《简·爱》的生态女权主义思想

从生态女权主义的视角分析，夏洛蒂·勃朗特的代表作《简·爱》探索了女性和大自然之间特殊的关系，揭示了19世纪英国女性和自然资源遭受男性压迫和掠夺的悲剧事实。小说拒绝男性至上的二元对立的思维模式对女性和自然的统治和忽视，阐释了作者希望解放女性和自然，发展女性自我意识，构建一个两性完全平等、和谐生存的理想境界。小说中的生态女权主义思想完全弥补了前人在这一领域的不足，为以后的读者提供了广阔的生态思考空间。     

A Brief Reply to Dutton

ABSTRACT

This article is a brief reply to Dutton's rebuttal (Dutton, this issue) to the author's critique of Dutton's analysis of the role of gender in intimate partner violence.     

从《墙上的斑点》看伍尔芙的现代主义和女权主义的形象聚焦

伍尔芙的短篇小说《墙上的斑点》在评论界素以其采用的意识流技巧而闻名。本文认为它是一篇传达现代主义和女权主义观点的作品 ,这比其意识流技巧更为重要 ,因而也更应受到人们的关注。伍尔芙认为现代主义是通过对“奇怪的、不连贯的思维碎片”美化后而取得的定义 ,这种想象的存在比外在现实更为真实 ,即心理的现实主义。而传统的“爱德华时代的工具”是为男性需要服务的 ,女性必须使用“两性合一”的语言 ,进行一场“思想的战斗”来打破传统     

Unravelling Mr President’s nomad lands: travelling to interdisciplinary frontiers of knowledge in disability studies

In this article the aim is to challenge essentialist ontological assumptions surrounding the impairment category of ‘learning difficulties’ as it was previously conceptualized in social theory and practice. I ground my knowledge production in self‐advocates connected to the self‐advocacy movement in Flanders (Belgium) and in critical feminist disability studies. Drawing upon the post‐structuralist feminist Rosi Braidotti, who introduced nomadology as a new figuration of layered, embedded and embodied subjectivity, I bring the illustrative nomadic subjectivity of the president of the self‐advocacy network to the public eye. In order to allow disability scholars and activists re‐inscribe new scenarios in our contemporary discourse and shared culture, I appeal for an interpretation of the impaired body and mind as a socio‐political field.     

The Cinematic Quiet Girl from The Breakfast Club to the Badlands

This essay is intended to counteract the omission of the quiet girl from critical media thought and to recuperate her for film history and feminism. The quiet girl is a visible presence across numerous films and genres, from heartfelt melodramas like Corrina, Corrina to gruesome horrors like Carrie. Within these diverse texts, the quiet girl represents a consistent threat to authority. She keeps her thoughts to herself and, as such, just beyond the reach of other's surveillance, delineation and control. Her silences unravel the self-certainty of others and deny them access and closure. But, the threat the quiet girl poses is always in danger of being contained via her transformation into a more outgoing—that is, more knowable—version of herself. If all else fails, the quiet girl risks banishment or death. One text that circumvents the containment of the quiet girl, however, is Badlands. In Badlands, the girl protagonist's increasing silence over the course of the film coincides with her increasing freedom from male rule, suggesting the potential that silence holds for girls and feminism.     

谁在说话——对电影《暖》叙事声音的女性主义分析

分析霍建起导演的影片《暖》可以看出,在叙事时间与经验时间的缝隙里插入的叙事声音,某种程度上改变了故事的基调。本文以女性主义和叙事学为理论支撑,解剖其"温情"后面的残酷。     

人性与权力——论多利默对《安东尼与克莉奥佩特拉》和《科利奥兰纳斯》的解读

文化唯物主义莎评流派代表人物多利默在其代表作《激进的悲剧》中对莎剧的研究基本上是围绕人性和权力进行批评的。多利默通过对《安东尼与克莉奥佩特拉》和《科利奥兰纳斯》两部悲剧中德性问题的分析,认为德性受到权力的制约。多利默的分析使我们看到了社会中政治、权力对人性的塑造起了很大的作用,人性不可能脱离现实的社会政治权力关系而存在。     

欧茨的罗曼司、滑稽模仿与女性主义

文中通过对欧茨的《布鲁德斯摩传奇》主题与人物形象的分析,探讨该小说同路易莎.梅.阿尔考特的《小妇人》的互文关系,说明欧茨运用滑稽模仿的后现代创作手法对罗曼司这一创作体裁的吸收与逾越,强调欧茨的女性主义创作视角的重要意义,凸显历史文本中女性缺席和受贬抑的事实。     

广告的女性主义批判:迷失了"靶心"

女性主义批判对广告中女性待遇的描绘和批判不乏意义,但却未找到恰当的批判对象.广告,包括广告主、广告创作者和代理机构,以及广告媒介并非刻意与女性为敌,真正桎梏、贬低、侮辱、矮化、性对象化女性的罪魁是男权社会本身.改变这一切将是一个渐进的过程.     

屈辱和忽视：一种女性主义哲学的批判——《民长记》《撒慕尔纪下》的父权制思想诠释和反思

从女性主义哲学视野出发,深入细致地分析《旧约圣经》有关片段存在的父权制和男权主义思想,它对女性的忽视,造成妇女的身体和心理的伤害。启迪女性主义者应该关注男性对女性忽视所酝酿的极大悲剧。让男性直面女性,关注女性,注视女性;让女性用女性的视野,重新构建新的价值观和世界观,与男性一起构建起性别正义、自由、平等与和谐的共同体。试图揭露人类文明是一部忘记女性,使女性受屈从和忽视的历史,从而唤起女性对生活世界的知觉与对生活的信心和勇气。