模仿狂潮如此被掀起——《江南style》在青少年中走红的心理学解读

韩国音乐人朴载相的音乐作品《江南style》自网络发行后,以类似"病毒式"传播速度迅速走红,特别是受到年轻人的普遍追捧和青睐,由此掀起了一股模仿狂潮,具体有两种不同性质的表现:一是对作品本身真正的模仿,二是对作品模仿群体的从众跟风。除音乐作品自身因素外,《江南style》的走红与青少年群体的心理特点密不可分。     

Policy Diffusion and Policy Transfer in Comparative Welfare State Research

For many years, comparative welfare state research has followed a ‘methodological nationalism’ in the sense that countries were treated as independent units. Yet the recent ‘spatial turn’ in comparative politics has also influenced welfare state research. For some years now, the field has been witnessing a growing interest in questions about interdependencies and policy diffusion between countries. In this article, we provide a structured overview of the state of the art in the policy diffusion and transfer literature that deals specifically with social policy. We present and critically evaluate existing theoretical concepts and quantitative and qualitative methodological approaches that enable the analysis of interdependencies between countries. Moreover, we summarize the empirical findings of quantitative and qualitative studies on the diffusion and transfer of social policy, from some pioneering studies to the latest findings. Against this background we point out what we believe to be promising avenues for future research. We focus on five areas: theoretical work on the mechanisms underlying diffusion and transfer; methodological approaches; the impact of domestic institutions and policy characteristics on social policy diffusion and transfer; programme‐specific dynamics; and the systematic combination of horizontal and vertical interdependencies.     

综论仿拟辞格的界定

本文介绍了我国20世纪中仿拟辞格由‘‘称说各异”到确认定名的过程,论述了修辞学界有关仿拟辞格与相近辞格及非辞格之间辨析的种种情况,并提出了关于辞格界定的基本原则和正确态度.     

Groups and individuals: conformity and diversity in the performance of gendered identities

The nature and role of social groups is a central tension in sociology. On the one hand, the idea of a group enables sociologists to locate and describe individuals in terms of characteristics that are shared with others. On the other, emphasizing the fluidity of categories such as gender or ethnicity undermines their legitimacy as ways of classifying people and, by extension, the legitimacy of categorization as a goal of sociological research. In this paper, we use a new research method known as the Imitation Game to defend the social group as a sociological concept. We show that, despite the diversity of practices that may be consistent with self‐identified membership of a group, there are also shared normative expectations – typically narrower in nature than the diversity displayed by individual group members – that shape the ways in which category membership can be discussed with, and performed to, others. Two claims follow from this. First, the Imitation Game provides a way of simultaneously revealing both the diversity and ‘groupishness’ of social groups. Second, that the social group, in the quasi‐Durkheimian sense of something that transcends the individual, remains an important concept for sociology.     

比较优势与宪政民主：发展中国家制度模仿中的两难选择

发展中国家是否应模仿发达国家的制度、实行激进改革,对此肯定与否定的回答都未充分认识到制度模仿后,一国所面临的宪政民主与违背比较优势发展战略之间的两难选择。两难选择出现的根本原因是发展中国家当前的经济发展阶段与其所模仿的制度内容不相适应。因此,即使发展中国家进行制度模仿,也应保持一定决策权的集中,以抵消资本密集型产业集团对政策的压力,使得发展战略行进于正确的路径上。     

列宁"反映论"与古希腊"摹仿说"

列宁“反映论”将意识看作一种辩证运动：它不仅反映物质世界,而且还能改变它。这种观点不是“无根”的,而是从恩格斯起步,逐渐向德国古典哲学(黑格尔)靠拢、再向古希腊亚里斯多德和赫拉克利特“摹份说”延伸的——对此,理论界似很少有人提及。     

诗与非诗的界限--论亚里士多德对诗的艺术本质的界定

创造性模仿是亚里士多德诗学理论中的核心概念。正是通过创造性模仿 ,亚氏一方面把诗与自然科学和其他社会科学区别开来 ,另一方面把诗与雕塑、绘画等其他美的艺术联系在一起。在创造性模仿中 ,亚里士多德发现了这些艺术的本质特征。创造性模仿不仅仅是它们的手段 ,也是它们的目的。在此基础上 ,亚里士多德又进一步区分了诗与其他艺术 ,并通过阐述诗是一种用语言模仿现实存在的艺术 ,完成了对诗的艺术本质的规定     

在课程教学中提高专科学生的模仿翻译能力

英语学习中模仿翻译是翻译教学的重要手段,也是学生学习语言的关键,在教学中有一定的难度,模仿翻译水平的高低也是学生翻译技能的反映。为此本文从模仿翻译在课程教学中的地位、作用以及培养学生模仿翻译的方法、习惯等几个方面来具体阐述了如何在《新编实用英语》课程教学中提高专科学生的模仿翻译能力。     

"山寨文化"兴起原因探析

人们对技术生活的依赖,时尚科技元素的增加,造成低端消费者对时尚风格高端产品的艳羡;加之文化部门监管不力和市场执法的疏漏,占据扩大的社会分层中低端的潜在消费者开始默许仿造产品的出现,山寨文化应运而生。