译者责任和文化现实

纵观中国的翻译史 ,不难看出译者在各个历史时期都发挥了不可替代的作用。然而 ,不同时代的译者所发挥的作用是不同的 ,因为他始终受到社会文化现实的影响和制约。本文结合当今时代特点 ,提出译者要对祖国语言负责 ,对祖国文化负责     

VR的审美辨思

VR是当前最新、最热的内容创意领域,是伴随着计算机人工智能发展起来的计算机应用技术,也有人称其为一种新的媒体或一种新的艺术形式。从审美体验来看,它带来了一些新的变化,如临场式沉浸、强烈感官冲击的审美对象、纯粹的审美主体。这些变化的发生,从传统美学的观点来看,究竟是终极式审美还是审美的终结,还需拭目以待。     

STRANGE YET STYLISH HEADGEAR VR consumption and the construction of gender

This article examines how gender is inscribed and reproduced in the consumption of Virtual Reality (VR) technologies. The focus is on how virtual reality systems become embedded in 'everyday life' through leisure and consumption, and how the spectacles and disciplines associated with consumption sites produce gendered virtual subjects. Studies of new communications technologies have tended to polarize between 'cyberpunk'/'cyberfeminist' visions of bodily transcendence in 'cyberspaces', and the critique of such visions from social theorists who focus on the reproduction of social and cultural inequalities through technical systems. These approaches tend to neglect the specific sites in which the social relations of VR are played out. A 'multi-sited' ethnographic study of immersive virtual reality systems is the basis for discussion of how virtual reality technologies produce gender in specific sites. Virtual systems are positioned and used differently in various locales such as arcades and art galleries, bars and theme parks and cafes. The article discusses the practices of consumption which (re)produce and maintain conventional bodily and subjective boundaries. What relationships are becoming institutionalized? Are new conventions of gender created in these consumption relationships? The construction of spectacle and space, and the specific bodily disciplines required for participation in virtual realities in locations of consumption is particularly important in the formation of gender dynamics. Multiple subject positions are offered through competing technical, economic and cultural practices in diverse sites. These positions can establish new conventions of virtual identities and experiences, but also remain shot through with familiar operational categories of gendered identities and bodily practices. This article argues that immersive virtual reality technologies cannot be understood without some consideration of the locales in which they are embedded, and the social identities they make possible or constrain. A local, reflexive and feminist orientation assists in understanding the gendered dynamics associated with 'becoming virtual'.     

“Mad Money” madness: Jim Cramer's image restoration effort

The following is an evaluation of “Mad Money” host Jim Cramer's image restoration attempts during his March 2009 week-long media battle with Jon Stewart, host of “The Daily Show.” Using Benoit's (1995) image restoration theory as a conceptual framework, it is apparent that Cramer failed in restoring his reputation because he frequently coupled incongruent strategies and was unable to grasp the dynamic nature of communicative image restoration.     

以格林童话为代表的德国浪漫主义时期民间童话论略

以格林童话为例,对德国浪漫主义时期民间童话产生的文学背景、语言的内在结构,及其社会心理功能等三个方面进行了分析.     

中国油画发展现状

在当今艺术多元化发展的大环境中,中国当代油画较之传统绘画,在形式的表现和观念的表达方面越来越突出。中国油画未来发展的方向该如何定位,是摆在我们面前的首要问题。本文就当代中国油画艺术发展中出现的一些问题试以叙述。     

浅析西奥多·德莱塞的自然主义小说创作

西奥多·德莱塞是美国史上的一个杰出作家。他用自然主义文学创作手法开创了美国文学的一个新时代 ,影响了一大批同时代以及后来的作家们。本文从真实客观性 ,现实性和悲剧性三个特点入手浅析了西奥多·德莱塞自然主义小说的创作特点     

科学语境中的实在层次及其转化

在人类的知识中,科学是公认的对自然现象的描述、解释和预言的最好方式。为了解释显现于我们经验之中的现象,现代科学继承了古老哲学中现象与实在二分的运思方式。基于实在概念的三个层次或含义的划分,我们就能够清楚看到,科学理论中基于经验实在而悬设的理论实在同时也是对经验的超越,是人类力图在思维中把握本体实在的尝试。随着科学的进步,这种理论实在会得到不断修正和完善而逐渐趋近本体实在,从而使“物自体”从不知变为可知。     

分歧与契机——对马克思与别尔嘉耶夫关于“现实性”不同界定的反思

别尔嘉耶夫作为俄国"白银时代"的重要代表,其理论核心总与人的存在、价值、自由等范畴有着密不可分的联系。重要的是,别尔嘉耶夫对这些范畴的理解又引申为对"现实性"的反思。同时,在马克思的哲学体系中,对"现实性"概念的界定也被给予高度关注。因此,以二者对"现实性"这一概念的不同理解范式为切入点,就能在建构二者对话关系的基础上,通过借鉴别尔嘉耶夫的思想,深入理解马克思哲学在"现实性"概念上的深刻指向。以此为契机,又可获得反思马克思哲学的重要参考。     

荒诞的意味与双面的色调——对《夜的眼》、《布礼》等小说的再解读

王蒙的《夜的眼》、《布礼》等现代派小说的出现是1980年代中国当代文坛重要的文学现象,它们准确地表达了当代人们对环境及自身存在状况的感知。尽管这些小说的写实要素还很浓重,但它们的传达却依靠了小说中人的意识、人的感觉与体验等主观要素。在回忆过去的历程中,寻找自我与反省历史并驾齐驱,使人们从中体验到了命运的荒诞;在感知新时代的变化时,希望与负担共存,使人们体验到了＂明＂与＂暗＂、＂希望＂与＂积滞＂的交织。