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《Comparative American Studies》2013,11(4):437-454
AbstractRecent scholarship on the early Americas has posited performance as the site where colonial difference is enacted. This article examines the ways in which performance was used to disseminate (and conversely, to subvert) Christian ideology in New Spain, in dialogic texts such as Sahagún's Colloquios and in missionary plays by Father Andrés de Olmos and others. 相似文献
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