Lp solutions of anticipated BSDEs with weak monotonicity and general growth generators

In this article, we establish the stability theorems of L^p(1 < p ? 2) solutions for multidimensional anticipated backward stochastic differential equations (BSDEs), in which the generator g is p-order weak monotonic in y and Lipschitz continuous in (z, η, ?). Moreover, we present the existence and uniqueness of L^p solutions for this kind of anticipated BSDEs with the help of stability theorems when generator g also satisfies general growth condition in y.     

试论《苔丝》世家身世情节的审美价值

世家身世情节典型地体现出英国社会的兴替和各阶层人物精神品质的历史面貌 ,鲜明地表现了哈代的人道精神 ,报应宿命的观念及其充分艺术化的特征 ,使小说社会性的故事题材获得血缘文化层面的深入开掘 ,因而构成《苔丝》对十九世纪现实主义文学传统的独特突破。     

一类非混合单调算子方程的迭代求解

在自反Banach空间中利用锥理论,研究了一类非混合单调算子方程x=A(x,x)解的存在性和唯一性,并给出了收敛于方程解的选代序列和误差估计式,其中对算子A的紧性以及对锥没有做任何假定.     

Sobolev方程的特征线混合有限元法

利用特征线方法与混合有限元方法相结合的技巧,研究一维Sobo lev方程,考虑全离散特征线混合有限元解的相关性质,证明了解的存在唯一性和稳定性.     

激扬文字 独领风骚——毛泽东的书法风格浅议

毛泽东同志是一位伟大的革命家、军事家、卓越的诗人,才高多能,同时他又是一位书法家,其书法风格独具,为世人称道。书法具有一定的法度,而毛泽东同志敢于打破传统,不断求新求变,一如既往地从事着他那高扬个性的书法实践,意气雄杰,古今无匹。     

方程Δu+a(x)g(u)=0的混合边界问题的正解存在唯一性讨论

主要讨论了方程Δu+a(x)g(u)=0 inΩ的混合边界问题(其中Ω为R~n中一有界光滑区域,n为边界Ω的外法方向)正解的存在唯一性.用上下解方法得到结论:当a(x)>0,δ(x)>0且g(s)满足条件(1)g∈c~α∩c~1,α∈(0,1),g(s):R~+→R~+,g(s)→4,当s→0~+;(2)g′(s)>0;(3)g(s)/s→0当s→+∞;(4)g(s)/s→+∞当s→0~+时,所讨论的问题具有正解,且当g(s)是严格凸函数时,正解唯一.     

A class of time-reversible semi-Markov processes

In this paper, we investigate a class of semi-Markov processes, first touched upon lightly in Pyke and Schaufele (1966), that are time-reversible. Results that are difficult to prove for semi-Markov processes in general are often made more simple for time-reversible semi-Markov processes, and some examples are given.     

论孔子礼仪思想的基础、特质及现代价值

孔子提出了血缘、宗法、等级三位一体的礼仪学说 ,开创了以人为本、以家为基石的礼学体系 ,确立了中国礼学的中庸风格。孔子的礼仪思想 ,体系庞大 ,内容丰富 ,为我国礼仪思想趋向成熟并在世界上独树一帜奠定了重要的理论基础 ,经过取舍、改造和重构 ,已经转化为现代文明的精神要素 ,在社会主义新时代具有重要的借鉴意义     

论《闲情赋》的独特性

《闲情赋》是陶渊明的一篇独特的作品。一是它的艺术成就对文学审美作用的完善以及对赋这种文学体裁的进化,产生了一定的影响;二是从美学角度看,它所体现的审美意识与它的时代迥然有别,在作者的创作史上亦属例外。究其因,是传统力量、社会背景以及作者自身的文学素养、意识观念等多方面因素的综合作用形成的。     

On the Transgressiveness of Ambiguity: Richard Bruce Nugent and the Flow of Sexuality and Race

The study focuses on the slender corpus of literary work by Harlem Renaissance poet, author and visual artist Richard Bruce Nugent (1906–1987), arguably America’s foremost Black aesthete. As an individualist in the footsteps of post-Hegelian and pre-Nietzschean philosopher Max Stirner (1806–1856), Nugent sought to re-think sexuality and race beyond fixed schemes of categorial distribution. To this end, Nugent deployed a strategy of sexual and racial ambiguity that aimed at situating the uniquely sexed and raced individual within the continuities of ever-diversifying Nature. Nugent’s deconstructive approach of sexuality and race proves to be convergent with (but not genealogically dependent on) the universalization of sexual intermediariness and racial miscegenation postulated by German-Jewish sexologist Magnus Hirschfeld during the first third of the twentieth century. Nugent’s non-identitarian conception of sex acts anticipated by more than a decade comparable insights propounded by Alfred Kinsey.