Underground Markets as Fields in Transition: Sex Work in New York City

Most ethnographers visualize their fieldwork study vis‐à‐vis their long‐term commitment to a bounded sociospatial context—an “ecology.” In this manner, the majority of ethnographic studies are presented as studies not only of practices but also of recognizable physical ecologies that breathe life into the practices—for example, homes, ghettos, firms, schools, and so on. In the pages that follow, I consider the ways in which the status of place has shifted in urban sex work. The shifting commerce of sexual services in New York enables me to open up a set of methodological issues about the role of space in ethnographic work. One in particular is at the core of this paper: namely, because so many ethnographic labors begin with the selection of a field site, what conceptual issues arise that fieldworkers must pay attention to vis‐à‐vis that decision? For example, the field site may change, the field site may itself be shaped by wider societal forces, and it may be simply dissolve over time. How does any of this impact a technique that is premised on the dependability of “sitting” so that others may be dependably followed? I draw on the notion of “strategic action fields” to present an alternative analytic framework, one more useful for the challenges ethnographers face.     

“Do They Think I Am a Pack Rat?”

This case study presents details of the life of one older man who lived in seclusion and squalor, surrounded by hoarded possessions. This man was one participant of a focused ethnography of eight older adults who received home care. All participants in the original ethnography were identified by their community care coordinators as exhibiting hoarding behaviors. The case study presented here provides rich narrative and photographic detail in order to add strength to what has already been presented in previous research articles about compulsive acquisition. The narratives reveal examples of debilitating dysfunction, distress associated with decision making, broad acquisition of free things, compulsive buying, and ritualistic discarding. Quotes included in the case study stem from the original ethnography.     

Teenagers' Multisensory Routes for Learning in the Museum

ABSTRACT

In this article I draw on a study of sensory aspects of teenagers' use of digital media, how these sensory aspects are incorporated in emerging learning strategies, and the implications of this for the same teenagers' engagement in museums. My focus is on how an ethnographic approach that attends to the senses may enable a critical review of prevailing pedagogical ideas in museums. Recent developments in museum education have led to large investments in state-of-the-art technology to produce interactive, multisensory exhibits. However, the question of how teenagers respond to these campaigns remains rather under-researched. This article shows how habitual use of digital media in teenage everyday practice incorporates learning to appropriate other people's experiences and ideas through a configuration of vision, touch, motion, and imagination, thereby enhancing non-representational learning qualities such as affect and sensation. The implications of this sensory approach open up routes to differentiate pedagogical settings in museums that on a superficial level apply the same educational technologies, but since they are based in different sensorial belief systems, different conditions for learning unfold in their use. In developing this analysis I argue that through ethnographic attention to the senses we might advance theories of learning within museum education.     

From Emplaced Knowing to Interdisciplinary Knowledge

ABSTRACT

In this article, we discuss how experiential and unspoken ways of knowing produced through a video-based approach to sensory ethnography can be made meaningful and relevant to the applied practice of design and engineering scholars. We advance discussions of sensory ethnography by interrogating and making explicit the analytical processes that turn the sensory knowing of the ethnographic encounter into convincing accounts of everyday realities whilst engaging new sensitivities and ways of seeing that in themselves contribute to cross-disciplinary knowledge. We argue that through a more self-conscious appreciation of how and where experiential categories become applied knowledge the value of a sensory ethnography approach in design-centered energy research can be realized.     

ETHNIC IDENTITIES AND CULTURAL CAPITAL: AN ETHNOGRAPHY OF CHINESE OPERA IN SINGAPORE

This article weaves the trajectory of Chinese opera in Singapore with the country's political development. Starting in 1965, the year of Singapore's independence, it attempts to debunk the myth that national culture is resistant to global culture by describing the state's systematic erosion of local culture. From the late 1970s onward, with economic progress, state fears of “Westernisation” led to a centring of Chinese culture in national culture; this was followed by a mini-revival of Chinese opera that coincided with the emergence of Confucian ethics as national discourse and as a culturalist explanation for the “Asian miracle” of the 1980s. This article shows that globalisation's effect on local cultures is not a straightforward process. Instead, it is a complex relationship where the flourishing of a local culture depends on the changing recognition and valuation of cultural identities, ethnicity, and language as cultural capital. This in turn implicates the structural features of national policies and globalisation processes that determine the recognition and valuation of this cultural capital. The use of “cultural capital” as a conceptual tool to isolate the cultural and social components of Chinese opera demonstrates that a local culture flourishes or withers according to the effects of globalisation and national policies on such cultural and social factors.     

Anthropological Takes on (Im)Mobility

In this introduction, we outline the general conceptual framework that ties the various contributions to this special issue together. We argue for the importance of anthropology to “take on” mobility and discuss the advantages of the ethnographic approach in doing so. What is the analytical purchase of mobility as one of the root metaphors in contemporary anthropological theorizing? What are the (dis)advantages of looking at the current human condition through the lens of mobility? There is a great risk that the fast-growing field of mobility studies neglects different interpretations of what is going on, or that only patterns that fit the mobilities paradigm will be considered, or that only extremes of (hyper)mobility or (im)mobility will be given attention. The ethnographic sensibilities of fieldworkers who learn about mobility while studying other processes and issues, and who can situate movement in the multiple contexts between which people move, can both extend the utility of the mobilities approach, and insist on attention to other dynamics that might not be considered if the focus is first and last on (im)mobility as such. In this special issue, we do not want to discuss human mobility as a brute fact but rather analyze how mobilities, as sociocultural constructs, are experienced and imagined.     

Interaction without walls: Analysing leadership discourse through dramaturgy and participation

Goffman's dramaturgical model of interaction is often used to examine how communicative events are framed differently in public and private settings. However, this idea has restrictively been conflated with specific spatial locations. This paper contends that it is not the place where discourse is performed that styles it as front or backstage, but rather the stances taken in interactions, and the participation framework involved. Furthermore, backstage can be used to negotiate stances later performed frontstage, where they may index wider, ideological aspects of identity. This is demonstrated through the analysis of a sequence of linked backstage and frontstage interactions that involve two rugby coaches. The extracts presented and analysed take place in a New Zealand rugby team, a type of organisation in which space is particularly fluid. The dramaturgical model is demonstrated to be of use in examining leadership discourse within organisations, particularly in organisations in which multiple leaders exist.     

语言适应论的认识论意义

语言适应论的形成和发展,极大地丰富了语用学的研究思想。它的认识论意义在于：语言适应论在很大程度上体现了“满意决策”理论的“有限理性”思想与复杂适应系统（CAS）理论的“适应性”思想。它充分考虑到语言使用过程中的确定性与不确定性、偶然性与必然性、适应性与复杂性之间的相互作用,不仅超越了传统语用学思想与经典完美理性观,而且建构了语用学新的研究范式。     

人类学的灾害研究如何呈现——兼评《泥石流灾害的人类学研究》

以民族志的方式,对地方层面的灾害场景和灾害感知进行完整呈现和系统转述,是人类学灾害研究的关键。《泥石流灾害的人类学研究》一书基于特定灾害场景的系统考察,来呈现人类社会与环境系统的复杂互动过程,并就不同人类群体如何借助社会文化资源来认识和应对灾害的经验图景加以辨析,这代表了灾害人类学研究发展的一种新趋势。