Rape culture,misogyny, and urban anxiety in NH10 and Pink

One of the most pervasive aspects of Delhi’s post-liberalization psychopathology has been everyday violence against women. The city’s rape culture was given an exceptionally sharp global focus after the horrific gang rape of Jyoti Singh on December 16, 2012. Recent Hindi cinema has begun to engage with some aspects of the capital’s misogynist urban ethos. In this paper, I look at how the Delhi subgenre of the “multiplex film” has engaged with rape culture, misogyny, and urban anxiety through a close textual and discursive analysis of two recent films—NH10 (Navdeep Singh, 2015) and Pink (Aniruddha Roy Chowdhury, 2016). Specifically, I identify how the December 16 “trigger event” and Delhi’s notorious misogyny are finding newer modes of representation through the interplay of genre and exhibition space. In what ways do these films position and imagine the “multiplex viewer”? New engagements with the figure of the consuming middle-class woman and the public discourses that surround her sexual safety and navigation of space have taken a central position in understanding the present urban psychosis of the capital. I suggest that these films and the forms of spectatorial identification that they privilege are intricately linked to the gendered spatial politics of the multiplex.     

Policy simulations with a macroeconometric model of the Indian economy

In this paper, the results of various dynamic policy simulations are analyzed within the context of a macroeconometric model of the Indian economy. The model contains 35 equations and offers a consistent framework for policy analysis. It is considerably expanded on the side of the fiscal sector and usefully incorporates the interdependence between monetary and fiscal sectors and gives due attention to supply side considerations. Magnitudes of effects of sustained policy changes are analyzed for the period 1964–1965 to 1974–1975. Impact multipliers and elasticities are also analyzed. Government expenditures variables and deficit financing are shown to have substantial impact on the system whereas changes in tax-rates, discount-rates, and liquidity ratios for commercial banks are shown to have only a marginal impact. The model is used for exploring the growth potential of the economy in a forecast period of five years under alternative assumptions regarding policy options.     

Speculating with human rights: two South Asian women writers and utopian mobilities

ABSTRACT

Utopian and dystopian fiction are classifiable under the umbrella term speculative fiction, which speculates with or takes risks with the reality it creates in the fiction. My paper investigates speculative writing which is also utopian by South Asian feminist and activist women, comparing creative texts by Rokeya Sakhawat Hossain, from the first half of the 20^th century, and Vandana Singh, from contemporary times. A selection of their published short fiction are focused on, in particular Hossain’s ‘Sultana’s Dream’ (1905) and Padmarag and the short story ‘Delhi’ by Singh. The article pulls together analysis of different kinds of mobility to argue that both writers, in their imagination of mobile utopia, also further creative speculations round human rights, with special reference to gender and the city. The article analyses how South Asian metropolises, notably Calcutta and Delhi, get reimagined in their writing. Both Hossain and Singh were/are educators in real life. How do their educative and speculative voices come together (or not) in their mobile utopia reimagining human rights? My answer is that the speculative reality-bending mode offers an articulation of the educative in a very different key to the conventionally pedagogic.     

Loudness registers: Normalizing cosmopolitan identities in a narrative of ethnic othering

An analysis of one narrative shows how loudness of voice acquires indexical meaning in interaction and becomes a resource for the narrator to position himself along an axis of social differentiation defined in terms of morality. The narrative was collected among young, male, migrant hip hop artists in Delhi who experienced ethnic othering. In the narrative, loudness registers are used to establish voice contrasts between two antagonistic characters: the racist people of Delhi and the cosmopolitan hip hop self. The racist people speak in soft (piano) and loud (forte) registers, while the cosmopolitan self speaks in normal‐volume registers. The prosodic normalization of the self allows the narrator to differentiate himself from racist others, take moral stances on global solidarity, and construct his cosmopolitan identity.     

