三网融合下“电视新闻传播的嬗变”

三网融合塑造了一个全新的传媒格局,也必将对传媒的生产和传播提出全新的要求。这样的格局下,电视媒体如何做好党和政府的喉舌？如何更新新闻采制理念,抢到发展主动权？本文通过对三网融合的分析和前景梳理,对国外网络发展进行对比,提出电视新闻发展的新对策和新理念。     

理性启蒙中的《晨报》副刊——《晨报》副刊研究之二

本文对《晨报》副刊在孙伏园编辑时期所形成的传播特点进行了较为深入的研究, 同时揭示了这些特点与当时文化背景及孙伏园思想、个性间的内在联系     

电视新闻节目的美学探究

中国的电视新闻节目已经走过了将近半个世纪的历程,内容与形式的变化都展现了诸多美学因素与特征,正是这些随着电视新闻的改革与创新不断发展凸显的美学特性。使得电视新闻节目的水平有了高低优劣之分。     

How public relations functions as news sources in China

This study re-conceptualizes the interaction between public relations (PR) practitioners and journalists in news construction. Proposing a new conceptual framework of “news-source involvement,” this study applies two dimensions – “involvement width” and “involvement density” – when examining how information and/or stories generated by PR people affect news coverage. Empirically, this study identifies seven types of news sources derived from a systematic content analysis of 1600 stories in four selected Chinese newspapers from 2001 to 2010 – 10-year period. The major findings include: (1) information subsidy has become a popular phenomenon in China; (2) over the past decade, the Chinese government has been slowly but surely becoming more tolerant of public's expression of their opinions relating to social and political issues. Though the government remains as the dominating “news source” for newspapers, other non-mainstream news sources (e.g. grass-root civilian) have emerged. Growing from the used-to-be “silent mass,” they have become the “subordinate majority” nowadays, having strong influence in certain coverage; and (3) PR people as one of the major news sources, interact with media in a selective manner; and such interaction takes places largely on tactical level.     

“90后”网络媒体形象的建构与实证

网络媒体报道的内容与"90后"的生活常态不符,且主要呈现的是一种负面形象。这是媒体赚取关注而主动选择的结果。通过将相关调查研究的结果与网络媒体建构的形象相比较,研究发现网络媒体所建构的"90后"形象与现实中的"90后"存在着明显的差距,媒体要从社会责任、社会公平的角度出发,客观全面地去报道"90后"的真实形象。     

Social theory and current affairs: a framework for intellectual engagement

The paper aims to facilitate more adequate critical engagement with current affairs events by journalists, and with current affairs texts by audiences. It draws on social theory to provide the intellectual resources to enable this. The academic ambition is for the framework to be adopted and developed by social thinkers in producing exemplary critical readings of news and current affairs texts. To this end it is offered as a research paradigm. The paper situates its argument in relation to the wider literature in media and cultural studies, acknowledging the subtle skills required to appreciate the relative autonomy of texts. However, it draws attention to the lack of an adequate perspective with which to assess the frames, representations, and judgments within news and current affairs texts. To address this lacuna it proposes the conception of a social‐theoretical frame, based on a number of meta‐theoretical approaches, designed to provide audiences with a systematic means of addressing the status and adequacy of individual texts. Social theoretical frames can reveal the shortcomings of media framing of the contextual fields within which news and current affairs events take place. Two illustrative case studies are used to indicate the value and potential of the approach: the analysis of a short newspaper report of the return of protesters to Cairo's Tahrir Square in 2011, and a critique of four current affairs reports from various genres on the political turmoil in Thailand leading up to the clashes of May 2010.     

嵌入与融合:"两微一端"视域下工会干部媒介素养的培育研究

"两微一端"(微信、微博、移动客户端)是"互联网+"背景下开展工会工作的新平台和新载体。通过对广东工会组织"两微一端"的实践剖析发现,工会干部对新媒介认知存在畏惧困难情绪、惯性依赖心理,媒介选取和运营呈现较大能力差异,媒介制作内容同质性较高、原创性较低。当前工会干部媒介素养尚处于初级发展阶段,要真正实现新媒介技术嵌入与工会干部媒介素养提升的深度融合,需要从技术嵌入到理念提升、个体发展到组织培育两个路径构建培育体系。     

环球资讯

<正>[动向]外资银行开户门槛高汇丰、渣打、花旗、东亚四家外资法人银行4月2日正式营业,这是首批在中国开业的外资法人银行。据悉,刚开业的四家外资法人银行还要等到监管部门验收后,才可向本地居民提供全面的人民币业务。相比中资银行三五百元的小额账户管     

环球资讯

<正>券商股权转让愈演愈烈,在华西证券、国泰君安两家公司股权相继寻觅东家之际,第一创业证券13.81%的股权于2007年7月16日挂上了北交所的交易牌。     

论画面图像的新闻属性——传播语境下的影像信息理性思考之一

本文所指的画面图像信息,是指以视觉形象为主要特征、以再现“正在发生”事实的客观具象为目的新闻信息,包括影视新闻信息和图片新闻信息。作为以再现“正在发生”事实客观具象的画面信息,不仅直接记录“何人”、“何地”、“何事”,“何果”等新闻要素,还能客观地反映新闻各要素之间的内在关系。对于受众而言,画面信息就是一种“新近发生的事实”。这就是画面信息的新闻属性。