八股科举制度的虔诚信徒——评《儒林外史》中的马二先生

八股文导源于宋代而盛行于明清，在明清两代，八股文是读书人猎取功名的唯一手段，八股文禁锢着读书人的思想。《儒林外史》中的马二先生是一个本性善良、豪侠仗义之人。他虽然二十多年科场不利，但仍然将举业作为他人生唯一的目标。他是八股科举制度的虔诚信徒，他真诚地捍卫举业，最终成为八股科举制度的牺牲品。     

In memoriam: L. H. M. Ling

In the early phase of its rule in Turkey (2002–4), the pro-Islamic government of the AKP (Justice and Development party) and various branches of the state collaborated in a series of political and economic reforms. The democratization process has gradually moderated and integrated Islamic actors into the secular Turkish Republic. However, it has also had polarizing effects on social groups. Among many, the polarization of two groups of women, ‘pious’ and ‘secularist’, deserves particular attention. Instead of bringing Turkish women together, gender reforms, particularly the lifting of the headscarf ban in universities, have divided women and created disarray and confrontation in society. This article reveals and compares the two dramatically different patterns of political engagement by pious and secularist women in leadership positions in contemporary Turkey. On the one hand, it reveals the increasingly radical backlash of secularist women against the increasing visibility in public spaces of pious women who veil. On the other hand, it examines how pious women, who see the tumult their religious observance in the public space is creating, are increasingly turning to a non-confrontational mode of non-response. What is the prognosis for the future of a democratic Turkey?     

时光长河之上的灵魂相遇

英国 19世纪的桂冠诗人华滋华斯 (WilliamWordsworth)与散文家匡燮在创作思维中有着许多的相似之处。他们在灵性空间的共同感受 ,在时空意识和生命观念两个层面展示了他们思维的契合点。     

《西游记》中的芸芸众生及其佛教文化渊源

众生,是佛教对未成正果的凡夫的称呼。佛经里有许多关于“有情众生”的论述,其中所表现出的态度是期待和悲悯的。佛教有关众生的观念,对中国的神魔小说,尤其是宗教题材的小说,产生了很大的影响。文章运用比较法和分析法,从剖析《西游记》中的众生形象入手,研究佛教文化视野中的小说特征,揭示出特定历史条件下小说中的宗教情结。      

红楼春梦好模糊——贾府“四春”谫论

<红楼梦>中的贾府"四春"是"千红"、"万艳"的重要代表,各有其鲜明的形象意义贾元春如富贵囚者,贾迎春善得恶报,贾探春堪称末世英雄,贾惜春则被佛心冷结.曹雪芹通过"四春"形象,抒发的是"原应叹息"的悲情,说明在那个时代,不论你是贵是贱、是强是弱、是热是冷,都不会有理想的人生归宿.     

红楼春梦好模糊——贾府“四春”谫论

<红楼梦>中的贾府"四春"是"千红"、"万艳"的重要代表,各有其鲜明的形象意义贾元春如富贵囚者,贾迎春善得恶报,贾探春堪称末世英雄,贾惜春则被佛心冷结.曹雪芹通过"四春"形象,抒发的是"原应叹息"的悲情,说明在那一时代,不论你是贵是贱、是强是弱、是热是冷,都不会有理想的人生归宿.