精诚所至 金石为开——池田大作海外经典演讲述评

日本著名佛教家池田大作的海外演讲集,是一部不可多得的经典作品。围绕着国际和平的主题思想,池田在国际学术舞台上,天才般地演绎了以佛教哲学为基础的"和平论",所到之处,无不受到热烈欢迎和高度评价。池田的演讲,从内容上讲,根据佛教的法理,在严密的逻辑推理下,深入浅出地论述了国际政治的各种悬而未决的难题,令人信服地指出了国际和平主义主导未来世界的必然性;从形态上说,依靠深厚的文学修养,遣词立意,刻章琢句,达到了无懈可击的境地。此外,池田在演讲中表现出的大智若愚、平易近人的态度,亦给人留下深刻的印象。     

自主一依存框架下移就辞格的认知研究

移就作为一种修辞格，一直是修辞学和语言学领域被关注的研究对象。基于徐盛桓先生有关话语生成的“自主一依存分析框架”，移就辞格的生成机制为：移就源于说话人的意向性；修饰语的移动和重新就位是在意向性主导下，在相邻／相似关系作用下从自主成分到依存成分的推衍过程，知觉的理解性和恒常性是推衍过程的心理基础。     

后现代语境下的言意关系--基于语言哲学的视角

语言能够表达人的思维、情感、意志,但是语言往往又不能准确传达人的所思所想和内心体验。在以语言游戏为主要方式的后现代语境下,语言由工具转变为主体,语言本身即是意义,或是消解了意义。然而语言游戏消解的只是一般的、严肃的意义,却转向了特殊的、鄙俗的意义。语言游戏虽然致力于语言技巧的探索,但“言不尽意”的矛盾仍未能得到根本解决。     

汉语中“一形多义”现象形成的修辞格

"一形多义"是汉语中一种非常常见的现象.它是指一种语言形式,包括口语和书面语,含有两种或两种以上的意义.利用"一形多义"在语音、语词、语句方面的表现,形成双关、换义、飞白、易色、拈连、别解等常见的修辞格,在语言表达过程中有很好的修辞效果.     

Modeling stereotypes and negative self‐stereotypes as a function of interactions among groups with power asymmetries

Stereotypes is one of the most researched topics in social psychology. Within this context, negative self‐stereotypes pose a particular challenge for theories. In the current work, we propose a model that suggests that negative self‐stereotypes can theoretically be accounted for by the need to communicate in a social system made up by groups with unequal power. Because our theory is dynamic, probabilistic, and interactionist, we use a computational simulation technique to show that the proposed model is able to reproduce the phenomenon of interest, to provide novel accounts of related phenomena, and to suggest novel empirical predictions. We describe our computational model, our variables' dynamic behavior and interactions, and link our analyses to the literature on stereotypes and self‐stereotypes, the stability of stereotypes (in particular, gender and racial stereotypes), the effects of power asymmetries, and the effects of intergroup contact.     

‘Singing acts’ from the deep North: critical perspectives on northern exotics,contemporary ethnic music and language preservation in Sámi communities

This paper discusses the relationship of northernness and performances of contemporary ethnic popular music, within the context of critical geography and postcolonial theory. The focus is on the Sámi ethnic minorities of northern Finland. The North of Finland, ‘nature-Finland’, is understood here as an imaginative region which over the course of several centuries has been constituted through various forms of stereotyping, mystifying, exoticising and othering of Sámi minorities in accordance with the nationalist endeavours of Southern Finland. While these stereotypes and preconceptions of northernness have delimited northern cultural activity, contemporary ethnic music is conceived here as a strategic tool with which stereotypes of northernness can be contested and the work of the preservation of ethnic heritage put into action. The focus is on the works of Inari Sámi-singing rap musician Amoc, Skolt Sámi-singing heavy rock girl Tiina Sanila and the North Sámi-singing hard rock band SomBy. Their music is approached as ‘singing acts’ that work as tools for the preservation of ethnic culture and minority languages and for the deconstruction of stereotypes directed at northernness. The paper claims that contemporary contexts and genres within which singing in Sámi languages takes place may inspire the audience to ponder and reconsider their own ways of perceiving Sáminess and northernness.     

自媒体时代“网络话语权”的二元结构解析与规制

自媒体的出现修正了媒体资源分布失衡的弊端,促使个体身份发生角色转变,进而使话语权的行使形成了“话语权利”与“话语权力”两个维度.前者是言论自由在网络空间的体现,后者是个人言论衍生为媒体式表达后形成的超个体权力.“话语权利”的行使应当受国家对言论自由所设的界限限制,“话语权力”的赋予则使自媒体成为国家新闻管理体制下的“准媒体”,其作为互联网新闻信息服务提供者,应当受到约束与规制.     

提升英语口语思辨能力的教学改革策略

针对21世纪对英语口语思辨表达能力的要求,分析了英语口语和思辨性表达的关系,回顾了提升英语口语思辨能力的理论文献,总结了在英语听说课程中实践话题性内容听力导入、小组活动、演讲范例分析和呈现、文学经典作品导入和呈现有效提升英语口语思辨表达能力的作用。     

请求策略理论研究简

“请求”属于一种常见的言语行为,而“请求策略”是语用学相对集中的研究领域,但是理论上的阐释往往不足。因此,本研究选择请求策略的相关理论为研究对象,在介绍请求定义及组成的基础上,论述了交际能力与语用能力、语言语用能力与社交语用能力、言语行为理论、面子理论、礼貌理论等内容,并且进一步探讨了相关理论在请求策略研究上的应用。     

Teaching culture beyond nationalist boundaries: national identities,stereotyping, and culture in language education

The authors take a critical language pedagogy approach to examining a 2011 controversy over disparaging comments towards Mexicans made by commentators of the British Broadcasting Corporation’s automotive show Top Gear. In particular, they focus on the characterization of groups and individuals according to their nationality and examine the ubiquity of nationalism and its ability to shape our conception of culture and in turn our understandings of others as members of ‘X national culture.’ The fact that humor is often a justification for national stereotyping and that these stereotypes are also connected to racist discourse are also explored. In the second part of the article, the implications of the stereotyping debate for language classrooms are considered. The authors argue that the controversy itself can be used as a tool for critical engagement that helps students deconstruct the underlying nationalist paradigm in L2 classrooms and build greater intercultural awareness.

Español: Los autores examinan, desde una perspectiva de la pedagogía crítica del lenguaje, la controversia que surgió en el 2011 debido a los comentarios nocivos hechos hacia los mexicanos por los locutores del show automotriz del BBC, Top Gear. En particular, se enfocan en la caracterización de los grupos e individuos de acuerdo a su nacionalidad, y examinan la ubiquidad del nacionalismo y su capacidad para darle forma a nuestra conceptualización de la cultura y, a su vez, nuestra forma de ver a otros como miembros de una ‘cultural nacional X’. Los autores también exploran el hecho de que a menudo se utiliza el humor como una justificación para los estereotipos nacionales, y que estos estereotipos también están conectados al discurso racista. En la segunda parte del artículo, se consideran las implicaciones para la enseñanza de idiomas del debate sobre los estereotipos. Argumentan los autores que la controversia en sí se puede utilizar como una herramienta para promover una postura crítica que ayude a los alumnos a deconstruir el paradigma subyacente del nacionalismo en el salón de lenguas extranjeras y fomente la conciencia intercultural.