‘Public toilets for a diverse neighborhood’: Spatial purification practices in community development discourse

This paper explores the dialectic of place and community identity in Mount Pleasant, a multi–ethnic and multi–class U.S. neighborhood where definitions of place are hotly contested among its residents. In a grant proposal for public toilets, Mount Pleasant writers use linguistic strategies such as presupposition, deixis, and contrast, coupled with discursive themes of filth and geography, to construct a core of the Mount Pleasant community. The writers place themselves and people who share their values in that core, and immigrants at the margins. These strategies serve as a discursive type of spatial purification practice (cf. Sibley 1988) through which the grantwriters set up a moral and spatial order where they and other core community members are deemed to use space ‘appropriately’, and thus inhabit positive moral positions, while immigrant community members’ imputed ‘inappropriate’ use of space is used to construct negative moral positions for them.     

川端康成与《雪乡》

日本著名文学家川端康成作为亚洲第二位诺贝尔文学奖获得者而备受世人瞩目 ,这位多产作家“以敏锐的感受 ,高超的叙事技巧 ,表现了日本人的精神实质价值”。其独特的艺术风格在日本文学史上占据着极其重要的地位 ,代表作《雪乡》、《古都》、《千只鹤》等已被翻译成多国文字并引来众多的研究者。本文拟介绍川端康成的文学历程及创作成就 ,探索其名作《雪乡》的艺术特点 ,为增进大家对日本文学的了解抛砖引玉。     

情景喜剧《武林外传》中的语域偏离与语篇幽默效果

古装情景喜剧《武林外传》在全国热播，掀起一阵收视高潮，其原因值得探究。本文运用Hauiday的语域理论，试从语域转换、语域混合和语域借用角度来分析该剧的幽默语言特点，探究其产生具大幽默效应的独特魅力。     

‘The Rule of Men Entirely Great’: Republicanism,Ritual, and Richelieu in Melville’s ‘The Two Temples’

Abstract

This article explores the complex and multifarious reasons behind Herman Melville’s decision to refer to the English playwright Edward Bulwer-Lytton’s 1839 work Richelieu, or The Conspiracy in his 1854 diptych ‘The Two Temples’. It responds to a critical consensus that has seen the reference merely as a sarcastic attack on William Macready (whose rivalry with the American actor Edwin Forrest was the nominal cause of the bloody 1849 Astor Place Riot in New York), by contextualizing the play within traditions of antebellum American Anglophilia. By using a combination of new critical work on Anglo-Americanism and anthropological ritual theory, I show how Bulwer-Lytton’s play was significant to Melville’s artistic development. In particular, I demonstrate how the play influenced his increasing engagement with republican and theatrical forms of expression that emphasized the importance of filial relationships between America and Britain in a period of increasing hostility between the two nations.     

异中求同变中求信——译西德尼·谢尔顿《我的另一面》第一章有感

在翻译西德尼·谢尔顿的自传体小说《我的另一面》的第一章中感受倍深，从忠实传意、瞻前顾后、运用技巧等几个方面归纳，进而研讨在两种语言的转换过程中何以异中求同、变中求信，从而更加深刻地认识翻译行为既受限制性约束，又有创造性的自由，其本质是在两种不同文化之间进行协调。     

Role of Leaders as Agents of Negotiation for Counterbalancing Cultural Dissonance in the Middle East and North Africa Region

This study provides a unique perspective in the field of cross-cultural management by exploring the relationship between “cultural dissonance”—the gap between cultural values and actual practice—and effective leadership attributes in the Middle East and North Africa (MENA) region. Incorporating cultural dissonance into implicit leadership theory, the study uses measurements of dissonance on nine cultural dimensions to identify particular leadership preferences in seven MENA countries. The overall findings suggest that societies prefer leaders who counterbalance cultural dissonance by allowing space for negotiations by members of society to reduce disparities between cultural values—“the way things should be”—and actual practices—“the way things are.” The greater the disparity between cultural values and practices, the greater the citizens' desire that leaders act as agents of change by creating space for negotiation.     

