当代出版物文字错误分类例说

当代出版物文字校勘不受重视,本已是学界同仁所共同谈论的话题.改为电脑排版以后,又出现了相应的新现象、新特点.主要有数字失校、繁简字转换张冠李戴、同(近)音字词混淆、字形相近致误、同音词乱用对成语的重大伤害诸项.     

对幼儿园男教师作用的初步研究

在学前教育领域,教师性别倾斜仍然是一个不争的事实。对教师性别比例不平衡的关注导致出现了许多关于在学前教育领域需加大男教师比例的呼吁。但是,有关学前教育领域男教师比例高低的影响的论述一直受实证证据少的限制。采用观察法、访谈法和实物研究等多种方法的对照,有助于获得对这一问题的新资料与新思考。     

《说文解字》“女”部字及其文化内涵

《说文解字》是我国析字形、解字义、辨读音的文字学专著。本文在对284个《说文解字》中“女”部字及女性文化相关字进行全面考察的基础上,依据《说文解字》中“以类相从,以义相贯”的分类原则,建构“女”部字分类体系,将其分为姓名、称谓、婚嫁、女性价值评判标准、中性字五个类别;通过《说文解字》与《现代汉语词典》中“女”部字对比,研究“女”部字形义变化;探讨“女”部字中反映出的古代女性主流社会地位和古代婚姻制度。     

“Homosexualization” revisited: an audience-focused theorization of wartime male sexual violence

This paper builds upon and challenges existing literature regarding the causes of wartime male sexual violence (particularly Sivakumaran’s concept of “homosexualization”). The author argues that norms about sexuality and the intended audience of violence motivate male sexual violence in three ways. First, perpetrators choose to express power over the individual victim through the weaponization of masculinity, bodily integrity and/or sexual identity. Second, sexual violence can be used to reaffirm group belonging and hetero-masculinity among perpetrators. Third, sexual violence sends a message to a larger community or nation regarding supremacy and power hierarchies. Two examples (Abu Ghraib and Nazi concentration camps) are presented to illustrate the framework’s concepts.     

后现代主义视角下对社会工作谋求专业合法性的思考

在政策的推广下,社工的合法性建设在中国如火如荼地开展。本文将合法性建设置于场域—惯习理论下进行检视,并从后现代女性主义理论视角出发,认为合法性惯习可追溯到男权制文化的建构,实际上是社会场域中的"男性资本"的要求。社会工作的发展在受到场域的男性规则阻碍的同时,又在利用其改变自己在场域中的利益位置。笔者在文章中论述了攀附男性资本的发展只是自缚手脚,并提出建立"社会工作气质"。     

Cruel Pessimism and Waiting for Belonging: Towards a Global Political Economy of Affect

Recent theorizations of affect have focused largely on Western historical, political and aesthetic contexts to distinguish between affect and emotion. Notably, these interventions offer new imaginaries to reinvigorate analysis of politics in the face of shrinking possibilities. However, much of this literature views affect as autonomous from emotion, while overlooking the political history of development and the differentiated relation to affect under colonial capitalism in other historical contexts. This paper studies subaltern engagement in activist performance in India to address these issues. It thinks through Lauren Berlant's account of the aesthetic genre and affective structure of cruel optimism, and her focus on historical contexts where people have recently lost the vision of a good life. By contrast, focusing on the historical present of those born into a pervasive and intractable sense of marginality and insecurity, I ask: what is the subject's relation to affect and activism in contexts where the loss of vision of a good life is not new under neoliberalism, but rather, reworks long-standing violence and inclusion/exclusion of colonial capitalism and nation-state histories. I argue that it is useful to understand Berlant's ‘materialist context for affect theory’ in light of uneven global histories of colonialism, development and neoliberalism. The affective experience of time is different across different spaces. As such, this paper contributes a global materialist context for affect theory, by focusing on activist theatre by a tribe called Chhara, designated ‘born criminals’ by British colonial law – a status legally denotified in 1952, but that is practically still effective in postcolonial India. Competing affective structures – sentimental optimism, cruel pessimism, betrayal and ordinary regard – shape and are shaped by Chhara negotiations with branded criminality. Ultimately, for the postcolonial subject, surviving in the neoliberal present involves vacillating among competing affective structures, only some of which generate sustained political critique.     

水族古文字与甲骨文的联系

长期以来在水族社会使用的《水书》是用水族文字书写的。其年代久远的《水书》呈现的是水族古文字。本文通过对比研究的方式,从时间与地域、书写字体形态、书写文化等三个方面论证,认为水族古文字与甲骨文有密切联系,水族古文字是古代神本文化的活化石。     

文化产业化背景下电视剧《胡杨女人》的商品消费性特征解析

《胡杨女人》是文化产业化背景下生产的蒙古族题材电视剧。该剧得以在央视1套和8套连续4次反复播出,与其在创作方面的创新性探索不无关联,尤其突出表现为剧作的商品消费性特征明显,即注重讲故事、民俗文化参与叙事、自然景观的奇异化。该剧的成功为文化产业化时代蒙古族题材电视剧的创作提供了可供借鉴的范式。     

汉语和汉字的互动与和谐发展

汉语和汉字的关系是一种独特的类型:文字与音节、语素对应,形音义一体,结构立体化。汉字适应并参与了汉语的演变:不断调整字音和字形以适应意义的扩展,形成单音的核心词和开放的多音词的巧妙配合,字义虚化生成语法模式。在汉语发展历史上,汉字为贯通古今南北、保持汉语的统一,传承民族文化做出了重大贡献。汉语和汉字缔造的"单音节""非形态"的特征值得深入地研究。     

夯实中国特色社会主义发展的“奠基工程”——兼论推进大学生马克思主义中国化时代化大众化教育的作用

培养对中国特色社会主义有感情,忠诚于中国特色社会主义的大批合格的接班人和建设者,是当代中国共产党人一个无法回避的重大问题,必须重视培养青年大学生在发展中国特色社会主义中的奠基作用。中国化马克思主义理论是科学的世界观和方法论的集中体现,是推进社会主义经济建设、政治建设、文化建设、社会建设、生态文明建设全面发展的指导方针,具有崇高的历史地位和伟大的理论和实践价值,必须重视大学生马克思主义中国化时代化大众化教育的发展作用。坚持和巩固中国化马克思主义在高等学校的指导地位关键在党,关键在人,必须重视高校推进马克思主义中国化时代化大众化主阵地和思想库的创新与引领作用。