Frames and framing effects in Chinese online and offline crisis communication: the case study of a celebrity scandal

This study develops a model for analyzing the flow of frames and the multiple levels of framing effects in Chinese crisis communication both online and offline. To investigate the convergence and/or divergence of traditional media and social media in framing a crisis event in China, the study uses the sample of a celebrity scandal case that received extensive attention both online and offline. The empirical findings showed that crisis communicative strategies (CCSs), that is, the frames used in crisis communication, were correlated with those used in newspaper coverage (i.e. frames in representation) but were not correlated with the CCSs used by the online public (i.e. frames in thoughts). Specific and defensive CCSs, such as attacking the accusers and denial, led to fewer favorable responsibility-oriented frames than ambiguous strategies, such as excuses and justification. This finding supports the assumptions of classic situational crisis communication theory. However, none of the above-mentioned CCSs significantly predicted the relationship-oriented frames in thoughts. Relationship-oriented frames were found to be a predictor of the valence of online public opinion whereas no CCS was observed to be influential in the online public opinions expressed by social media users.     

A Waif's Progress

This paper draws on a case study of media images of the British model Kate Moss to think through questions of affect, ideology, and pleasure in relation to fashion imagery. The question of whether and to what extent media images affect spectators is central to contemporary feminist media studies. The “turn to affect” has revitalised the debate about the extent to which media images can be held accountable for oppressive effects on the spectator's body image, with affect theory often being pitted “against” feminism in this regard. As Clare Hemmings states, affect theory emphasises how emotions place individual bodies in a circuit of feeling and response, connecting them to one another in ways that are potentially transformative. Through a critical reading of Kate Moss as a highly visible figure of projection, anxiety, and fantasy, I aim to show that whilst affects may be unpredictable, in that some media images become particular objects of attachment and anxiety, they are also mediated and political: that they engage us in intimate relations with ideologies of gender, power, and embodiment.     

A Maternal Heart: Angelina Jolie,choices of maternity,and hegemonic femininity in People magazine

In the last decade practices of celebrity transnational adoption have garnered a significant amount of media attention. Through an analysis of transnational adoption as a site of morality where ideals of femininity are enacted and embodied, this paper brings together celebrity studies, theories of maternity, and literature on adoption in pursuit of studying hegemonic femininity as a social phenomenon spread by media discourses. Focusing on Angelina Jolie as an epistemic individual, this paper draws on concepts of female moral authority, global motherhood, and successful femininity to explore the ways transnational adoption adheres to norms of femininity and norms of racial hierarchy in an era of autonomy and choice. In a critical discourse analysis of articles covering Jolie’s transnational adoptions from People magazine, narratives of choice, individualism, and mobility emerge. Such narratives contribute to Jolie's hegemonic position as a globe-trotting, mobile figure of successful femininity made possible by her position in gendered, raced, and classed hierarchies. Jolie's presence in the mediascape continues to signal boundaries of femininity through choices enabled and constrained by historical ideals of motherhood, global dynamics of transnational adoption, and expectations of female moral authority.     

绍兴名士文化翻译现状及其对策研究

该文以功能翻译的目的论和公示语理论为依托,结合绍兴名士文化开发中出现的翻译失误语料,考察了外宣中相关译本的四类翻译失误,分析了这些失误的原因,并提出了三点对策。     

The effect of charitable giving by celebrities on the personal public relations

This study examined how charitable giving by entertainment celebrities influences celebrity personal public relations. Survey participants showed positive attitudes toward charitable giving. Attitudes toward charitable giving positively influenced celebrity credibility perception. Credibility also influenced attitudes toward the celebrities, which in turn positively influenced the purchase intention of their performance. Also, attitudes toward charitable donations were positively associated with attitudes toward the celebrities. Scholars and practitioners need to note charitable giving as an efficient and strategic personal public relations factor and method.     

