关于中国化马克思主义哲学形态的研究述评

马克思主义哲学在中国的传播和发展已走过了90余年的风雨征程,马克思主义哲学在中国90余年的发展中呈现出了色彩斑斓和丰富多彩的画卷,并产生了独特的中国化马克思主义哲学形态,大体上有三种主流形态,即历史唯物主义和辩证唯物主义、唯物辩证法和唯物史观与实践唯物主义。辩证唯物主义和历史唯物主义是中国化马克思主义哲学的第一种形态,它是黑格尔哲学的辩证法的＂合理内核＂、费尔巴哈哲学的唯物主义的＂基本内核＂和马克思的新发现（即唯物史观）三者之总和;唯物辩证法和唯物史观是中国化马克思主义哲学的第二种形态,它是马克思主义理论先驱进行艰难探索的理论成果;＂实践唯物主义＂是中国化马克思主义哲学的第三种形态,把马克思主义哲学理解为＂实践唯物主义＂及其在中国的发展,这对繁荣和发展中国的马克思主义哲学具有重大的学术意义。     

从维特根斯坦后期哲学思想看语言性别研究

维特根斯坦后期哲学思想的两个重要概念,一为语言游戏,二为生活形式。前者强调了语言的不确定性、非理性,后者则引入语用环境或是社会文化环境确定言语的意义。而性别语言研究也经历了从早期的性别二元论到后期的后结构派女性主义的性别观,文章从维氏后期动态的语言观以及对待模糊自然的日常语言的方法出发,借助维氏后期哲学里的这两个关键概念讨论早期性别语言研究即性别二元论存在的诟病以及后结构派女性主义对相对二元论的一些优势之处。     

女性主义与和谐世界：启示和借鉴

20世纪90年代初伴随着冷战秩序的终结,世界秩序问题再次凸显。这为中国和谐世界秩序主张的提出和女性主义世界秩序理念的形成提供了历史契机。通过对这些理念进行梳理,发现二者在目标设计、强调关联性、重视边缘者、实现途径等方面存在诸多共同之处。这就使得二者能够相互借重、相互支持,共同为世界新秩序的构建作出努力。     

简析翻译学文化转向的兴起及发展

从探讨内部动力和外部启发着手,文章简要梳理分析了翻译学文化转向的兴起和发展.翻译研究学派倡导翻译应该以更广阔的社会、历史、文化为背景.翻译学文化转向的出现是翻译发展过程中的一个突破,为翻译的发展开辟了全新的前景.随后,后殖民主义和女性主义也蓬勃发展起来.     

后殖民语境下的黑人女权主义——以艾丽丝沃克的妇女主义为例

艾丽丝.沃克是本世纪著名的黑人女性作家,她的长篇小说《紫色》,因为对性别压迫和种族压迫的双重揭示,在社会上形成了强烈地反响。她以双重边缘人的姿态述说了一个黑人女性成长到蜕变的辛酸历程。正是因为其特殊的身份,使得她的作品多了一种后殖民主义的观照。我们也得以透过后殖民女性主义的视角对其进行一种全新的理论阐释。     

西方女性主义媒体研究述评

随着理论认识的变化,西方的女性主义媒体研究大致经历了形象分析、文本分析、文化研究三个阶段。在形象分析阶段,研究者主要关注大众传媒对女性形象的塑造,认为媒体倾向于较少、较低、刻板化、类型化地呈现女性形象;在文本分析阶段,研究的主要任务是揭示文本中被编码的、深层的父权制意识形态;在文化研究阶段,研究者突破了文本的局限,把关注点投向了女性受众、日常生活、社会情境等现实层面上来探讨性别文化及其建构过程。     

“管理学之母”福利特与女性思维方式的新转向

被称为“管理学之母”的福利特与女性主义有着密切的关系。她主张关系思维,批判那种自我与他者对立的思维,这对解决传统女性主义发展中的思维瓶颈有着积极的启示。福利特为女性与男性,人与人,以至人与自然的和谐发展及共存共荣带来了新思维。     

Digital feminisms: transnational activism in German protest cultures

Abstract

This Introduction provides the context for the articles in this special issue and identifies a set of reoccurring themes. After offering some historical background on the developments of feminist activism and feminist movements in the German context, the editors particularly highlight two main and interrelated thematic strands: feminist activism under or in neoliberalism and the complexities of negotiating questions of race and difference between women in feminist activisms in the highly visually determined digital age. Reflecting on the arguments in the different contributions in this volume, this Introduction seeks to suggest ways in which the ambivalent messages that digital feminist activisms create in the contemporary political moment become politically productive.     

How (not) to “Hollaback”: towards a transnational debate on the “Red Zora” and militant tactics in the feminist struggle against gender-based violence

Abstract

The Red Zora was formed in the mid-1970s as a subgroup within the militant leftist network Revolutionary Cells. Like other militant leftist groups in West Germany, the Red Zora deemed the use of physical force against property, and in some cases people, to be a necessary part of national and international political interventions. But the group had a radical feminist philosophy. Between 1977 and 1995, the Red Zora carried out dozens of attacks with an explicitly feminist agenda. This paper gives a brief overview of the activities of the Red Zora and of feminist responses to the group. Against the background of Germany’s fascist past and political violence in the FRG, feminist activists in Germany were understandably reluctant to discuss ideas and activities that could associate the women’s movement with left-wing “terrorism.” This article shows that “Hollaback!,” #aufschrei and other recent campaigns by feminist activists in Germany have reinforced rather than challenged the feminist silence on the Red Zora. While German feminists have only begun to document the history of the group, activists in other countries show that one does not have to agree with the tactics of the Red Zora to productively engage with the activities of this group.     

Performing the “quing of berlin”: transnational digital interfaces in queer feminist protest culture

Abstract

This paper employs the figure of the “interface” to explore the work of German feminist rapper and spoken-word performer Sookee (Nora Hantzsch), who constitutes an ideal case-study for examining the interface between digital technologies, transnational feminisms, and local activism. Sookee is an underground hip-hop artist and queer political activist in Berlin, a location which features in her work as a site of subcultural dissent and contested identities. Sookee is also an academic; a youth outreach worker; a significant online presence; and an international creative collaborator. As such, she navigates the interfaces between multiple social groups, media, discourses, and cultural contexts—regional, national, and transnational. This article focuses on the digital circulations of Sookee’s material against the backdrop of her local performative and activist work. Her transnational collaborations with women MCs and poets from South Africa and America, as well as Europe, celebrate cultural, linguistic, racial, and ethnic difference by bringing in a diverse range of feminist voices to the German context.