‘affect’ (meaning simply a capacity to affect or be affected) between bodies, things, social institutions and abstractions. It establishes a materialist sociology of affects that acknowledges emotions as a part, but only a part, of a more generalized affective flow that produces bodies and the social world. From this perspective, emotions are not a peculiarly remarkable outcome of the confluence of biology and culture, but part of a continuum of affectivity that links human bodies to their physical and social environment. This enhances sociological understanding of the part emotions play in shaping actions and capacities in many settings of sociological concern.     

CINEMA 3: TOWARDS A 'MINOR HONG KONG CINEMA'

This article canvasses the way Hong Kong cinema became modern, at the moment and the place when/where it had to come up with new cinematic images in response to new geo-historical situations. I call it a ‘minor Hong Kong cinema’ in the sense that it is a cinema that deterritorializes within the heart of what is considered major. This minor cinema is not at all just a cinema at the margin. It is rather a strategy to conceptualize and develop certain suggestive examples in order to respond to specific geo-historical situations. While this minor cinema cannot represent the whole of Hong Kong cinema, it also highlights the potentialities of Hong Kong cinema that cannot be covered by dominant discourses on Hong Kong. This article focuses upon the films of Fruit Chan. In Fruit Chan's ‘Hong Kong 1997 Trilogy’, 1997 is neither the beginning of recollections nor the end of Hong Kong. These films dwell upon the failed, the vanished, and the underrepresented to make Hong Kong appear at the intriguing moment of 1997. They explore new perspectives for re-channelling Hong Kong and its histories.