从《醒世姻缘传》看汉语句式结构的层面渗透

汉语句式结构框架在其产生之后并非静止不动，除其自身的丰富发展之外，它还向不同的语法结构层面渗透，汉语词、词组、句子在结构关系上所具有的一致性由此产生。明末清初白话小说《醒世姻缘传》中的比拟句、“把”字句等就充分显示了汉语句式结构的这种中间过渡状态。     

对我国民事主体资格理论的反思

民事主体资格问题不仅存在于民事法律关系中, 同时对其他法律关系也会产生影响。关于这一问题在理论研究中还存在一些缺陷。本文就有关问题提出质疑并进行反思, 以求引起重视, 达到完善我国民事主体资格理论的目的。     

Making sense of pragmatic and charismatic leadership stories: Effects on vision formation

For some time, it has been argued that stories articulated by leaders are an important vehicle for exercising influence, but stories of leadership might also serve as a means for developing leadership potential. One critical activity involved in leadership is vision formation, which involves constructing and communicating a future state that guides followers in “making sense” of complex organizational events. Like leader visions, analyzing stories also, by nature, evokes sensemaking processes. As a result, analyzing stories of leadership may provide a natural means for practicing the art of sensemaking. In the present investigation, undergraduates were asked to read six short stories about incidents of either pragmatic or charismatic leadership in business settings. After reading each story, questions were asked to encourage sensemaking of story events, causes, and emotions. Participants were subsequently asked to formulate visions for leading a secondary school –– a transfer task. It was found that stronger visions were produced when participants were asked to analyze both story events and the causes of these events. The implications of these findings for the use of leadership stories in leader development initiatives are discussed.     

“圣”“贤”的现代困惑——鲁迅《故事新编》的文化阐释

作为新文化运动的旗手,鲁迅对传统文化的反叛人所共识;但作为一个深受传统文化浸润的知识分子,鲁迅的文化心态是极其复杂的。他的《故事新编》全部取材于古代神话传说、历史故事,是对英雄传说、先哲故事稍加点染而成的“新编”。八篇小说广泛涉及了对现代知识分子影响深远的各类古代先人,其创作历时13年,可以说,《故事新编》中融入了鲁迅对传统文化的理解和对知识分子现实姿态的认识。本文通过对《故事新编》的解读,阐释鲁迅复杂的文化心态,展示其独特的精神世界。     

Sensuous stories in the Indian Ocean islands*

Abstract

Providing examples from the islands of the Indian Ocean Region, this article focuses on the multisensory nature of storytelling and listening. Drawing on anthropological fieldwork in the region (1998–2016), the author proposes a sensuous epistemology that turns on listening to “sense”. She reveals that storytelling can be a profoundly sensuous experience that elicits emotional and physical responses in both the teller and listener. The sensuous quality of stories enable the listener to fully encounter politically inscribed, complex social experiences. Ultimately, the article advances a notion of listening as sense-work, thereby deepening sensory scholarship’s recent, politically reflexive analysis on listening to hear.     

《故事新编》的诞生

鲁迅最后一本小说集《故事新编》的创作历经13年,分为三个阶段,其间呈现出复杂的情感变化曲线和曲折的写作心路历程,最终形成和发展了其独特的怪诞现实主义风格,表达了鲁迅对历史与现实、社会与人生、存在与叙述荒诞性的终极感悟。     

《三国演义》小字注考索

考察《三国演义》小字注的来源及其功能,认定小字注虽非一人一时所加,但小字注极有可能在罗贯中原本中便已存在。通过一条带有时代标记的小字注,初步分析《三国演义》成书于明代的可能性极小。     

《醒世姻缘传》人名臆解

《醒世姻缘传》通过谐音、照应、拆字、用典、白描等方法给人物命名，利用人名寄托作者对这一人物的品格、职业和在故事中的功能的评价和暗示。这些人名具有强烈的诙谐感和反讽效果，体现了作者对世道人心的评价。通过谐音法还可推测作者“西周生”可能是“戏诌生”、“戏众生”或者“戏诸生”的谐音，而“环碧主人”可能是“幻笔主人”的谐音。     

文化差异制约下的中国“西部镜像”——20世纪初域外探险者笔下的西部探险记游

19世纪末到20世纪初的外国探险者对中国西部的"地理大发现",是在中国沦为半殖民地的历史背景下发生的.因而,要对他们的探险记游所折射出的"西部镜像"给予科学审视和历史分析,既要珍视其独特的文化视角和文学价值,又不能回避其中因为文化差异而导致的偏见、局限与蔑视.因为,域外探险记游文学不仅仅是异域风情的展现与描绘,还包含着创作者的文化认知与主体心灵的展露,自然物象与主体形象的结合与呈现,才是这类作品的最高境界.     

近十年《搜神记》研究综析

近十年来,《搜神记》的研究取得了较大的进展,重点、亮点比较突出,面的拓展有了一定的宽度,并提出了一些新的思路和观点,但也存在不少薄弱环节。总结其中得失,展望未来研究态势,将有利于进一步对《搜神记》及其作者以及相关问题的研究与思考。