Contextual identity experiencing facilitates resilience in Native American academics

This article discusses the socio-cultural dynamics that interact with ethno-racial identity experiencing in a previously under-researched group. A qualitative interdisciplinary study with 40 Native American academics from 28 mainstream universities across the U.S. served as a case example with findings that contrasted with historically influential theoretical frameworks postulating identity confusion and conflicts at the intersection of one’s mainstream education and profession versus one’s ethno-racial community grounding. Instead of feeling pressure to identify with only one worldview, the contextual, dynamic identities associated with the inclusive and flexible self-concept of tribal participants allowed them to in turn take advantage of two divergent cultural meaning systems pertaining to their distinct socio-cultural contexts. These shifts were experienced as not endogenous but rather exogenous variables, which did not cause the historically theorized issues. Participants felt their tribal identities instead facilitated meaningful integration of the existing incongruences, which resulted in unexpectedly resilient subjective experiencing.     

英汉广告常用辞格及其功能

广告修辞新奇巧妙 ,独出心裁 ,凝聚了广告作者的丰富而非凡的想像力 ;广告语篇中恰当而巧妙地运用修辞格不但使广告语言生动活泼 ,言简意赅 ,或节奏感强 ,很有力量 ,而且深刻地描绘或强调广告商品或服务的特征、特性与功能 ,有助于创造其美好形象 ,促进广告走向成功。     

自我形象的映照——《镜花缘》中的"他者"形象透视

比较文学形象学意义上的形象指的是文学中所塑造的异国异族形象。这种异国异族形象是通过他本人所属社会或群体的想象描绘出来的。从比较文学形象学的视角对《镜花缘》中乌托邦类型的异国形象加以剖析,认为作者对海外诸国的认识只是当时社会集体想象的产物,在本质上是当时中国自我形象的映照。     

论张承志小说的意象建构与审美品格

张承志的小说具有强烈的倾诉性,小说文体的诗化色彩十分突出,小说作品的意象较为丰富。张承志常常以丰富的意象建构使作品充盈着浓郁的诗意和抒情性,同时也体现了其小说独特的审美品格。     

运用信息技术培养学生形象思维能力

从把握时机,掌握力度等方面提出遵循以学生为主体原则,符合学生认知过程的需要,同时保证语文教学按自身学科性质完成教学目标,在有利于学生形象思维发展的前提下,把握运用信息技术的最佳时机达到教学最佳效果.     

融贯中西与古今文化诗学的意象体系——鲁迅诗歌意象的类型分析

意象是诗歌的生命。鲁迅诗歌使用了大量的审美意象,融贯中西与古今文化诗学,形成了自己独立的体系。鲁迅诗歌意象为六种类型,以三组对立的形态出现,即:历史性意象/现实性意象;东方意象/西方意象;社会性意象/人化自然的意象。这些意象的使用,昭示了鲁迅忧国忧民的伟大人格,并形成鲁迅自己独特的诗风。同时,他的诗歌与我国传统诗歌相比较,具有鲜明的现代性,与后起的新诗相比,又具有深厚的传统文化诗学的底蕴。     

South African Indian migration in the twenty-first century: towards a theory of ‘triple identity’

This paper is inspired by three issues, namely ongoing research on South Africans of Indian origin, the anecdotal evidence that accumulates through ongoing discussions on a casual level with such people and the increasing interest among researchers about how globalization and transnational movements are impacting upon identity formation among minorities who are seeking employment or a new life in the developed economies of the ‘big five’ English-speaking countries, i.e. the USA, Canada, Australia, New Zealand and the UK. It is in countries such as these that a third identity emerges and develops to instill a sense of triple identity. The information here suggests that, when people of Indian origin migrate to one of these countries, they continue to cling to South Africa because it is their country of birth, as well as to India, more for sentimental rather than practical reasons. The topic of this paper reflects a contemporary phenomenon not just among the Indians in South Africa, but also among other diasporas such as Chinese in Latin America, whose new and final emigration destination always seems to be the US. In addition, people of Chinese origin in the countries of Indochina, such as Vietnam, Laos and Cambodia, experienced similar patterns of becoming diasporas in Europe, North America and Oceania in the 1970s. However, migration implores them to renegotiate their identities in order to adapt and settle in accordance with their newly adopted host territories. This gives rise to an identity that straddles three countries, which induces the need to examine new ways of identity building in a global transnational economy.     

中国文学中叛逆女性形象的演进

以古代文学的典型判逆女性形象为依据,以社会发展、文化演进和妇女解放为历史背景,分析和论述了中国文学中女性形象之女性角色、女性精神追求的变化及文化意义,女性自我意识的逐渐觉醒和妇女解放的发展趋势的演进过程.     

清时对钗黛形象的阐释研究——钗黛形象接受史研究系列之一

清代评论者对钗黛形象的理解与阐释,是<红楼梦>无限发展的接受链条上的第一环,他们对钗黛形象的理解,在很大程度上奠定了后人理解的基础;他们对钗黛形象理解的丰富性和差异性,以及在评论过程中流露出的强烈的主体心态,其背后复杂的原因值得我们探究.