对“真实的叙述:琼生的人生与职业生涯”一文另两点质疑

伯格在"真实的叙述:琼生的人生与职业生涯"一文中对17世纪英国诗人本.琼生的一些介绍有不实的提法,如"琼生是英国第一位以写作为生的作家",是"很重视友谊,第一位以友谊为中心主题的英国诗人"等。文章通过亨斯洛日记等文献引证,质疑这些不实提法。琼生之前有其他作家以写作为生,也有其他诗人以友谊为主题创作,且琼生的友情诗也是在张扬正气的基础上抒发的。文学研究应当和科学研究一样严谨。     

借帆出海：我译《论语》的策略

《论语》是通达孔学、理解孔子必读的原典。《论语》中很多脍炙人口的教诲与西方文化中很多名人名言有惊人的相似之处,有时将二者并置一起,彼此大可水乳交融。为了努力帮助西方读者明白易懂地欣赏《论语》中所包含的孔子思想之精华,通过在翻译《论语》的某个篇段之后,加上“欣赏与评说”部分,用一种最为明晰的方法阐述孔子的思想,其中最为有效的一个手段便是,用西方文化中人们熟悉的思想为孔子的思想作脚注。     

The turn to the self: From “Big Character Posters” to YouTube videos1

This paper explores the process by which user‐created content in contemporary China has evolved from being appropriated as a weapon of political mobilization and accusation to serving as a vehicle of independent self‐representation. The analysis is set in the context of the social, political and economic metamorphosis that China has undergone in the past five decades and foregrounds the dynamics of political, economic and technological forces transforming Chinese media. The metaphor of “the wall” is used to chart the contours of the struggle for self‐expression and representation. The paper concludes with a brief discussion of the political and social implications of the Internet and networked user created media content for China.     

The Maghreb‐Mashreq language ideology and the politics of identity in a globalized Arab world1

To date, most scholarship on Arabic language ideologies has focused on the contentious relationship between Standard Arabic and the spoken vernaculars. This paper, in contrast, draws attention to the hierarchies among the regional varieties of vernacular Arabic. Specifically, it makes visible the workings of what it calls the ‘Maghreb‐Mashreq language ideology’: the hierarchical relationship between Mashreqi (Middle Eastern) and Maghrebi (North African) vernacular Arabic varieties. The paper explores, in particular, the de/authentication of linguistic Arabness through a detailed analysis of a transnational pan‐Arab reality/talent TV show. Drawing on clips of situated interactions from this series, which have been uploaded to YouTube and commented upon by viewers, the paper argues that the new media is a critical site for reworking longstanding language ideologies and the politics of identity in the Arabic‐speaking world.[Arabic]     

明清之际通俗小说中的“时政评述”

明清之际的通俗小说中,出现了大量的时政评述。这些评述,以明朝灭亡为界,分为两个阶段：明末主要是对当时发生的重大历史事件的记录与评述;清初则主要表现为对明末政治制度的批评和对明亡的反思。小说中时政评述是作者参政议政精神的一种体现,同时也是通俗文学对社会舆论和读者阅读兴趣的一种商业认同。它是当时社会舆论的一个组成部分,对其进行研究,具有一定社会学意义。     

双重嬗变中《夜歌》集的思想和艺术——朴素清新的现实主义和依然浓厚的个人抒情

<夜歌>集充分表现了一个刚投入革命队伍的小资产阶级知识分子对革命事业和新的人生的由衷礼赞,同时也反映了个人与集体之间所发生的新的矛盾、痛苦及其艰难前进的轨迹;作品的语言风格也从早先富于象征色彩的浪漫主义走向了朴素清新的现实主义,然而其"旧性"荡涤未尽,创作的主体性和个人抒情色彩依然很浓,这是<夜歌>集中大部分诗作依然富有艺术感染力的原因.但由于缺乏新的艺术经验,也存在着艺术上参差不齐的情况.何其芳正是以包括<夜歌>集中那些个人抒情色彩依然浓厚的优秀篇章在内的前期作品,而赢得众多读者的喜爱,奠定了他在20世纪中国现代文学史上的一席特殊地位.     

清代词学文献的整理和研究

清代词学理论文献的主要形式有词话、词选、论词诗词、词律词韵、序跋批注、书札专论文等。本文分别评介了清代词学文献诸种形式的特点以及近年来学界研究的进展。     

论五四时期东方文化派的调和思想——兼论东方文化派的孔子观

五四时期,当众多知识分子就文化选择、孔子评价等问题进行激烈争论的时候,东方文化派也积极参与,深入评论,成为这场中西文化大论战中的一个重要思想流派。他们一方面要求保存传统、昌明孔教,另一方面,反对顽固守旧,提倡中西融合,批判神化孔子,对当时的思想界影响很大。调和中西、折衷新旧,是东方文化派中西文化观的基本特征。这一特征形成于新旧思潮的激烈冲突中,反映了五四时期文化选择的艰难。     

Citizens of the margin: citizenship and youth participation on the Moroccan social web

This paper examines how marginalized youth in Morocco use YouTube to contest hegemonic discourses of state power and institutional practices of social exclusion. The paper analyses a user-generated, YouTube web-series, Tales of Bouzebal, as a performance of marginality and a social critique of state bureaucracies and institutions in the context of post-Arab Spring Morocco. Using a combined method of textual and discourse analyses, the paper argues that the new media practices of producing and consuming user-generated video are best understood as practices of cultural citizenship that contribute to social change through the production of counter-discursive political subjectivities among youth in MENA. The paper posits that the concept of citizenship needs to be expanded to account for citizen participatory media practices that contest the conditions of marginality and inequality sustained by normative definitions of citizenship.     

说范晔《后汉书》帝纪后论

范晔《后汉书》帝纪后论 ,开篇未能脱俗 ,是其史论中一个败笔。然通观其帝纪后论 ,则清晰地揭示了东汉皇朝从中兴走向衰亡的几个转折 ,堪称卓识。以其同前人袁宏、后人司马光的史论相比较 ,亦可印证范晔的卓识。今人从中可以获得有益的启示