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31.
This study redresses a gap in the literature concerning the outcomes of emotion work by exploring how both integrative and masking emotion work relate to marital quality and marital conflict. Using data from a random sample of dual-earner couples in a northeastern city in an upper Midwestern state (n = 99 couples), this study explores the emotion-work performance of each partner. The findings show that men’s integrative emotion work is only significantly associated with men’s marital quality, whereas men’s masking emotion work significantly predicts their partner’s marital quality, men’s marital quality, and men’s marital conflict. Women’s integrative emotion work is significantly associated with women’s marital quality and their partner’s marital conflict, whereas women’s masking emotion work predicts women’s marital quality and marital conflict. Altogether, the findings suggest that considering both masking and integrative emotion work helps gain a fuller understanding of how emotion work shapes marital outcomes.  相似文献   
32.
Research on domestically violent men typically takes an oppositional logic of gender. While the significance of class in researching domestically violent men is identified, class and gender are often treated as separate entities that do not complicate each other. Drawing upon group observations and in‐depth interviews, this paper identifies how intersections of class and gender manifest in the counselling experiences of domestically violent Taiwanese men. From a Bourdieusian feminist analysis, the authors analyse (1) how class distinctions serve to (re)produce gendered hierarchy; (2) how contradictory experiences of gender reveal a relational understanding of class; and (3) how the gendered nature of domestically violent men is inscribed with a meaning of (working) class specificity for maintaining middle‐class ‘purity’. In analysing men's multiple and conflicting experiences, this paper contributes to research on domestically violent men by showing how class and gender are actively constructed and not produced in a monolithic/invariant way.  相似文献   
33.
In dominant theories of criminal desistance, marital relationship formation is understood to be a key “turning point” away from deviant behavior. Empirical studies supporting this claim have largely focused on the positive role of marriage in men's desistance from crime, and relatively few studies have examined the role that nonmarital relationships may play in desistance. Drawing on 138 longitudinal in‐depth interviews with 22 men and women reentering society from prison, this article extends the scope of desistance research by additionally considering the significance of more fleeting and fluid relationships, and the diverse processes through which romantic relationships of all sorts are linked with criminal behaviors. We present an empirically based typology detailing six processes, grouped within three conceptual categories, through which romantic relationships had their effects. These pathways include material circumstances, social bonds and interactions, and emotional supports and stressors. We also consider gender differences in these processes. While more tenuous bonds to marginally conventional partners would seem to exert little effect, as one of the few relationships and social roles available to many former prisoners, we found that they wielded important influence, if not always in a positive direction.  相似文献   
34.
20世纪80年代末以来,李泽厚力图在美学上作新的突破,将其后期美学建构的思想基础,从“社会实践本体论”、“工具本体论”转向到“心理本体论”、“情感本体论”,从“自然的人化”转向到“人的自然化”,进而以一种个体性、主观化、感性化的历史观来阐释美学现象和关学问题,这就在根本上放弃了马克思主义实践论这一思想依据和前提。这不能不说是对其前期所倡导的“实践论美学”思想的一种“理论背离”。深究起来,李泽厚后期的上述“背离”,既有特定的社会历史的动因,也有李泽厚个人的心理动因。鉴于李泽厚之于中国思想界的重要性,我们还应通过李泽厚对实践论美学的“理论背离”来简要地分析中国思想界的整体走向。  相似文献   
35.
女大学生具有女性特有的丰富的情感世界。本文从情感体验、消极情感、情感表达、情感追求四个方面解读了女大学生的情感特点,提出了要将女大学生的情感教育与思想政治教育,自我意识、主体意识教育,心理健康教育、女性学教育,营造良好的校园文化环境结合起来,促进她们的情感健康发展。  相似文献   
36.
Emotions matter, particularly in experiences of migration. This article explores how emotions are involved in everyday intercultural encounters and the role of emotions in generating cosmopolitan sociability in the context of migration. The article is based upon qualitative research with 80 Chinese 1st and 1.5 generation migrants in New Zealand. We focus on ‘contact zones’ as social spaces where migrants have uneven opportunities to encounter cultural others and where ‘emotional dissonance’ can emerge through unsuccessful intercultural exchanges. In order to generate a sense of comfort and familiarity in such conflicted spaces, migrants need to invest in ‘emotional labour’ to engage in more cosmopolitan sociability as an attempt to transform ‘contact zone’ to ‘comfort zone’. Through this article we argue that emotions can both promote and encourage, but also undermine and limit the capacity to perform cosmopolitan sociability and build intercultural relations.  相似文献   
37.
The study assessed Israeli students’ emotional–experiential reaction and attitude to different client populations, following a week-long experience in one of five social services settings. The study provides preliminary findings regarding the implications of first year students’ experience on their emphatic skills, a subject that generally has not received adequate scholarly attention. Using a purpose-built, self-administered questionnaire, we found students’ emotional–experiential response to their experience differed by the setting in which they were placed, being lowest in the Bedouin oriented services, intermediate among those placed in juvenile correction services, and highest in mental health, adult and child disability services. Responses were independent of all other explanatory variables, including sex, cognitive ability, previous training experience and perceptual shifts concerning the population served. We discuss possible reasons for these differences.

  相似文献   

38.
海明威小说的情绪线索   总被引:1,自引:0,他引:1  
海明威小说感人的艺术力量来自于其作品中一条流动的线索———情绪。现代主义文学流派的影响、作品特有的情节结构和作者本人的生活经历 ,特别是战争的经历都是这条情绪线索形成的原因。这是一种对死亡的恐惧、逃避和无可逃避的情绪 ,而最后作者又以行动为这一情绪划上了句号  相似文献   
39.
简论思想政治工作的情感艺术   总被引:3,自引:0,他引:3  
讲究情感艺术,以情感人,是提高新时期思想政治工作实效性的有效方法之一.讲究情感艺术应遵循的原则是从实际出发原则、情理交融原则、情真意切原则、以身作则原则,并且应从尊重人、关心人、信任人、激励人等方面体现思想政治工作的情感艺术.  相似文献   
40.
中国民族学的成长与发展已有百年历史,其历程可谓坎坷曲折,饱经沧桑。可以说它是中国社会近现代乃至当代的发展变化的缩影。情随事迁,中国民族学学者伴随学科的沧桑百年,历阅无数彷徨与欣喜,或上下求索,或悲喜交加,或任重道远,或踌躇满志,点点滴滴,一路风雨兼程,在社会变革与审美情趣的转变中经历着自身的情感嬗变。  相似文献   
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