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101.
袁瑾 《河南科技大学学报(社会科学版)》2003,21(1):70-73
古希腊悲剧诞生于祭神仪典 ,它的生成及独特魅力同戏剧起源一脉相承。在仪式与神话的交互作用下酝酿出古希腊戏剧中特有的命运感、神秘性、牺牲的祭典这几种突出的悲剧性体验 ,这些体验带有强烈的原始思维和原始激情的显著特征 ,也正是这种独特之处促使古希腊悲剧孕育出光辉灿烂的艺术成果 ,在戏剧史上占有举世无双的地位。 相似文献
102.
Lea R. Dougherty 《Social Development》2006,15(3):394-417
Over the last 15 years, the role of emotions in children's peer relations has received greader attention. The purpose of the meta‐analytic review was to determine the magnitude of the relation between negative emotionality (NE) and positive emotionality (PE) and social status. Based on 54 independent samples, the overall effect size for the relation between children's NE and social status was in the moderate‐to‐small range, and this effect size was similar across all types of NE (i.e., general measures of NE, anger, fear and sadness). Based on 10 independent samples, the overall effect size for the relation between children's PE and social status was in the small range. We found that the assessment method for anger significantly moderated the relation between anger and social status, and the context in which PE was observed significantly moderated the relation between PE and social status. This article concludes with a set of recommendations for the next generation of research on children's emotional and social competence. 相似文献
103.
徐光萍 《江苏大学学报(高教研究版)》2000,(3)
台湾老一辈女性散文家与传统文化的联系比较紧密,其女性意识显示出温婉典雅的风范,又往往带有文化转型期所持有的矛盾情感。60年代以后登上文坛的散文家,其女性意识的独立性和审思性大大超过了前辈。这种女性意识在八九十年代达到了峰巅。 相似文献
104.
心理品质是由文化素质内化而形成的 ,一个民族或族群的心理品质往往是构成其文化特质的重要因素。以黑衣壮民间风俗为载体 ,沿着黑衣壮人的情感智商———心理共性品质———文化特质的思路 ,解读黑衣壮民间风俗所反映的黑衣壮人的情感智商 ,进而透视隐含在其中的带有共性的心理品质 ,有助于我们进一步认识该族群的文化特质 相似文献
105.
张辉遒 《湖北民族学院学报(哲学社会科学版)》2004,22(5):104-106
在英语学习中,听力理解会受到许多因素的影响,特别是语言因素和非语言因素的影响。本文主要从文化差异、情感因素、听力技能三个方面简述了非语言因素对学生听力理解的负面影响。并提出了相应的解决方法,旨在提高英语听力的教学效果和学生的听力水平。 相似文献
106.
刘道广 《东南大学学报(哲学社会科学版)》2001,3(2):76-80
文人士大夫的艺术活动从本质上说,应该是“业余”的,是传统的带有人格修养自我完善的一种载体,所以也是“自娱”的。民间艺术活动中相同一部分是职业艺术家所为,从社会画师到说书艺人、戏剧班子,他们的艺术活动本身就是谋生的手段,所以他们的一切艺术活动为“娱人”而出售的对象总是要使他们在创作活动中体现自己的“生活价值观念”,当然也就在艺术活动中反映出一种审美的意趣倾向。在文人士大夫审美观念中往往认为是“粗俗”的东西,却反而会被他们奉为神往的目标。由于中国历史上文盲充斥,“高雅”的文人艺术及其审美价值观念远不及后者对社会文化意识的影响深度。 相似文献
107.
This article examines the nature and conduct of nineteenth-century courtship through the prism of the largest sample of coronial court records ever assembled. These records deal with unexplained or violent deaths and often involved the extensive gathering of testimony from witnesses and other community stakeholders. A surprising number of cases were either directly connected to courtship, or witness statements provide evidence on courtship practice and custom. Focusing particularly on records for the English Midlands, we offer a new model of typologies of courtship experience running across a spectrum from serene and unproblematic through to the obsessive relationship that ended with murder or violence. Dealing in more detail with individual cases, we illustrate the value of the material for understanding the lived experience of courtship and address three broad questions. What range of actors (family, friends, neighbours, employers, lodgers, etc,) was involved in courtships among the labouring classes? What was the emotional context within which the courtships of ‘ordinary people’ were played out? And how did ordinary people experience the human journey of courtship? We suggest that it was possible for men and women to construct completely different versions of courtships, that relationships were fragile, and that the capacity for individual agency in courtship was much more circumscribed than has often been allowed for this period. 相似文献
108.
This paper illuminates children's emotional responses to an atrium in a contemporary Canadian paediatric hospital. It draws on a focused analysis of data elicited in a qualitative study that explored patients' perspectives on the design and architecture of the atrium. Children were involved in all phases of the project either as consultants on the research methods or participating in interviews and taking photographs of the space. The atrium consists of a main lobby with a high windowed ceiling, brightly coloured elevators with exposed mechanisms, information desks, a large fountain and food venues. Children expressed a range of emotions associated with the space. The findings demonstrate children's ability to identify multi‐faceted issues related to hospital design and affirm their rights to participate in decisions regarding spaces that purportedly are designed for them. 相似文献
109.
Pride is often felt in the work context, but should it be shown to others? Pride displays communicate one’s own success and status, but can show a lack of interpersonal sensitivity. This double-edged nature of pride is not fully understood in organizational contexts; we do not know under what conditions pride displays are beneficial, or detrimental, to career advancement, team dynamics, and leader influence. In this article we integrate signaling theory with sensory habituation and sensitization concepts to develop a new contextualized model of pride at work. Specifically, we propose that pride displays are signals for two primary social judgments that have important implications for organizations: competence and warmth. We make the case that, while pride display under conditions of information asymmetry (lack of information about the sender) signals competence, repeated displays hasten habituation to that signal and instead foster sensitization to a (low) interpersonal warmth signal. Furthermore, additional characteristics of the sender, receiver and audience determine the signaling of these two social judgments from pride. This model advances theory by contextualizing the social function of pride, and suggests new research directions for emotion regulation, impression management, and the rise and fall in social hierarchies, with implications for newcomers, teamwork, and leadership in today’s workplace. 相似文献
110.
Avihu Shoshana 《Sociological Forum》2016,31(1):53-71
This article offers a cultural‐sociological analysis of interpretations by viewers from different classes on the most popular reality show in Israel, namely, Big Brother. The findings of this study show dramatic differences in viewing practices according to class and ethnic distinctions of the viewers. Viewers from the upper socioeconomic class primarily addressed the way in which the subjects from the low socioeconomic class and marked ethnic groups appear in their eyes: that is, the processes affiliated with Othering. These ethno‐class distinctions were translated into unique viewing practices: the identification of what are called, “cult moments” or “grotesque moments.” These moments are depicted as ridiculing the “exaggerated” behavior of members of the low socioeconomic class and specific ethnic groups. Viewers from the low socioeconomic class offer more imminent (and less distant) perspectives on the Big Brother program. They relate to a broad spectrum of content that was broadcast in the program, identify with the participants from their group, criticize the judgments and the cultural hierarchies of marked group members, and describe how political anger accompanies their viewing of the reality program. The discussion section suggests the connection of these subjective interpretations and widespread cultural scenarios about class and ethnic identities. 相似文献