艾米莉·勃朗特的自恋倾向

依据弗洛伊德精神分析理论中有关自恋的理论,可以发现艾米莉.勃朗特在孩童时期经历的心理创伤导致她具有一定的自恋倾向。她所居住的环境、她的男子性格及浪漫主义思想对她的影响都间接地增强了这一倾向,而这一倾向在她唯一的小说《呼啸山庄》中也得到了证实。凯瑟琳和希克厉把对方视为自我的“理想意象”,追求着二者的合一。     

“那是她们自己的投影或映象”——对20世纪90年代女性小说中女性自恋与同性恋的考察

20世纪90年代的女性小说中，女性自恋与同性恋曾形成为一个巨大浓厚的情结场域。它所表现出的文本特征与时代意义，与传统文学中表现的异性恋和男同性恋及其他时期的女同性恋均有不同之处。在男权传统的历史背景下，这一创作现象的出现无疑具有一定的文学意义与现实意义。但其局限性也是显而易见的，必须对此进行及时有效的理性反思。     

当代女性写作的自恋主义倾向

当代女性写作为了颠覆男权主义对女性的异化和扭曲,将叙事视角转为对女性自身的绝对关注.这种回到女性立场反复表现女性意识的对抗,传达出女性经验的自恋主义倾向.其写作姿态有着确定的文化背景和由来.当代女作家自恋主义的文化成因主要体现在文化处境、女性意识、话语参照和文化心理等方面.自恋主义文本的审美内涵体现为性别优越感与生命欲求.此外,文本的高蹈性审美特征致使读者普遍误读.     

Narcissism and abject aesthetics

In this article, we explore the tendency of a number of television and art shows to challenge the usual cosmetic surgery industry’s focus on the before and after images and instead bring to central stage the time of surgery itself, when the body is immobilized, cut open and remoulded. In this context, we refer to the television series Nip/Tuck and also to the art shows of Jonathan Yeo’ You’re Only Young Twice and Anthony C. Berlet’s I Am Art: An Expression of the Visual & Artistic Process of Plastic Surgery. What these television series and art shows have in common is an interest in what we call abject aesthetics, in which the anesthetized, immobile (docile) bodies are fully exposed to the viewer’s gaze as they are cut open to allow intrusion of blood into the diegetic space, creating a breakdown of bodily borders as faces and bodies are opened up and skin is pulled from side to side. We argue that the manifested and enjoyed aggressivity towards bodies is an expression of an increased level of social narcissism, which besides producing an obsession with (adulation for) an ideal body image it simultaneously fosters a strong feeling of aggressivity towards the very ideal, hence the creation in fantasy of scenarios in which the overly restrictive and deadening ideal is torn apart to reveal its abject underside. Finally, we explore the workings of this economy of revealing and concealing, by foregrounding the concept of the abject and by staging an encounter with the grotesque in order to offer a critical perspective on the beauty ideal.     

Birds of a feather?: Firm sales growth and narcissism in the upper echelons at the CEO-TMT interface

Blending conceptual framing from the CEO-TMT interface literature with upper echelons decision-making theory, we develop a model of the role of CEO narcissism and narcissism in the upper echelons. We argue that narcissistic CEOs tend to have higher narcissism in their Top Management Teams (N-TMTs). In turn, TMTs characterized by narcissism can benefit from positive aspects of narcissism while avoiding its pitfalls; especially when strategic decision speed is slower and behavioral integration is higher. In a field study of 104 TMTs from publicly-listed South Korean firms, we find an association between narcissistic CEOs and N-TMT, and that N-TMT mediates in the indirect, conditional relationship between CEO narcissism and sales growth. We also invoke threshold theory in anticipation that outcomes associated with N-TMT may be nonlinear. In support of our threshold hypothesis, we find a curvilinear relationship between N-TMT and sales growth; and this curvilinear relationship is stronger for a small number of TMTs scoring high on N-TMT (> +2SD), where TMTs’ activities are defined by deliberative integration. The pattern of results we report provides evidence for the importance of accounting for narcissism in the upper echelons as a predictor of sales growth, and key contextual moderators of this relationship.     

百年误读：潘光旦“冯小青影恋说”评析

百年前,我国著名优生学家潘光旦出版《冯小青：一件影恋之研究》,首次运用弗洛伊德的精神分析理论对冯小青进行心理分析,指出小青的悲剧根源在于其性压抑而致其心理变态。由于受到梁启超等学者的赞赏,冯小青为性心理变态者之定论遂不可更改。然而,从文学阐释的角度看,潘先生的研究正是对一个文学文本的科学误读。     

浅议网络自恋及其边界规范

网络自恋形式各异,从群体自恋的网络语言到个体自恋的疯狂自拍以及他恋姿态的网络围观,无不体现着网民对现实社会的认识、思考。网络自恋的内容和形式挑战着网络自由的极限、社会道德和法律的底线,必须从网络技术、网络道德和网络法律规范方面进行规范。     

自恋.家庭.疯狂——对尤金.奥尼尔《悲悼》的精神分析

当代著名的美国心理学家克库德认为,病态的自恋来自家庭内部成员之间不能提供良好的自我客体环境,从而使成长发育中的儿童、青少年不能形成良好的心理移情所造成。美国戏剧家尤金.奥尼尔《悲悼》中悲剧人物的病态自恋性格正是儿童时代的移情的失败所形成,所以敌意、自私、贪婪、家庭成员之间相互仇恨、厌恶,情感乱伦频频发生,从而导致女儿鼓动他的弟弟奥林杀死妈妈克利斯丁的情夫,又逼妈妈自杀,而后奥林自杀和莱维尼亚把自己封闭在鬼屋的家庭悲剧。     

Narcissism and Relationship Satisfaction from a Dyadic Perspective: The Mediating Role of Psychological Aggression

The mediating effect of psychological aggression between narcissism and relationship satisfaction was investigated among 128 nonclinical heterosexual couples (N?=?256) in enduring relationships, using the actor–partner interdependence model. The results indicated two mediation paths affecting men’s relationship satisfaction: the higher men’s narcissism, the higher their perpetration of psychological aggression, which, in turn, was negatively linked with their own relationship satisfaction and the higher women’s narcissism, the higher their perpetration of psychological aggression, which, in turn, was negatively linked with their male partner’s relationship satisfaction. The analyses also revealed one mediation path affecting women’s relationship satisfaction: the higher their narcissism, the higher the perpetration of psychological aggression, which, in turn, was linked with lower women’s relationship satisfaction. Recommendations for further research and clinical implications are discussed.     

流行文化与孤独的大众

孤独的大众在 2 0世纪的应运而生是流行文化产生的重要原因之一。作为非常之人的大众具有强烈的自恋心理 ,这在 2 0世纪集中地表现为对自由的逃避即“无聊”。流行文化的出现显然与此有关 ,它成为欲望的满足 ,成为享乐、消费的代名词 ,流行文化只是作为“体验”而存在。