对书法生命意象的阐释

书法不是图画,不可能用具体形象来表现生命力,只能通过抽象的文字符号使之成为象征人格的生命,从而使接受者打破心理上静止的平衡状态,在信息流中涌起情感浪花,获得生命活力的美感。而要唤起生命活力,必须在文字符号的基础上,注入书家主体的生命意识,使字“变调”转换为有个性的情感符号,成为审美信息。     

宋代方岳寿词的文化意蕴及艺术表现

贺寿之辞自先秦始,至南宋蔚为大观,但多言富贵荣华,情感苍白。南宋词人方岳因为国为民屡遭构陷,仕途坎坷,他将身世之悲、家国之痛融入到类型多样的寿词创作之中。贺长官词展示了他奇特的艺术构思与创作才能,贺亲友词在真挚祝福中流淌出对现实人生的感悟,那记载生命历程的自寿词背后则是盛年难再、壮志成空的无奈。南山虽好而庙堂难离,种种复杂的情感汇集于他的寿词创作之中,使其作品展示着独特的艺术魅力与审美价值。     

网络丧文化视角下青少年负面情绪表达及意识形态隐忧

网络丧文化是折射当代青少年心态和境遇的一面镜子,其中裹挟的负面情绪是网络时代值得关切的传播症候。网络负面情绪的兴起,是阶层固化导致的生存困境和时代变迁带来的社交孤独而引发的一场亚文化实践。在媒介技术的加持下,这场亚文化实践最终演变为情绪宣泄和自我满足的生活标签与符号意义。网络负面情绪呈现出颓废、迷茫、无病呻吟与多愁善感的叙事风格特征,具有三种现实意义：从个体角度,它是身份认同和价值认同的确认工具;从文化角度,它传递出对现实生活和主流文化的温柔抵抗;从经济角度,风格的实质是让受众沦为“数字劳工”,自由地、无偿地为商家提供“数字商品”并沉浸其中。作为一种网络亚文化现象,青少年负面情绪的过度传播潜藏着社会层面和个人层面的意识形态隐忧,通过外部涵化与主体自律等措施可以化解青少年网络丧文化的负面效应。     

Procedural (in)justice,emotions, and compliance

The procedural justice model has become widely recognized as a key crime prevention and reduction strategy, spurring its adoption across police agencies throughout the United States in an effort to address mounting concerns regarding police use of force. Recent critiques, however, have called attention to the need for greater examination of potential contributing factors that are underdeveloped in investigations of the procedural justice model, including the role of emotions. This article takes stock of interdisciplinary advancements to critically examine scholarly investigations exploring associations between procedural (in)justice, emotions, and compliance behaviors within the context of police-citizen interactions. In doing so, continued gaps are identified. Lastly, this article concludes by identifying future pathways and recommendations for the scholarly advancement of our understanding of emotions and their continued relevance to the procedural justice model.     

Informality,emotion and gendered career paths: The hidden toll of maternity leave on female academics and researchers

While the negative impact of child‐raising and caring on women's career progression in academia is well‐established, less is known about the role of academic women's lived experiences of maternity leave as an institutional practice. This article presents the findings of a qualitative study of the lived experiences of female academics and researchers in an Irish university. The analysis intrinsically links organizational structures and problems with the lived and felt dimensions of work. The findings point to the need for better structural accommodations for maternity leave which address the relationship between caring and career disadvantage within academia. The article adds to existing literature on the intersection of motherhood and academia by unpicking the specific role of maternity leave as both a lived experience and an institutional practice that can reinforce gender inequalities in academia.     

Feeling disability: theories of affect and critical disability studies

This paper explores connections between affect studies and critical disability studies. Our interest in affect is sparked by the beginnings of a new research project that seeks to illuminate the lives, hopes and desires of young people with ‘life-limiting’ or ‘life-threatening’ impairments. Cultural responses to these young people are shaped by dominant discourses associated with lives lived well and long. Before commencing our empirical work with young people we use this paper to think through how we might conceptualise affect and disability. We present three themes; ontological invalidation in neoliberal-able times; affect aliens and crip killjoys; disability and resistant assemblages.     

A Fragmentary Archive: Migratory Feelings in Early Anglo-Saxon Women’s Letters

The letters by Anglo-Saxon women in the Boniface correspondence are connected by cultural practices and emotions centered on the conversion mission that functioned to maintain connections between the Anglo-Saxon diaspora. A striking recurring focus of these letters is on loss and isolation, which connects them to the Old English elegies. Many of the letters describe the writers’ traumatic experiences that result from the death or absence of kin. These are women who endured the trauma of being left behind when others migrated overseas or who, in traveling away from their homeland, found themselves isolated in an alien environment, displaced in time as well as space. This article offers an analysis of the letters, focusing on the queer temporalities they explore, the queer emotions they evoke, and the queer kinships that they forge. It argues that the women’s letters represent fragments of an early queer archive of migratory feelings.     

试评蒙古族史家拉西彭苏克——从《水晶念珠》看作者思想感情

拉西彭苏克是清代内蒙古昭乌达盟巴林右旗人,属答言汗第五子纳勒出·孛罗(Nal cˇu Bolod)次子苏巴孩·达尔罕(Subaqai Darqan)的后裔。关于拉西彭苏克,相关资料所提供的只是一些只言片语的零星记载,使后人很难直接、全面地了解他。然而一部《水晶念珠》使他的形象清晰丰满起来,人们可以通过他在书中传达的信息捕捉到他思想感情的脉络。     

人性与自由情感——兼论奥斯卡影像美学

人类存在着两类不同性质的情感：自由情感和必然情感。所谓自由情感指的是刺激源和这种情感对象之间没有任何直接的利害关系条件下所产生的情感。美的本质就在于自由情感。奥斯卡艺术堪称电影艺术中的经典。奥斯卡奖近百年的评奖历史证明人性是社会大众和奥斯卡奖评委共同的最好的审美趣味激发源。其中爱情、亲情、友情是奥斯卡影像中最浓墨重彩的人性主题，是自由情感的主要源泉，也是奥斯卡影像美学的核心。