MUSIC法的有限域单向快速频率搜索

快速傅里叶变换(FFT)算法在应用中速度快,精度较低,而MUSIC法精度高,实时性差。该文通过分析两者联合谐波频率估计的可能性,提出利用FFT算法对谐波频率进行预估计,用二分法将频域划分为有限个细小的频率区间,根据可能的有效频率选取有效区间,再通过MUSIC方法在有限的搜索区间进行频率细化,并在细化的过程中采用趋向谱幅值增大的单向搜索。通过仿真研究,该方法能有效提高信号的处理速度,加强MUSIC算法的应用。     

空间谱估计测向实验系统

空间谱估汁测向具有许多优异的性能，已得到理论分析和大量计算机模拟结果的支持。本文简要介绍一种空间谱估计测向实验系统的情况，包括测向原理、系统组成、关键技术问题分析和外场试验情况及试验结果等。实验表明，这种新型测向系统的确具有优异的性能和良好的工程实验前景。     

I Believe… in What? Arvo Pärt's and Alfred Schnittke's Polystylistic Credos

Abstract

From the late 1960s until the dissolution of the Soviet Union, numerous composers, especially those belonging to the generation born in the 1930s and commonly referred to as non-conformist, 'avant-garde' or 'unofficial', produced over 100 religious musical works. Some of these composers, such as Arvo Pärt (b. 1935) and Alfred Schnittke (1934–1998) employed the controversially flamboyant polystylistic compositional idiom to express their faith in God. Because the merits of the employment of mimetic polystylism in the realm of sacred music have rarely been analysed, my aim is to demonstrate that, in the Soviet context, it was a very appropriate vehicle for conveying religious sentiments by musical means, as it enabled the composers to express their beliefs, but also to narrate related stories. I shall address this issue by analysing three pieces: Arvo Pärt's Credo for piano solo, chorus and orchestra (1968), and the Credo movements from Alfred Schnittke's Requie m (1975) for three sopranos, contralto, tenor, mixed choir and instrumental ensemble, and Second Symphony 'St Florian' (1979) for mixed chamber choir and large orchestra. The reason for choosing the Credo 'genre' is that by definition it is a manifesto of the composer's faith in God, and hence it bears exceptional moral and spiritual weight.     

基于矩阵奇异值分解的空间谱估计算法

本文提出了一种利用矩阵奇异值分解来作空间谱估计的方法,即对由天线阵获取的数据所构成的数据矩阵作奇异值分解、删除来自噪声的贡献的诸最小奇异值以改善信噪比,并利用噪声奇异向量和天线阵的方向向量正交的性质来计算空间谱。除了奇异值分解算法本身给计算稳定性带来好处外,本方法的谱估计性能和计算量均优于近几年来国外广泛关注的一种谱估计算法——MUSIC算法。本方法可用于高分辨的测向系统中。     

阵列单元取向对DOA估计的影响

针对以往DOA估计算法中智能天线系统的阵列单元模型多采用全向振子的情况,分析了当天线单元存在方向性时对MUSIC算法估计信号到达角的影响,并在进行阵元互耦校正后,讨论了影响MUSIC算法分辨率的一些因素,通过计算机仿真结果的比较表明单元取向、阵列方向性、信噪比对到达角分辨率有较大的影响。     

MUSIC算法在高速并行处理机上的实现

利用FPGA的特点,提出了一种实现MUSIC算法的新的高速并行硬件解决方案。给出了对MUSIC算法进行预处理的结果,为硬件实现加速提供可能;导出了MUSIC算法适合于FPGA实现的并行分解方法;介绍了用FPGA来实现谱峰搜索的新方法。结果表明,该设计方法处理速度理想,能够满足实时性要求。     

CDMA抗干扰微分相关时延估计算法研究

基于微分相关技术,提出了一种简单有效的DS-CDMA时延估计方法,在获取期望用户导频信道的前提下,通过选取适当的时间间隔,可以消除采样数据相关矩阵中与期望用户不相关的干扰和噪声。仿真结果表明,与常规实验估计算法相比,该方法具有更好的干扰抑制性能和更大的正确捕获概率。     

二维相干信号波达方向判断空间平滑算法

波达方向估计是智能天线的重要功能之一,对于相干信号角度模糊问题通常严重影响了方向判断的精准度.文中根据一维空间平滑基本理论和算法,对二维六边形阵列相干信号MUSIC算法波达方向估计问题进行了理论分析和仿真实验,提出了平面六边形阵列到十字形阵列的变换方法,成功地把一维平滑技术应用到平面六边形阵列,仿真表明,这种变换可以有效地消除相干信号的角度模糊问题.     

'Ancient + Future = Now': Goa Gil and Transnational Neo-Tribalism in Global Rave Culture

Abstract

This article posits the case study of rave music DJ Goa Gil as a dynamic example of the transnational, deterritorializing flows that inform the community formation and signifying practices of contemporary rave culture. Intended as a commentary on the changing nature of subcultural formation and practice, Goa Gil's story reveals a complex pattern of transnational and transcultural networks and exchanges. From 1960s American hippy to global rave music DJ, guru, and nomad, Goa Gil is one of the subculture's progenitors of neo-tribalism, a discursive and symbolic trope that allows ravers to imagine, and give name to, their transnational communities of affect that cross national and cultural borders. Set within a social context of advanced information technologies and rapidly changing modes of communication, neo-tribalism, as a critical concept, can be easily applied to any number of communities of affect across the globe, paving the way for a re-evaluation of (sub)cultural inter-connectedness in the early twenty-first century.     

数字阵列雷达方位超分辨角度估计的仿真

基于幅度比较单脉冲方法的测角局限性,采用先进的阵列超分辨测向技术MUSIC算法,对处于同一距离门和频率门的2个目标,在纯噪声背景和杂波背景下进行了波达方向(DOA)估计,对不同的信噪比和目标进入角度,仿真了目标的分辨情况并计算了DOA角度估计的精度,证明了机载雷达方位超分辨角度估计可以较好地实现落入清晰区或者副瓣杂波区目标的角度分辨与精度估计,但是对目标的信噪比和进入角度有一定的要求.