从巴赫金的对话理论看《麦克白》的自我意识

根据巴赫金的复调对话理论,结合《麦克白》剧中的几个典型“对话”情景,指出该剧中尤其是主人公麦克白覆灭过程中的自我意识一直是剧本关注的焦点,探讨这种诱惑支配下的自我意识如何在麦克白与女巫、女巫与班柯“狂欢”中的对话,麦克白夫人和麦克白的独白性对话等不同声音中得以凸显,让读者和观众感受到人性在野心驱使下的堕落的真实过程。     

哈代小说艺术的狂欢化

哈代小说在艺术上体现出鲜明的狂欢形态，主要表现在狂欢广场和广场语言两个方面。一方面，哈代小说中描述了大量民间节日狂欢场景、聚会场所、乡野舞会、酒馆等狂欢广场，在这些狂欢化的场景中，表现了解构等级秩序的狂欢精神；另一方面，哈代小说中威塞克斯居民的对话体现着鲜明的广场语言的特征，在他们的话语中表现出鲜明的狂欢因素。     

追寻“狂欢”——巴赫金的“狂欢”理论与当代大众文化现象

巴赫金认为“狂欢”理论是一种普遍的世界现象。如果我们用巴赫金的狂欢理论来阐释中国当代的大众文化现象时 ,就会发现在理论上两者之间有一定的切合性 ,对现实都有一种批判精神。但它们由于他们所处的文化背景和语境不同 ,在精神内涵上存在巨大的差异。     

论《红岩》的“身体”革命意识

"身体"是解读《红岩》革命意识的一个重要的维度,从身体的命名、身体的出场仪表、身体的感知系统等身体的构成属性凸显了敌、我两种不同的"身体阵营"。革命身体的受虐被演绎成了庄严的凯旋仪式与洗礼典礼。在"红色狂欢"的受难姿态中,"身体"的痛感为一种信仰道义充斥的革命浪漫激情所替代。     

State carnivals and the subvention of multiculturalism in Singapore

Increasing attention is being paid to the specificities of Asian multiculturalism in relation to ethnic pluralism, citizenship and developmental state formation. This article examines these relationships by analysing three carnival events in colonial and postcolonial Singapore that were organized by the state to promote its official multiculturalism. Through its cultural logics of horizontal racial segmentation, cascading symbolic authority from the state to co-opted communal representatives and multi-modal ritual iteration, the 1937 King George VI coronation celebrations proffered an imperial multiculturalism based on mediating plural groups and procedural norms. Adopting the same cultural logics in the 1970s, the newly-independent nation-state revived and transformed Chingay, a creole Chinese religious procession, into an annual parade celebrating the nation as comprising racially plural groups bound together by the modern ethos of progress the developmental state exemplified. In the 2000s, Chingay has been turned into an international spectacle celebrating Singapore as a cosmopolitan global city of hybridizing multiculturalism. But indicative of new racial-class segmentation, the old nation-building pluralism is promoted by Racial Harmony Day carnivals held in suburban public housing neighborhoods. This bifurcated multiculturalism reflects the developmental state's attempts to deal with new citizenship trends as they grind against the old ethnic pluralism. While faced with the same issues globalization brings, this postcolonial multiculturalism is distinctively different from liberal multiculturalism, not least because the subvention of multiculturalism is achieved through the state appropriation of vernacular cultural practices through its carnivals.     

The Role of the Statistician: Scientist or Shoe Clerk

A carnival game is described in which a player rolls eight dice or eight marbles into holes. To win, the player must obtain a favorable outcome on a number of plays. The probability distribution for the outcome of a single play is discussed. The distribution of a winning combination of outcomes is discussed and approximated. These probabilities show that the game is essentially unbeatable.     

网络文化：狂欢中创造——评龙其林著作《大众狂欢：新媒体时代网络文化透析》

《大众狂欢：新媒体时代网络文化透析》一书,力图通过研究新世纪以来网络文化现象所蕴含的象征意义,通过网络文化这个媒介,展开有关民主意识、政治权利、社会转型、国民性、文化归属感、媒介伦理、消费主义、社会性别等问题的研究,探究这些因素如何通过网络这一载体实现媾合与变异,是一部值得关注和重视的新媒体时代网络文化研究专著。     

偶像的黄昏再看网络“犀利哥”

“犀利哥”是去年网络中红极一时的草根偶像,通过对该偶像产生机制的剖析,回头审视这个被制造的网络偶像,流行文化中偶像制造和偶像幻灭的快餐机制值得我们思索,传播过程中“犀利哥”本体的缺位体现了娱乐精神下某些人文关怀的散失。揭示了一些网络活动的参与者走向没落境地。     

“逍遥无待”与“酒神狂欢”——庄子与尼采生命自由思想探析

“从自由视角观照生命本体，追求一种具有个性解放与形而上内在超越意蕴的自由，是贯穿庄子与尼采生命哲学的主线。在通向“逍遥无待”与“酒神狂欢”的自由之境中，庄子强调个体应通过“心斋”、“坐忘”的方式，祛除一切违背本性的外在束缚，返归与道为一的澄明之境；尼采则强调个体要历经从骆驼、狮子到小孩的三种精神变形，持守生命本真，成为具有强力意志、充满激情与创造活力的强者。两者的自由思想对启示人们关注生命、塑造独立人格具有一定的借鉴意义。     

“身体”视阈下《红岩》的革命意识

"身体"是研读《红岩》革命意识的一个重要维度,从身体的命名、身体的出场仪表、身体的感知系统等身体的构成属性异质自明地凸显了敌、我两种不同的"身体阵营"。革命身体的受虐被演绎成了庄严的凯旋仪式与洗礼典礼。在"红色狂欢"的受难姿态中"身体"的痛感为一种信仰道义充斥的革命浪漫激情所替代。