乡愁的两种表达式——余光中《乡愁》与洛夫《边界望乡》比较

余光中《乡愁》和洛夫《边界望乡》为台湾乡愁诗歌的“双壁”。两位诗人都有着颠沛流离的人生经历,又不约而同走过由“西化”向传统回归的诗歌创作之路,时空阻隔所产生的乡愁为《乡愁》和《边界望乡》共同表现的内容。余光中《乡愁》在一静态的情境中创造完成,所表现出的乡愁情感具有普适性、共通性;诗作结构整齐,节奏静缓,意象朴素明朗,语言体现了一种纯净之美。坚持创造性为诗歌生命,洛夫近乡情怯而作《边界望乡》,抒发的是极具诗人个体性的乡愁体验;诗行参差,结构跌宕,节奏激越,意象新奇,诗歌语言散发出魔性的色彩。     

Person, Perception, and Place: What Matters to Health and Quality of Life

Interest in understanding how characteristics associated with where people live, in addition to the characteristics of the people themselves, affect health outcomes has risen sharply in recent years. While much of the research examining this question focus on teasing apart effects of place and individual on outcomes, less attention has been paid to examining how individuals’ perceptions of where they live may provide some clues to better understanding the influence of place on outcomes. We present findings from analysis undertaken that incorporate the subjective responses of individuals, residing in three socially contrasting neighbourhoods, to their local environment. Our first question addressed whether perceptions related to neighbourhood and city of residence matter to self rated health and quality of life independent of individual characteristics, while the second question examined whether the perceptions and individual characteristics are modified by the neighbourhood socio-economic context. Our results show that perceived neighbourhood characteristics, in addition to individual sociodemographic factors, are significant correlates of self rated health and quality of life. Moreover, we show that the type of perceived neighbourhood characteristics and the magnitude of their influence on self rated health and quality of life vary depending on whether they live in high- versus low-socioeconomic status neighbourhoods.

Relational rurals: Some thoughts on relating things and theory in rural studies

This paper considers how shifts within the social sciences towards conceptualising spatiality in relational terms have unfolded in rural studies in particular ways over the past decade or so. A period in which networks, connections, flows and mobility have all established themselves as compelling conceptual frames for research, the rural has increasingly been recast in relational terms as a multi-authored and multi-faceted space, constituted through local-global interconnections and their place specific, sometimes contested, manifestations. In this way, the multiple meanings of the rural continues to be a focus of critical concern, as are the implications ‘of’ and ‘in’ rural spaces for some of the major issues currently being faced by governments and citizens around the world; including climate change and food security. Apprehending the complexity of the rural in these terms, we argue, requires not only thinking space relationally, but at the same time being epistemologically relational or theoretically pluralist. That is, recognising the co-constituent production of rural space through material and discursive phenomenon, processes and practices, and thus the value of existing theoretical resources (social constructionism, political and economic materialism) in relation with the critical and rigorous appraisal of ‘new’ concepts and ideas to better comprehend rural space in its multidimensional complexity and particularity. To this end, we identify Cindi Katz's notion of ‘countertopography’ as a promising conceptual and methodological addition to the rural scholar's toolkit insofar as it attends to a politics of location and differentation in relation to global processes. We conclude our discussion by sketching out possible objects of countertopographical analysis for understanding ongoing processes of change in rural space(s).     

“Either Side of Delphy Bridge”: A deep mapping project evoking and engaging the lives of older adults in rural North Cornwall

This article reports on work to date by an arts practice-led research team exploring older adults’ conceptions of, and connectivity with, the physical, social and cultural landscapes in which they locate themselves. The team is based at the Department of Art and Design, University of the West of England (UWE) and has conducted fieldwork, interviews and small-scale interactions in an area of rural North Cornwall with a view to “deep mapping” older adults’ “lived landscapes” using a variety of practical methods derived from creative arts practices, critical reflection on deep mapping, ethnographic approaches, and referencing a range of theoretical positions. The project forms part of a work package within “Grey and Pleasant Land? An interdisciplinary exploration of the connectivity of older people in rural civic society” (abbreviated below as GaPL), funded by the UK Cross-Research Council ‘New Dynamics of Ageing’ Programme. In what follows we will describe and critically discuss the fieldwork undertaken and the various ways in which the performative interactions and the creative multimedia evocations that draw on the team’s interactions with older people might extend the growing dialogue between deep mapping, visual and other innovative ethnographies, and critical gerontology.