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1.
Between 2001 and 2013, Hong Kong regulations permitted pregnant women from mainland China to travel to Hong Kong to deliver their babies. In this article, based on 30 in‐depth interviews, I explore the transborder lives and identities of these mainland Chinese families who, motivated by cost considerations, citizenship and anticipated benefits for their children, chose to give birth to their babies in Hong Kong. In some cases, family networks providing flexible residential practices and family care, supported these transborder activities. However, the complexities of transborder life reveal the diverse ‘identifications’ within Hong Kong society and mainland families. Because neither administration totally accepts them, they are not full members of either society and so the identities they form are both plural and fragmented.  相似文献   
2.
In the context of the academic interest shown in the enduring transnationalism of contemporary migrants and in the modes of transitions to adulthood in different global settings, in this article we examine the transnational lives of adolescents moving between Vancouver (Canada) and Hong Kong. While there is a lot of literature on the parents' political and economic calculations, there is very little on how adolescents in these situations articulate their geographical sensibilities. We draw on three periods of fieldwork undertaken in 2002, 2008 and 2010 during which we employed a transnational methodology to interview young people in Vancouver and Hong Kong. We argue that becoming an adult involves a process in which, in their discussions about the geographical and emotional distance between themselves and their families, young people articulate their own complex emotions towards specific places in their transnational social field. Their families sporadically interrupt the adolescents' otherwise independent lives with fragmented modes of supervision. By examining the complex intentions and emotions behind circular migration from the perspective of transnational youth in a community of split families, we advance the discussion on transnational geographies, particularly of the family in the context of a flexible global economy.  相似文献   
3.
Recent events in Hong Kong direct attention to a disturbing trend – the neglect of (selected) life. The society is increasingly discarding its policies and practices concerning immigrant workers, foreign pregnant women and impoverished men and women, whom it deems unworthy of protection or assistance. In this article, I argue for a radical cosmopolitanism that would entail a commitment not only to preventing the taking of life and building a non‐killing society but also to the elimination of the structural conditions that disallow life to the point of death. Drawing on recent bio‐political debates in Hong Kong, I consider the sovereign right over life and death within the neoliberal state. I argue that the state predicates neoliberal sovereignty on a systemic indifference to life; it calculates its bio‐political decisions according to a bio‐arithmetic of economic productivity and social responsibility; and it allows those whom it deems unworthy ‘to die’. As a potential counter discourse, I outline the coordinates and discuss the implications of a commitment to a radical cosmopolitanism.  相似文献   
4.
苏羽 《唐都学刊》2006,22(2):77-79
《孔雀东南飞》是中国古代文学史上的一朵奇葩。它为我们塑造了刘兰芝这么一个典型人物形象,而在它塑造典型人物形象的同时,我们可以看出作者表现出了高超的叙事技巧。《孔雀东南飞》的叙事结构是具有中国特点的,即结构的动词性。这样完整和运动的叙事结构在中国诗歌史上是第一次出现的,它标志着中国叙事诗已走向成熟。  相似文献   
5.
Based on fieldwork in Japan and Hong Kong, I ask how methodological cosmopolitanism, as formulated by Ulrich Beck, may afford new and highly needed modes for grappling with climatically concerned art and aesthetic practices across geographical regions. I will argue that methodological cosmopolitanism serves as an important framework for approaching such art practices, and suggest that two overall intertwined strands concerning aesthetic practices engaged in global issues of climate change, emerge from this – the cosmopolitanization of aesthetics and, reversely, the aesthetics of cosmopolitanization. Departing from my fieldwork among farming artists in the Hong Kong countryside and in the Japanese satoyama – rural mountain – areas, I will, on the one hand, argue that art practices are ‘cosmopolitanized’ by the awareness of global risks, manifested in anticipation of the comprehensive climatic changes (in)discriminately affecting across nations and regions. At the same time, and importantly, art practices are actively attending to this ‘risky’ cosmopolitanization, giving aesthetic voice, form and ‘visuality’ to unfolding climatic issues and concerns and hereby practising what I will call an ‘aesthetics of cosmopolitanization’.  相似文献   
6.
