论生态小区的规划设计和生态住宅的建设

生态小区是通过调整人居环境生态系统，使小区成为具有自然生态和人类生态、自然环境和人工环境、物质文明和精神文明高度统一、可持续发展的理想城市住区。生态小区空间结构合理、基础设施完善，生态建筑、智能建筑和生命建筑广泛应用，人工环境与自然环境融合。它与城市规划和区域规划相统一，与区域和城市融洽，是生态城市的一部分，体现了所在城市的风貌和特质。     

桔枳之辩——论亚里士多德《诗学》情节观对现代的借鉴意义

从<淮南子>中的"桔枳之说"为论述的起点,以桔枳之分的角度厘清了亚里士多德<诗学>情节观与现代叙事情节观的差异;从桔枳之转的关系指出了亚氏<诗学>情节观的当代转型途径;从桔枳之辩的认识总结了亚氏<诗学>情节观的当代借鉴意义.     

“生活流”与“意识流”——对新时期小说文体特征的研究

我国新时期小说创作呈现出两种新的独立的文学叙述方式与结构方式,一种是“意识流”,一种是“生活流”。“意识流”遵守的不一定是线性的“顺序”时间,它常常是跳跃的、逆时的、散乱的、交叉性的,打破了因果论、逻辑阐释的时空基础,是对人心灵隐秘的一种原生状态的如实呈现。由于意识形态的原因,我国的“意识流”创作被单纯地看做一种技巧而浅尝辄止,没有深入发展。所谓“生活流”小说创作同样是在结构原则上疏解“情节结构”对世界武断、封闭的阐释,以纪实的态度,还原生活本相,破解单一观念对世界的注释,以开放性的文本提供解读世界的多种可能。但是,在“生活流”小说创作中,由于知识分子放弃了干预生活的努力,从积极的人文立场上退却,一种极端世俗主义、物质主义和功利主义的精神倾向在滋生蔓延、膨胀,足以引起人们的警惕。     

醉里乾坤大 壶中日月长——《水浒传》饮酒描写的文化阐释

《水浒传》的饮酒描写溶入了整个社会的饮食文化之中,并带动整个故事的方方面面,既有利于人物形象的塑造,又加剧了小说的冲突与矛盾,使故事情节既扣人心弦又妙趣横生。《水浒传》以酒始,以酒终。英雄好汉、平民百姓的饮酒行为,众口流传,形成了独特的酒文化。     

A case–control study relating railroad worker mortality to diesel exhaust exposure using a threshold regression model

A case–control study of lung cancer mortality in U.S. railroad workers in jobs with and without diesel exhaust exposure is reanalyzed using a new threshold regression methodology. The study included 1256 workers who died of lung cancer and 2385 controls who died primarily of circulatory system diseases. Diesel exhaust exposure was assessed using railroad job history from the US Railroad Retirement Board and an industrial hygiene survey. Smoking habits were available from next-of-kin and potential asbestos exposure was assessed by job history review. The new analysis reassesses lung cancer mortality and examines circulatory system disease mortality. Jobs with regular exposure to diesel exhaust had a survival pattern characterized by an initial delay in mortality, followed by a rapid deterioration of health prior to death. The pattern is seen in subjects dying of lung cancer, circulatory system diseases, and other causes. The unique pattern is illustrated using a new type of Kaplan–Meier survival plot in which the time scale represents a measure of disease progression rather than calendar time. The disease progression scale accounts for a healthy-worker effect when describing the effects of cumulative exposures on mortality.     

论中国伦理情节剧电影艺术的创新与发展--以郑正秋、蔡楚生和谢晋的作品为例析

中国电影在20世纪20～30年代以郑正秋等为代表的家庭/伦理情节剧,30～40年代以蔡楚生为代表的社会/伦理情节剧,以及60～80年代以谢晋为代表的政治/伦理情节剧,都善于围绕伦理教化的社会目的,编演引人入胜的故事情节.而在突出浓情化的伦理意识,塑造道德化的类型人物,运用流畅而透明的视听修辞等大众化艺术特征方面得到了不断的创新与发展,体现了雅俗共赏的审美境界.     

发生认识论与能动反映论——从海登&#183;怀特关于事件与故事之差异看两种哲学观的分野

当代美国学者海登.怀特认为事件与故事的差异在于故事特有的生成过程和再现模式。其实,两者的差异不仅体现于此,还在于被"发现"的事件与被"发明"的故事分别是创造性反应和能动性反映两种认识活动的结果。事件与故事之差异折射出发生认识论与能动反映论两种哲学观的分野。     

EMPIRICAL INFLUENCE FOR ROBUST SMOOTHING

A simple graphical method is presented to display the sensitivity of a scatter plot smoother (e.g. loess, kernel smoothers) to perturbations in the data. This enables the robustness of smoothers which have been designed to be robust to be examined directly in particular examples. Graphs are shown of various robust smoothers on several standard datasets, so that the robustness of the smoothers can be compared. The method is found to be useful in revealing features of the smoothers. Related graphs for displaying the sensitivity of a smoother to k > 1 outliers are also presented.     

A New Look at Half-normal Plots for Assessing the Significance of Contrasts for Unreplicated Factorials

The visual inspection of a half-normal plot is a popular procedure for interpreting data from unreplicated factorial experiments. As this technique is somewhat subjective, the plot should preferably be supplemented with a more formal procedure. However, despite the improvements proposed by Zahn, the formal method using the half-normal plot suggested by Daniel seems to be rarely used. We investigate this procedure by using simulations and real data and suggest a modification to improve its acceptability. We also present corrected critical values for a procedure proposed by Lenth which was found to be miscalibrated.     

萧红小说情节结构模式新论

抛开传统小说模式的评价系统,以一种新的视角和思维方式,或者说用“向内转”的方法来探究萧红小说的情节结构特色,发现萧红小说中蕴含一个宏大的情节结构模式———“背弃-逃离”模式。这一情节结构模式贯穿于她的大部分作品中。通过对这一情节结构模式的探究,还发现作家心灵深处隐藏着一个不为人知的复杂而又矛盾的“情结”———“仇父”情结。