张爱玲《传奇》的现代性和对话性

张爱玲作品常被误读为古典式叙述,但通过对其小说集<传奇>的叙述视角、叙述话语模式和非叙事性话语的分析,可以显示出其艺术表现的现代性.很少有作家像张爱玲那样有着极强的读者意识.她作品中的对话性不仅表现于作品本身,还表现于她与其特定的读者(上海人)之间.     

论宗璞《红豆》的修辞叙事

宗璞的<红豆>自发表以来,一直颇受争议,主要是对其主题革命战胜爱情的分歧.用小说修辞学的方法,从叙述者、主人公、读者三个不同视角,可挖掘出导致文本主题与实际效果差异的深层原因:革命战胜爱情的确是作者最初的创作意图,然而这一意图并非发自内心,而是受当时政治压倒一切的时代氛围的影响.作者依靠了两个不同的身份--叙述者和主人公一分别传达自己的意图,而两个身份之间的不稳定性最终导致了作者的情感分裂.因此作者在极力表现这一主题时,显得用力不当,由此导致文本主题的不确定性.     

试论老舍小说语言的三大系统

老舍先生的小说语言之所以风格鲜明，魅力独特，是因为它是作家在一整套文学语言理论的指导下自觉实践的结果。老舍先生的小说语言形成了三大独特的系统：字、词、句、段、篇、章的表达系统，辩证统一的审美系统，以“心”立“言”、以“言”造“境”的语境系统。     

Tales of transition: self-narrative and direct scribing in exploring care-leaving

Direct scribing is a technique that transforms oral discourse into written text, basically by typing oral material verbatim . It was developed in practice with youth in child welfare care and adapted for research data collection. The technique flattens the power imbalance in the interview situation and between oral speech and written text, supports self-reflection, democratizes the ownership of written material, is potentially empowering, and is an efficient means to produce high-quality text. The origins in practice are reviewed and a research application is discussed in detail. Thirty youths aged 18/19 from child welfare constructed self-narratives about how they conceptualized and managed the adolescent transition, and collaborated with the researcher in analysing the narrative as a story. Each interview was direct scribed and printed copy given to the participant. Participants were introduced to direct scribing by completing a questionnaire presented on a note-book computer, and some took part in a gender-specific group discussion as a final data-collection event, which was audio-taped and transcribed. The value of direct scribing and self-narrative in this research project and possibilities for other applications are discussed.     

碎片化构筑的智力博弈——电影《太阳照常升起》叙事分析

《太阳照常升起》以崭新的视角和独特的叙述方式吸引着观众的视线。这种独特的叙事主要呈现为碎片化的特征,即从组合段叙事、非情节叙事、开放式结局三个方面对影片进行阐释,并展示导演和观众间的一种智力博弈。     

文化英雄与性别叙事——对李连杰电影《霍元甲》的一种女性主义解读

<霍元甲>的经典形象是民族意识和男性话语的历史产物.2007年由李连杰主演的同名电影对这一文化经典的重新演绎,虽然已经意识到以往完全被忽视的女性形象和性别符号,然而在突出呈现文化英雄的民族主义话语的同时,仍然落入父权主义和男权话语的历史叙事模式.运用当代女性主义理论,通过深入解读影片中的性别形象内涵,从而揭示出在民族英雄的历史叙事中被传统父权话语所遮蔽的性别批评空间.     

和谐文化的结构层次与价值体系

文化是一个不断演化发展的生命过程,考察文化,离不开对文化结构和文化层次的分析.广义的文化包含物质的、政治的、精神的、和谐的四种不同的形态.和谐文化价值体系是三个层面的有机统一体:一是物质文化、政治文化、精神文化等不同形态文化的内在和谐及相互和谐;二是和谐的理念和价值体系;三是和谐理念和价值观念引导社会物质生活、政治生活、精神生活三者协调发展所达到的和谐状态,也就是我们理想的和谐社会.     

Bringing the owners back in: An analysis of a 3-mode interlock network

This paper examines the association between ownership and director interlocks in Swedish big business during the period 1990–2005. By analyses of the 3-mode network of owners, firms, and directors, multiple director assignments are shown to be highly dependent on owner interlocks. The findings provide a new understanding of the mechanisms behind the formation of director interlocks. Furthermore, the association between the interlock types suggests that the ownership network may potentially (co-)produce some of the phenomena that have been attributed to the director network. Future analyses of director interlocks have to bring the owners back in.     

What do lesbians do in the daytime? Recover

This paper examines a narrative taken from an ethnographic interview, for the speaker's conversational construction of lesbian and other identities along with ideologized personal history. To tell her story, Marge shifts to the discourse style used in the meetings of addiction recovery groups. She prioritizes the recovery (twelve-step) program's coherence system, structuring her life story in conformity with its terms while narrating a complexly queered identity. Four analyses are given, beginning with a Labovian formal examination and proceeding with a consideration of three types of discourse echoing: interdiscursivity, intratextuality, and manifest intertextuality. This study demonstrates the analytical linking of nonpublic linguistic discourse to social discourses; individual identity construction to social construction (and its coherence systems); and personal history to historical eras. The paper adds the concept of a metalevel complicating action to narrative theory and develops a means of examining intratextuality for critical discourse analysis. It presents a revised view of essentialism for the sociolinguistic study of gender and sexuality.     

乡土传统的两种想象和叙事

五四以来，文学创作中的乡土传统走着两条道路，一条为诗性的乡土叙事，充满温情的忆念。另一条为批判和反讽，重在揭示农民身上的劣根性。贾平凹的长篇小说《秦腔》，再现了清风镇乡民们的日常生活，沿袭着乡村叙述的反讽路子，揭示批判了农民身上的痼疾和问题，表达了农耕文明行将消亡的现实状态。《高兴》预示着贾平凹创作上的一个值得注意的新变化，这部作品的叙事充满温暖，特别是以主人公刘高兴为代表的拾破烂群体，他们之间的相互关爱帮助，成为一道温暖人心的风景。尽管他的外部环境冷漠冰凉，但是在人物生存的小群体精神依存上，依然让人感到了希望之光。