撕开伤口,拒绝忘川——格拉斯《剥洋葱》中的“忆”

格拉斯的《剥洋葱》几乎成了世界的文化事件,其意义却绝非只是简单的"爆料",而是体现了格拉斯一以贯之的立场:作为"针对流逝的时间写作"的公民,以真正启蒙的精神再三撕开伤口,不断反思往昔。本文分析这部自传体写作,从记忆与回忆、诗与真、主我与客我、个体记忆与文化记忆、现代与后现代等张力关系的角度,探讨格拉斯有关"记忆工作"的观点及其百折不挠的拒绝"忘川"的努力。     

关于不报、谎报安全事故罪的几点思考

认定不报、谎报安全事故罪,应注意理解"不报或谎报"、"安全事故情况"、"贻误事故抢救"等客观方面的构成要素;本罪与其他安全事故犯罪发生关联适用时,应数罪并罚;本罪与滥用职权罪或玩忽职守罪发生关联适用时,应以本罪论处;本罪属于过失情节犯,而过失情节犯是存在一定的内在冲突的,将本罪规定为过失情节犯属于立法缺陷,因此有必要将本罪中的"情节严重"修改为"造成严重后果",即通过抛弃情节犯、规定过失犯的危害结果要件来完善本罪立法.     

日本在伪蒙疆政权时期的家畜防疫政策论析 ———以蒙疆家畜防疫处的活动为中心

1937年末日本树立伪蒙疆政权后,为掠夺该地区丰富的畜产资源,实行畜产统制政策,制定了《蒙疆畜产政策要纲》,计划实施马、绵羊等牲畜的改良增殖及家畜防疫,欲为其对外侵略战争提供畜产资源。为加强牲畜防疫,培养兽医及畜产技术人员,设立了蒙疆家畜防疫处及其派出机构,进行防疫研究、防疫用各种血清类的制造和兽疫预防工作。目的是保障顺利掠夺该地区丰富的畜产资源,为日本的战争经济服务。     

分整、协整及时变波动建模理论新进展——兼论诺贝尔经济学奖得主Granger和Engle的工作

综合分析近20年来经济计量建模理论在分数维长记忆时间序列的分析建模、协整(同积)理论的建立以及刻画经济金融波动的时变条件异方差过程的分析建模三个方面发生的重要变化以及在这些领域,Granger和Engle做出的极其重要贡献,并提出新的发展方向和领域。     

记忆的测量模型

本文讨论了正态分布下的信号检测法，对数分布下的信号检测法，双高阈限模型法和非参数模型法等四种具有代表性的记忆测量模型并对以上模型的分辩力指标和反应倾向指标作了分析说明．     

免疫信息系统的数据安全与应用

随着社会的进步,居民生活水平的不断提高,疾病防护与儿童免疫全面信息化管理已经成为社会趋势。而对于该系统的数据安全问题就更显得十分重要,本采用双机热备份系统,对数据进行实时备份。     

Institutionalizing Counter‐Memories of the U.S. Civil Rights Movement: The National Civil Rights Museum and an Application of the Interest‐Convergence Principle

During the post–Reconstruction era in the United States, white southerners marked the cultural landscape with monuments and memorials honoring the Confederate cause and its heroes. These racialized symbols enjoyed an undisputed claim to public squares and parks throughout the South. It was not until the late twentieth century that commemorations to the black freedom struggle were publicly supported. This analysis examines the institutionalization of counter‐memories of the civil rights movement in Memphis, Tennessee at the Lorraine Motel, the site of the assassination of Reverend Dr. Martin Luther King, Jr. The author draws on collective memory, cultural trauma, and social movements research as well as critical race theory to explain the creation of the National Civil Rights Museum. Using primary and secondary data sources the author examines how social memory agents, a changing political culture, and the passage of time mediated the cultural trauma of King's assassination and influenced the institutionalization of oppositional collective memories. Relying on Derrick Bell's interest‐convergence principle, the author concludes that the creation of this major memorial museum was a result of the convergence of white and black interests, specifically the economic and political interests of white elites and the cultural and political interests of black symbolic entrepreneurs.     

认知方式与线索提示对学龄儿童基于事件前瞻记忆的影响

通过严格控制实验程序,首次考察认知方式和线索提示对8岁、10岁、12岁学龄儿童EBPM的影响,并分析学龄儿童EBPM的发展趋势后发现：（1）8-12岁儿童EBPM能力仍在持续向前发展;（2）认知方式在儿童EBPM加工过程中扮演着重要角色,对年幼儿童（8岁和10岁）来说,场独立者更善于完成EBPM任务,而对12岁儿童来说,场独立者与场依存者都可以很好地完成EBPM任务;（3）线索提示有助于学龄儿童完成EBPM任务,并能弥补场依存儿童EBPM能力上的不足。研究结果支持PM多重加工理论。     

From Restored Past to Unsettled Present: New Challenges for Jewish Museums in East Central Europe

This article examines the institutional development of Jewish museums in Prague, Budapest, and Bratislava from 1989 to the present, with special reference to their role as agents of cultural memory. I consider how these museums contribute to the formation of Jewish identities in post-communist societies, which are themselves struggling to form collective identities. After analyzing the institutional structures and exhibition concepts of these museums in relation to shifts in the politics of representation, I propose a core area on which each museum could base its future development.     

The shtetl in the museum: representing Jews in the eras of Stalin and Putin

This article considers the representation of the shtetl in two museum narratives devoted to Jews in Soviet and post-Soviet Russia. The first, the state-funded 1939 exhibit “The Jews in Tsarist Russia and the USSR” was organized by the Jewish Section of the State Museum of Ethnography in Leningrad and remained on display to the Soviet public until the Nazi invasion in June 1941. The second is the privately funded Jewish Museum and Tolerance Center in Moscow, which opened in 2012. Though conceived under radically different ideological and political circumstances, each exhibition conveys a significant message about the place of Jews in Soviet and post-Soviet society, respectively, and each positions the shtetl as a formative arena for Jewish civic identity vis-à-vis the Russian homeland. Across the chasm of over seventy years, these two museum projects raise strikingly similar questions about how and why cultural institutions are mobilized to define the relationship of Ashkenazi Jews and the state. In both cases, the shtetl plays a significant role in narrating this unequal relationship.