《松陵集》的唱和艺术

依情感互融标准,《松陵集》唱和诗作可分成四类:具深情者;具温情者;情不足者;无情者。从内容上看,《松陵集》唱作与和作以趋同为主的关系有三种:承接与照应;互补与回避;开拓与延展。以歧异为主的关系也有三种:切入角度相异;执守观点不同;和作翻新原唱。《松陵集》以次韵为特色,酬唱诗作沿不用韵→用韵→次韵的顺序,趋同的程度加深。     

Caught in a Winding,Snarling Vine: The Structural Bias of Political Process Theory

The study of social movements has recently been energized by an explosion of work that emphasizes political opportunities—a concept meant to come to grips with the complex environments that movements face. In the excitement over this new metaphor, there has been a tendency to stretch it to cover a wide variety of empirical phenomena and causal mechanisms. A strong structural bias is also apparent in the way that political opportunities are understood and in the selection of cases for study. Even those factors adduced to correct some of the problems of the political opportunity approach—such as mobilizing structures and cultural framing—are subject to the same structural distortions. We recommend social movement analysis that rejects invariant modeling, is wary of conceptual stretching, and recognizes the diverse ways that culture and agency, including emotions and strategizing, shape collective action.     

试论萧红作品中的故土情结

萧红，这位呼兰河的女儿，用手中的笔描绘着那方黑土地的“原始，蛮荒，愚昧”，表达着对故土人民的爱与忧伤，痛苦与批判。她以灵魂的在场，真实地、历史地写出了黑土地上人们的“精神奴役的创伤”，写出了黑土地上人们悲剧性的生存状态与麻木的生命意识。在她至情至性心血凝成的文字背后，渗透出无限爱意和柔情。     

An empirical study on the relationship between consumption emotions and brand loyalty

Consumption emotions play a crucial role in consumers’ post-purchase behaviors. Evoked by potentially controllable factors related to marketers, consumption emotions fall into a two-by-two matrix: attribute-level emotions (ALE) and beyond attribute-level emotions (BALE) with positive or negative latencies. ALE is related to product, and BALE is related to marketing communication. The authors hypothesized a model of consumption emotions in relation to brand trust, brand affect, and brand loyalty in product consumption. The study tested the model by using a sample of 398 college students and applying structural equation modeling. The results supported most the hypotheses, suggesting indirect effects of the four major types of consumption emotions on brand loyalty via brand affect. Furthermore, the study revealed the direct effects of positive or negative emotions at the attribute level. The positive emotions on brand trust were induced by marketing communication, which in turn led to higher levels of brand loyalty. Nevertheless, the effect of negative emotions on brand trust was non-significant.     

人间情怀与天人呼吸——论陶渊明的生活态度

陶渊明的人生态度是在常年的疾病和亲人的死亡挣扎和领悟中的结果，他对生命热爱而又超脱、看似离世却又总依于人间的情怀，使他在俗世的空气中作着天人的呼吸，体悟着生命的真谛，这是形而上和形而下的完美融合，我们可以在他所表露出来的对“新”和“夕”这两个相悖的词语的喜爱中体察出来。     

Infant-Mother Attachment at One Year Predicts Children's Understanding of Mixed Emotions at Six Years

Data from the six-year follow up of a longitudinal study investigating intergenerational patterns of attachment and the effects of early relationships upon subsequent social, emotional and cognitive development are presented. Around the time of their sixth birthday, 63 children participated in an affect understanding task, involving cartoon diagrams depicting social and emotional dilemmas. As predicted, performance on this task, assessed in terms of mixed-emotion understanding, was predicted by security of the infant-mother attachment relationship (as assessed in the Strange Situation at one-year) and security or autonomy in the mother's representations of, and reflections upon, her attachment history (as assessed with the Adult Attachment Interview of AAI–during pregnancy) prior to the child's birth. Regression analyses suggested that the infant-mother attachment data significantly enhanced the prediction of an advanced understanding of mixed emotions at six-years, even after controlling for variations in the children's age at time of testing, as well as child and parent verbal skills. The inclusion of earlier assessments of the child-father Strange Situation assessment (at 18-months) did not enhance the model; nor did the attachment status of the mothers or fathers as observed in their prenatal AAIs. Discussion concerns the contributions of early attachment processes, including family conflict, to the ability to verbally express an understanding of mixed emotions in a task depicting hypothetical social and emotional dilemmas.     

文化模式中愤怒隐喻的解读

本文将英汉两种语言中的情感隐喻进行对比分析,具体的研究对象是表愤怒的情感隐喻.这两种语言都遵循同样的原则:都是以描述由这种情感所产生的生理反应来表达这种情感.但是在选择具体由哪种隐喻来表达情感又有不同,这是由这个国家的文化模式所决定的.因此,隐喻既建立在身体经验的基础上,又受到文化模式的影响.     

从梦想到救赎——科幻影视剧的人类情感折射

随着影视制作技术的发展,影视剧越来越适合表现科幻题材。从主题上来看,科幻题材影视剧具有很大的超越性,在各种科幻题材影视剧中,对科技与人类的关系有着深层次的表现。但是长期以来,科幻影视作品内部亚类型的划分更多的是依据科幻影视的外部表现形式来进行的。如果从人类情感的发展出发,对科幻影视剧进行归类,就可以看出科幻题材影视剧所体现出来的人类情感线索：从对梦想的自信到怀疑,再到宗教的救赎。     

论宋代咏物词的两大创作范式

文章把宋代咏物词分为两大创作范式。第一种范式重在摹写物态,具体写法又有状物与体物二种。状物者力求穷形尽相,即“尽物之态”;体物者力求潜心于物,以“穷物之情”。第二种范式重在即物言情,具体也可分为两种,一种是托物言志,即借物之特征以寄寓某种人格精神;另一种为因物寄情,即借客观事物作为引发情感的触媒。     

镜像迷恋与纪实寻求——论新生代导演的两类文本

发轫于20世纪90年代初的新生代导演的创作走到21世纪的今天,渐渐凸现出两种风格、两类文本,这就是音乐情绪片和纪实片.情绪化的影片人物,"碎片"式生活幻影,拼盘式的镜像语言,MTV式的镜头快接方式,摄影镜头的激情晃甩,大段大段摇滚音乐演唱……充盈的"音乐情绪"弥漫在新生代早期的创作之中,颇具叛逆精神的摇滚乐似乎成为初期新生代群体作品的一致商标.这种音乐情绪依旧投射在进入21世纪的新生代作品中.而关注中国底层社会人生"当下处境"的纪实电影却成为21世纪新生代创作的主潮,成为新生代作品另一类文本.