This article is an analysis of the attempts of Baghdadi Jewish traders in Hong Kong in the second half of the nineteenth century to construct and convert cultural, social and economic capital within and between the transregional networks of the Baghdadi diaspora, the Jewish diaspora and the British colonial elite. The analysis of the multiple and multi‐directional intersections between the cultural, social and economic characteristics of the three networks shows that Baghdadi social capital accounted for significant ruptures and disjunctures between the increasing cosmopolitanization, deterritorialization and hybridization of the Baghdadi traders' cultural identities and the definition of Baghdadi cultural capital. An understanding of the role of Baghdadi social capital in accounting for the construction and convertibility of cultural, social and economic capital among these three transregional networks helps to explain the reproduction of social inequalities under increasing conditions of globalization, that is, under conditions that potentially augmented the number of sources defining cultural capital.  相似文献   
7.
In this article, I examine the role of ‘education’ in the formation of transnational professionals in contemporary Hong Kong. A significant body of work has been devoted to considering the ways in which knowledge within particular global financial centres is embodied through the practices of a transnational capitalist class (TNCC). Yet, very few researchers have discussed how this TNCC is actually created. In this article, I highlight the importance of one faction of the TNCC ‐‘overseas‐educated locals’‐ and describe the sense of common identity and mutual recognition that binds them. Drawing on fieldwork conducted in Hong Kong and Vancouver between 2000 and 2003, I demonstrate the salience of embedded and spatialized practices of education in the creation of the TNCC. In particular, I look at the role of inculcation within a school/university and home environment, as well as the significance of a distinctive habitus, and conclude that these situated processes are indeed crucial to the development of an exclusive class of transnational professionals.  相似文献   
8.
Despite acknowledgements that migration depends on human–material practices, research into migrant materialities has often focused on limited spatiotemporal frames and the relation of objects to (inter)personal concerns. Taking everyday interactions with materials as of inherent interest, I examine how thinking topologically about multiple spaces helps to trace migrants’ relationships to changing groups of objects. After introducing Mol and Law's concepts of regional, network and fluid space, I discuss three types of networks with diverse relations to them – networks of home, for travel, and of use. Though networks of home are important to migrants, and can remain intact while travelling across regions, they also demonstrate considerable fluidity when interacting with other networks, which themselves affect adaptation and everyday practices. Supported by examples from Hong Kong return migrants, I show how managing multiple material networks, each with multiple spatial relations, is central to being a migrant.  相似文献   
9.
Abstract

This article investigates how globalization is affecting film industries in the USA and Asia. It argues that these industries are becoming more closely integrated with one another both materially and aesthetically, and that this in turn is leading to the denationalization of individual films and film industries on both sides of the Pacific. The article explores how globalization is experienced differently by different film industries – and by different sectors within individual industries – and how it entails both losses and opportunities for Asian film makers. Taking the contemporary Hollywood and East Asian martial arts film as an exemplary cultural style of globalization, it also looks at how integration involves both cultural homogenization and the production of difference. Specific topics discussed include the growth of Hollywood's Asian markets, Jackie Chan and the flow of Hong Kong talent into Hollywood, Hollywood remakes of South Korean movies, the resurgence of Asian film industries, Hollywood's local-language film production and Zhang Yimou's Hero.  相似文献   
10.
Relational geographies of capital and consumption between Hong Kong and mainland China have been forming through tourism engagement in Hong Kong and the development of model Hong Kong malls in China. This analysis of urban restructuring for the consumer economy identifies how landmark Hong Kong malls are reproduced in major cities of China by networks of Hong Kong property firms and mainland elites. Adapting Leslie Sklair's formulation of architectural iconicity in the culture‐ideology of consumerism, this economic relationship, which restructures urban space, constructs iconic built forms and develops Chinese consumerism, marks hegemonic opportunities of a national capitalist class, suggesting how Chinese state capitalism and its Hong Kong networks limit and incrementally engage transnational capital while instantiating Hong Kong‐style consumer iconicity. New malls in mixed‐use developments in China often occupy sites of historical markets and thus affirm Sklair's prediction that iconic architecture increasingly proclaims consumer space while claiming historic forms of public space.  相似文献   
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