Wanting to be Anna: Examining Lesbian Sporting Celebrity on The L Word

This article adds to the limited literature on coming out and on lesbians in sport by highlighting the presence of lesbian sporting celebrity on Showtime's series The L Word. Through a reading of The L Word's character/professional athlete, Dana Fairbanks, we explore the economic impetus and the racial and classed undertones of corporatized coming out narratives. We devote considerable effort to unpacking Fairbanks’ articulation that she wishes to be “the gay Anna Kournikova” and speculate on the consequences of this utterance for both real lesbian sporting celebrities and the lesbian fans that necessarily follow Fairbanks’ corporate-sponsored coming out.     

Stars Behaving Badly

There appears to be a high degree of public tolerance for celebrities who misbehave and break the law. This has given rise to concerns that celebrities are bad role models who are glamorizing antisocial behaviour. However, it would be wrong to suggest that celebrity antics are uniformly tolerated and accepted by the public. The reputation of some celebrities is undoubtedly seriously affected when they breach moral, legal and social codes, while other celebrities suffer few adverse effects. This paper examines the importance of gender and class in ascertaining the limits of permissiveness that apply to celebrity wrongdoing. Female celebrities of a lower-class status are often subjected to very high levels of public scrutiny and punitive media commentary. This point will be illustrated with reference to the British reality TV star Jade Goody and her fall from grace following public outcry about her treatment of her co-contestant Shilpa Shetty on Celebrity Big Brother 2007.     

Welfare Queens,Thrifty Housewives,and Do-It-All Mums

In this paper, we consider how the cultural politics of austerity within Britain plays out on the celebrity maternal body. We locate austerity as a discursive and disciplinary field and contribute to emerging feminist scholarship exploring how broader political and socio-economic shifts interact with cultural constructions of femininity and motherhood. To analyse the symbolic function of mediated celebrity maternity within austerity, the paper draws on a textual analysis of three celebrity mothers: Kate Middleton, Kim Kardashian, and Beyoncé. This analysis was undertaken as part of a larger qualitative study into celebrity culture and young people's classed and gendered aspirations. We show how these celebrity mothers represent the folk devils and fantasy figures of the maternal under austerity—the thrifty, happy housewife, the benefits mum, and the do-it-all working mum—and attempt to unpick what cultural work they do in the context of austerity within Britain. Through the lens of celebrity motherhood, we offer a feminist critique of austerity as a programme that both consolidates unequal class relations and makes punishing demands on women in general, and mothers in particular.     

名人广告的社会效果及其失范控制

名人广告属于证言广告。近段时间以来,由于某些名人涉嫌虚假宣传,名人广告再一次引起社会各界的关注和思考。名人广告对媒体、名人、广告主和消费者带来积极与消极的社会效果。而由于名人广告的失范引起了虚假宣传,带来较大的危害,折射出我国名人自律意识的淡薄和法律规范的空缺,对它的控制措施应是社会各界研究的重点所在。     

The scrapbooking detective: Frederick Porter Wensley and the limits of ‘celebrity’ and ‘authority’ in inter-war Britain

Frederick Porter Wensley was one of Scotland Yard's ‘Big Four’ detectives, head of the Metropolitan Police Criminal Investigation Department and responsible for establishing the Flying Squad. On his retirement in 1929, he used the two bound scrapbooks of press clippings and photographs he had collated to document his personal life and career to inform his 1931 autobiography Detective Days and serialized press articles. Through examining the interaction of material between scrapbooks and autobiographical writings, this article explores how Wensley constructed his post-retirement persona as ‘celebrity detective’ from a canny understanding of what had made him a commercial subject for the press. It argues that Wensley recast his life to promote his own successes at the expense of a narrative of police unity, providing a vehicle for him to suggest further changes to the structure of the police force without official sanction. By juxtaposing this against tightening legislation on police communication with journalists during the inter-war period under the Official Secrets Acts, this article demonstrates how the ‘celebrity’ that Wensley sought to occupy was increasingly regarded as irreconcilable with police ability to effect ‘impartial’ regulation, anticipating the concerns raised by the 2012 Leveson Inquiry into the Culture, Practice and Ethics of the Press. The article thus charts a turning point in defining the relationship between police and press.