人身买卖犯罪的司法适用及立法评析--兼析最高院颁布的两个案例

拐卖妇女、儿童罪和收买被拐卖的妇女、儿童罪的法益是人格尊严 ,且系超个人法益。前罪是状态犯 ,后罪是继续犯 ,两罪既遂的标志是买卖行为完成。只有违背成年妇女意志强行与其性交的和与幼女发生性关系的 ,才是“奸淫被拐卖的妇女”。教唆他人拐卖妇女、儿童给自己收买的只需以拐卖妇女、儿童罪 (教唆犯 )一罪定罪处罚。我国刑法应取消拐卖妇女、儿童罪 ,代之以拐卖人口罪     

论《弃儿汤姆·琼斯的历史》的时空体

时空体理论是俄国著名理论家巴赫金的核心理论之一,对理解和分析文学作品的艺术成就有非常重要的指导作用。运用巴赫金的\     

Abelian and Tauberian Theorems on the Bias of the Hill Estimator

The bias of Hill's estimator for the positive extreme value index of a distribution is investigated in relation to the convergence rate in the regular variation property of the tail function of the common distribution of the sample and the corresponding tail quantile function. Based on the theory of generalized regular variation, natural second-order conditions are proposed which both imply and are implied by convergence of the expectation of Hill's estimator to the extreme value index at certain rates. A comparison with second-order conditions encountered in the literature is made.     

唐人小说中佛寺的艺术功能与文化蕴涵

文章所讨论的是唐人小说中常常出现的一个独特的故事场景——佛寺。一方面,考察了佛寺这一宗教活动场所与唐人小说故事来源的关联,认为在唐人小说创作尤其是一些带有佛教辅教色彩的小说中,不少故事的素材来源都与佛寺或寺僧有关;另一方面,则从叙事文学的艺术建构的角度,分析了佛寺这一独特场景在小说情节结构中的功能,认为唐人小说中所出现的佛寺,分别具有故事情节的背景场景、故事发生与展开的场景及故事情节的场景部件之作用;最后,则通过小说中佛寺这一独特的故事空间场景所发生的各类故事,分析了蕴藏于其中的社会文化内涵。透过上述内容的论述,从一个侧面展示了唐代兴盛的佛教文化对作家及其文学作品的渗透与影响。     

《李尔王》与《长生殿》之情节结构比较

《李尔王》和《长生殿》基本情节结构均是围绕“情感线索”和“动作线索”发展的,前者是两剧的主要线索。两剧围绕“情感线索”发展的情节高潮和结局表现出与沿着“动作线索”展开的悲剧性毁灭情节的高潮和结尾相反的,或者说喜剧性的表现手段。前者中的暴风雨意象和后者中的月亮意象及花的意象分析两剧为情节的发展和结构的统一起了重要作用。     

试论《福乐智慧》的戏剧特征

对《福乐智慧》的研究范围大多都集中在了对黑汉王朝的政治、法律、宗教、天文、文学等方面 ,而对其在戏剧历史方面所占的地位考虑的甚少 ,《福乐智慧》的结构特点、叙述形式、故事情节、矛盾冲突、对话独白等 ,都体现出了明显的戏剧特征 ,它是一部生动的诗剧。     

浅谈《绣襦记》的艺术成就

《绣襦记》是出现于明代成化、弘治年间的一部传奇作品,取得了较高的艺术成就。《绣襦记》的艺术成就主要体现在两方面。首先,情节的铺排:以“绣襦”作为一个贯穿全剧的道具;伏笔与照应手法的运用;情节的调整。其次,语言的运用:人物的语言符合人物的身份、地位和性格;化用古典诗词生动自然;化用民间语言,特别是“四季莲花落”的化用。上述成就,历来为人所称赞。     

Tracing developmental trends in Ira Gordon's programs for children and families

Ira Gordon's work in the area of child and family services is traced for six of his programs according to two main trends: (1) perceptions of families through the years and the changing roles of parents in the education of their children; and (2) curriculum changes in activities brought into homes. Gordon's programs, some being initiated as early as 1966, focused upon parents, infants, toddlers, and school-age children and utilized home visitations as a major intervention strategy. Evidence of successes reported for these programs has shown the impact of early intervention upon children as well as their families, school, and community.     

A critical review of graphics for subgroup analyses in clinical trials

Subgroup analyses are a routine part of clinical trials to investigate whether treatment effects are homogeneous across the study population. Graphical approaches play a key role in subgroup analyses to visualise effect sizes of subgroups, to aid the identification of groups that respond differentially, and to communicate the results to a wider audience. Many existing approaches do not capture the core information and are prone to lead to a misinterpretation of the subgroup effects. In this work, we critically appraise existing visualisation techniques, propose useful extensions to increase their utility and attempt to develop an effective visualisation approach. We focus on forest plots, UpSet plots, Galbraith plots, subpopulation treatment effect pattern plot, and contour plots, and comment on other approaches whose utility is more limited. We illustrate the methods using data from a prostate cancer study.     

从《生活秀》《看麦娘》论池莉女性主义小说的叙事艺术

作家池莉以开创了"新写实小说"而在当代文坛占据一席之地。但身为女性作家,她更是自觉地从女性主义视角出发,关注时代变迁给女性生活和情感所带来的变化,从而创作出了具有鲜明的女性意识的女性主义小说。《生活秀》和《看麦娘》便是这方面的代表作。这两部小说分别表现了商品经济背景下底层女性与知识女性的现实生活与精神状态。无论是小说的叙事视角,还是小说的写实手法,抑或是小说的情节建构,这两部小说都表现了现代社会女性对于自我价值的寻求,进而有力地凸显了女性的生存意义。