静电纺丝法制备SnO2多孔纳米管及其光催化性能研究

通过静电纺丝法制备了一种氧化锡一维多孔纳米管材料，获得的光催化剂用X射线衍射（XRD）、扫描电子显微镜(SEM)和紫外-可见（UV-Vis）漫反射光谱表征，所制备的氧化锡多孔结构纳米管光催化剂表现出紫外光下（λ＜ 400 nm）增强光催化降解甲基橙的性能，光催化活性的增强是因为其巨大的比表面积和较小的晶粒尺寸.这一方法可以用于制备其他类型的一维多孔纳米管材料.     

储层岩石矿物成分对酸蚀裂缝导流能力的影响

储层岩石矿物成分是酸压改造效果影响因素之一。研究认为，在储层岩石矿物成分中易溶物的含量及分布方式决定了酸蚀裂缝导流能力大小，易溶蚀物的含量越多，岩石溶蚀速率越快。室内测试了不同溶蚀速率下的灰岩和白云岩的酸蚀裂缝导流能力，研究了岩石溶蚀速率、易溶蚀物含量对酸蚀裂缝导流能力的影响，对酸压工艺设计方案提出了指导性建议。研究结果表明，储层岩石溶蚀速率与酸蚀裂缝导流能力增加倍比存在抛物线关系，易溶蚀物占30%40% 时酸蚀裂缝导流能力保持较好。     

A majorization comparison of apportionment methods in proportional representation

From the inception of the proportional representation movement it has been an issue whether larger parties are favored at the expense of smaller parties in one apportionment of seats as compared to another apportionment. A number of methods have been proposed and are used in countries with a proportional representation system. These apportionment methods exhibit a regularity of order, as discussed in the present paper, that captures the preferential treatment of larger versus smaller parties. This order, namely majorization, permits the comparison of seat allocations in two apportionments. For divisor methods, we show that one method is majorized by another method if and only if their signpost ratios are increasing. This criterion is satisfied for the divisor methods with power-mean rounding, and for the divisor methods with stationary rounding. Majorization places the five traditional apportionment methods in the order as they are known to favor larger parties over smaller parties: Adams, Dean, Hill, Webster, and Jefferson. Received: 5 August 2000/Accepted: 24 October 2001     

Worlds come apart: Systems theory versus critical theory. Drama in the history of sociology in the twentieth century

This article places an episode in the history of sociological theory into intellectual history in the twentieth century. The perspective is chronological as well as contextual. The themes are two theoretical approaches, both embedded in both American and German history, Parsonian Systems Theory and “Frankfurt School” Critical Theory. The chronology shown spanned mainly from the 1940s to the 1960s. The context of the two theories is a period that is crucial in twentieth century history. The protagonists of the two approaches were, in the 1940s, Americans and Germans exiled in the United States. In the 1950s, both approaches were affected by McCarthyism in different ways. The 1960s, however, were the culmination. The dynamics of the two approaches led into a schism which came into the open on the occasion of the 1964 German Sociology Conference in Heidelberg celebrating Max Weber. The article shows the stages in the evolution of the schism, emulating three acts in a drama. The final split was over whether Weber or Marx should be the classic whose oeuvre was to influence sociological thinking today. My aim is to exemplify how these two authoritative approaches in sociological theory, far from escaping the vagaries and vicissitudes of their times, were embedded in twentieth-century history.     

Partial strikes under the railway labor act: The need for a doctrine of unprotected concerted activity

In light of use by airline unions of partial-strike tactics, such as concerted refusals to bid for overtime work and so-called ” CHAOS” tactics involving unannounced refusals to fly after passengers have been ticketed and are ready to board, the authors examine whether the Railway Labor Act (RLA) should be interpreted to permit employers to discipline employees for engaging in such tactics, or whether these are a protected form of economic pressure. Although in many respects bargaining duties and economic weapons under the RLA are read consonant with precedents under the National Labor Relations Act (NLRA) (which governs all industries other than rail and air transport), there are a few decisions suggesting that during the period when self-help may be resorted to, employees can engage in partial strike activities as long as they violate no court order but are subject to permanent replacement in limited circumstances. These decisions, the authors submit, fail to take account of Supreme Court decsions since the 1930s that some economic pressures by unions, such as slowdowns and sitins, may not violate the labor laws but nor are they protected by those laws so as to immunize partial strikers from employer discipline. These decisions are not based on unique features of the NLRA. Rather, they give recognition to the background assumptions of Congress that employers may act to protect their property interests as long as they do not run afoul of NLRA or RLA protections and that employees who engage in partial-strike activities are subject to employer discipline even where not strictly necessary to maintain operations. Moreover, these tactics skew the bargaining process by giving employees an essentially risk-free gambit to pressure their economic position through planned disruption of carrier operations. Professor Estreicher is also labor and employment counsel to O’Melveny & Myers, LLP. The views expressed herein are the authors’ and should not be attributed to any organization. Hannah Breshin and Tom Jerman of O’Melveny & Myers, assisted the authors with this article. We also thank Professor Herbert Northrup for his helpful comments.     

Netzwerken: Reflexionen und Erfahrungen am Beispiel eines TrainerInnen und BeraterInnen-Netzwerkes

How are social networks organized and how much structure and openess do they have? The ambiguity of networking and the grade of organization are discussed and described theoretically and with an authentic example.     

水资源污染与水资源的减少

工业的发展在带给人类福音的同时 ,也给江河湖泊、地下水源及海洋造成了污染 ,并对人类的生存与发展构成了严重威胁     

以人为本的科技管理模式与构建

运用人本管理理论,在分析目前高校科技管理存在问题基础上,探析了知识经济时代以人为本的科技管理的内容与模式,包括中心型、激励型、机制型、多赢型的人本管理模式,并据此提出了一系列构建措施。     

论电子证据的法律地位

随着科学技术的进步和计算机的广泛运用 ,电子证据在刑事诉讼活动和证明过程中占有日益显著的地位。作为对新生事物的关注 ,我国法学理论界对电子证据的法律地位、种类归属及证据力等问题的研究在近年内也缓慢起步。因此 ,当前有必要从电子证据的收集与提取、资格与归属、认证与证明力各环节出发 ,对电子证据进行更加深入的理论分析和探讨 ,从而作出新的立法构想与安排 ,以弥补旧有制度的缺陷 ,并适应社会进步和国际发展趋势。     

现代艺术：关于美的重新界定

传统的艺术观认为艺术是美的集中表现 ,一切艺术皆是美的。现代艺术的诞生 ,以无可争辩的艺术实践瓦解了以往的艺术本质理论 (最根本的瓦解发生在后现代艺术当中 ) ,艺术似乎无可奈何地成为不可言说的存在 ,完全成为一个“开放性概念” ,不需任何外界条件的证明。“凡是艺术都是美的”失去了概况力 ,“美”和“艺术”缘分已尽。这从康定斯基艺术个案中可以有分明的理解