田汉早期剧作的古典戏曲因素

田汉早期剧作深染西方近代新浪漫主义感伤唯美格调,但中国古典戏曲及其理论对田汉的影响更为内在。田汉与传统戏曲及艺人有深厚渊源,其早期剧作深得剧作中国传统戏曲之古典美,用意象营造意境、以淡化情节连缀剧作审美主体的心灵写意性,形成田汉早期剧作浓重的"诗情化"创作特征。     

怎样读《西洲曲》

《西洲曲》的构思很奇特 ,诗篇并不只是写一个女子对情郎的四季相思 ,诗中还有另一个人物“我” ;头尾 6句写该男子对“梅”的思念和安慰 ,中间 2 6句写他想象中女子对他的思念。这个男子住在江南 ,女子住在西洲。这种写法在《诗经·陟岵》中已经使用 ,杜甫的《月夜》则全仿此构思成篇     

从历史到戏剧的启示 ——以情节和人物为例论《节侠记》的艺术

<节侠记>据唐人牛肃笔记小说<纪闻>中<裴伷先>一文改编,其情节结构、人物塑造颇见匠心.裴伷先的命运被置于武则天革唐命、立武周的背景上展开,他生活中的插曲式人物则被发展成贯串全剧的角色,剧本因此紧凑、缜密而统一.剧本以烘云托月的手法突出正面形象,以戏曲特有的自我揭露手段刻画反面人物,并强调他们的社会心理依据,因而主要人物写得真实而令人信服.     

小说情节因果关系的衍变与异化——兼谈新时期小说创作

小说的质在要素是因果关系。它有一个衍变和异化过程,即：性格因果命运因果宿命因果非理性因果的发展脉络。现实主义小说更多的是情节的性格因果和命运因果关系。而神话小说及一些魔幻现实主义小说在性格因果、命运因果的基础上,更多地表现为宿命因果。如今现代派、后现代派小说和我国先锋小说则出现了小说情节的非理性因果,然而非理性因果却呈弱化趋势。作家们都在向传统的性格因果和命运因果关系回归。     

论《聊斋志异》的情节艺术

情节是构成小说最重要的因素,《聊斋志异》以神奇怪异作为情节构思的基本风格,以曲折离奇作为情节结构的基本模式,以简洁准确的细节刻画作为情节的有机组成部分,以刻画人物形象作为情节的最终宗旨,并间以丰富多变,千姿百态的叙事手法,使《聊斋志异》成为情节小说的典范。     

Functional boxplots based on epigraphs and hypographs

Functional boxplot is an attractive technique to visualize data that come from functions. We propose an alternative to the functional boxplot based on depth measures. Our proposal generalizes the usual construction of the box-plot in one dimension related to the down-upward orderings of the data by considering two intuitive pre-orders in the functional context. These orderings are based on the epigraphs and hypographs of the data that allow a new definition of functional quartiles which is more robust to shape outliers. Simulated and real examples show that this proposal provides a convenient visualization technique with a great potential for analyzing functional data and illustrate its usefulness to detect outliers that other procedures do not detect.     

方法研究在机场场务定编中的应用

以某机场场务工作为研究对象，在实地调研以及对该机场现有场务职责进行详细分析的基础上，给出了具有通用性的面向机场场务工作的定编步骤。结合实地调研及人员访谈，对场务员职责进行了合理划分，并对其工作内容进行了详细的剖析。在此基础上，应用理论模型对场务员岗位中各项职责的工作量进行了逐项计算，并应用负荷余力分析法中的山积图将核算后的工作量依时间顺序进行了合并，从而得到了工作量随时间变化的规律，进而最终完成定编工作。该项研究成果对具有劳动密集型特点的服务业岗位，如机场场务工作编制的合理化、标准化，以及优化人员配置、提高工作效率、减少成本提供了方法借鉴。     

Added variable plots for linear regression with censored data

In linear regression the structure of the hat matrix plays an important part in regression diagnostics. In this note we investigate the properties of the hat matrix for regression with censored responses in the presence of one or more explanatory variables observed without censoring. The censored points in the scatterplot are renovated to positions had they been observed without censoring in a renovation process based on Buckley-James censored regression estimators. This allows natural links to be established with the structure of ordinary least squares estimators. In particular, we show that the renovated hat matrix may be partitioned in a manner which assists in deciding whether further explanatory variables should be added to the linear model. The added variable plot for regression with censored data is developed as a diagnostic tool for this decision process.     

On the Exact Finite Sample Distribution of the L 1-FCvM Test Statistic

We derive the exact finite sample distribution of the L₁ -version of the Fisz–Cramér–von Mises test statistic (FCvM ₁). We first characterize the set of all distinct sample p-p plots for two balanced samples of size n absent ties. Next, we order this set according to the corresponding value of FCvM ₁. Finally, we link these values to the probabilities that the underlying p-p plots emerge. Comparing the finite sample distribution with the (known) limiting distribution shows that the latter can always be used for hypothesis testing: although for finite samples the critical percentiles of the limiting distribution differ from the exact values, this will not lead to differences in the rejection of the underlying hypothesis.