Welfare effects of demand management policies: Impact multipliers under alternative model structures

This paper explores the sensitivity of multiplier estimates under three alternative assumptions about factor supply. For this purpose, we have used a general equilibrium model of Malaysia which allows endogenous determination of factor and output prices and which permits substitution in both production and demand in response to price. The structure of the model and three alternative factor supply assumptions under which the model can be solved are described. These alternative assumptions amount to alternative “closure rules.” The results of a general increase in demand as estimated under each of the alternative closures are then presented. Finally, we examine the results of two specific types of demand increase under each of the closure rules, focusing especially upon welfare related variables such as real household consumption levels.     

Planning studies with an optimal control multisectoral dynamic economic model: The case of Sri Lanka

This article investigates the impact of different development scenarios on optimal investment strategy and economy of Sri Lanka and studies the potential of applying control theory techniques to economic planning. The multisectoral dynamic planning model is formulated as a linear quadratic tracking problem. Targets to be tracked define the development strategies: economic growth, trade deficit reduction, food self-sufficiency, and balanced growth. Besides providing insights into these strategies, empirical results show that the difficulty in setting inequality constraints and ensuring nonnegative solutions could undermine the linear tracking optimal control technique for development planning.     

Delicious Delhi: nostalgia,consumption and the old city

This article examines how Old Delhi is represented and recreated in contemporary India. Delhi’s old city was once the locus of pre-colonial Mughal sovereignty. It is now often encountered via nationalist spectacles, mass-media images and consumption practices. Paralleling neo-liberalism’s onset in the 1990s, its street food, bazaar spaces and historical monuments have been avidly appropriated by reigning institutions and classes. Old Delhi suggests that which the new India has left behind; yet this displacement also elicits longing for what has been lost.

This medieval remnant can therefore be considered the site of nostalgia consumed by a globalised middle class. This article presents an ethnography of Old Delhi’s invocation in New Delhi’s cultural landscape, including malls, newspapers, heritage sites, hotels, and food courts. In triangulating among the realms of nationalist nostalgia, middle-class identity and mediated consumption, it emphasises how India’s neoliberal emergence is bound up with the co-opting of the past.     

Cultures of Commuting: The Mobile Negotiation of Space and Subjectivity on Delhi’s Metro

Abstract

As part of Delhi’s redevelopment, aimed at creating a ‘global city’, new public transport infrastructure is being built. The Metro, in particular, has become iconic of what city authorities and developers refer to as Delhi’s ‘cosmopolitan’ and ‘world city’ status. Authorities have attempted to change commuting practices embedded in the culture of Delhi, a crowded, economically and culturally diverse city, in line with desired new behaviours including an emphasis on cleanliness, order and quiet. To explore these developments this paper presents findings from a qualitative study (conducted in 2009) analysing the urban mobility of a diverse group of young people. Their experiences of the Metro revealed interacting fields of power in the city, between passengers, and between passengers and those in control of the network. These relationships were situated within wider processes of urban reconstruction that intersect with global flows of capital, technology and ideologies of ‘modernity’ and development. The findings also highlighted the contestation of cosmopolitanism: its use to describe a desired urban imagination and its deployment as everyday competencies of negotiation and flexibility designed to manage change, unfamiliarity and inequality.     

Rape Protests in India and the Birth of a New Repertoire

The gang rape of a young physiotherapy student on a moving bus in December of 2012, in Delhi, India, brought forward a series of countrywide protests. These protests were unique compared with prior protests in India, leading to a need to re-examine the political importance of social movements in the subcontinent. Using data from 748 newspaper reports on the demonstrations that took place from December 2012 to April 2013, this paper examines the unique characteristics of the rape protests and their implications on the birth of a new repertoire in social movements. For the first time in Indian history, women's rights and violence against women occupied the forefront of national politics, and was no longer limited to agendas of feminists and women's groups. The protests were not led by a specific interest group, but were spontaneous and horizontal in nature, with participants from various social and political backgrounds. This paper argues that with the help of technology and new social media that a new repertoire of protests emerged: a horizontal, spontaneous, mass movement across interest groups.