《沧浪诗话》与明代格调论

南宋严羽的《沧浪诗话》在以下几个方面影响了明清时期的格调理论 :1 追求“自然浑成”的诗歌审美理想 ;2 注意辨识诗歌体制、风格特点 ;3 高度重视诗歌的方法、技巧 ;4 强调灵感的作用     

What Do Grandmothers Think about Self‐esteem? American and Taiwanese Folk Theories Revisited

The study investigates European American and Taiwanese grandmothers’ folk theories of childrearing and self‐esteem, building on an earlier comparison of mothers from the same families. Adopting methods that privilege local meanings, we bring grandmothers’ voices into the conversation about childrearing, thereby contributing to a deeper understanding of intergenerational nuances in folk theories. In each cultural case, 16 grandmothers of 3‐year‐olds participated in in‐depth interviews that were customized according to local communicative norms. Although self‐esteem emerged as a central organizing concept in the folk theories of European American mothers, grandmothers spoke in two voices, either echoing their daughters or invoking a counter‐discourse of wariness towards self‐esteem. By contrast, Taiwanese mothers and grandmothers resembled one another—but differed from their American counterparts—in treating self‐esteem as peripheral in childrearing. Results contribute to the growing consensus that self‐esteem is a culture‐specific childrearing goal and suggest that the European American tendency to valorize self‐esteem varies by generation.     

古代文论"养气"说之流变

“养气”说源于儒、道哲学上的“养气”论 ,是古代文论的重要学说之一。古代文论“养气”说的发展可以分为先秦两汉、魏晋六朝、唐宋元、明清等四个历史阶段。在历史发展中 ,“养气”说形成了几种有代表性的观点 ,涉及到作家道德人格之修养、创作心态之培养、艺术才能之习练、艺术个性之发扬、人生阅历之增广等一系列重要理论问题。     

亚当·斯密的公路经济理论

研究了亚当.斯密公路经济理论的几个重要观点:公路的选址和规模、资金筹措、运营和征收车辆通行税等,并分析了车辆通行税管理权划归中央或地方的标准,得出建立监督机制、关注乡村公路和偏远公路有利于公路发展的结论,这对中国公路建设理论与实践有重要的借鉴作用。     

论思想政治理论课教学中知识性与思想性的统一

在新的世纪,国内外形势发生了重大的变化。在这种背景下,如何实现思想政治理论课知识性与思想性的统一,是摆在思想政治理论课教师面前的大问题,文章从思想政治理论课教师的角度对这一问题进行了阐述。     

Culture, Cosmopolitanism, and Risk Management

Most cultural approaches to risk management deal with the connections between the forms of social relations within groups and the risk concerns of those groups. According to these theories, a certain limited set of different relational forms (usually three, four, or five) lead to specific, different and conflicting, risk concerns. In contrast to these theories, cosmopolitanism is an approach to culture that focuses, not on forms of sociality, but on changes among forms—expansions and contractions in the inclusivity of forms and movement by persons from one form of sociality to another. Relative to other cultural theories, cosmopolitanism thus is much more concerned with the solution of risk management problems than with their origins. Cosmopolitanism can be thought of as a cultural continuum, with cosmopolitanism at one end and pluralism at the other. Cosmopolitan persons are more open to cultural change—and thus the solution of risk management problems. In this article, we outline our new theory of cosmopolitanism, describe a method for measuring it and present an experimental study that tests some implications of the theory. Results from the study support the theory by showing that, compared to pluralistic respondents, cosmopolitan respondents are more inclusive in their risk management judgments—that is, they express equal concern for a local and a national issue, whereas the pluralistic respondents express greater concern in the local case. We discuss the risk management implications of a cosmopolitan approach to culture.     

当代生活与艺术之死:第二、第三和第一世界

当今所谓的艺术,主要是受20世纪七八十年代以来发展并在全球范围内扩散的美国式“艺术”观念所支配,而再也不受德语的“艺术”或法语的“美的艺术”体系所支配。自从现代主义诞生以来,艺术的历史使命的减弱或者消失已经成为事实,但从全球范围而言,“艺术的终结”这一论断仍有些夸大其词。因为在第一世界的艺术死亡之后(这里存在更多的是文化),第二和第三世界的艺术还生长着。艺术从根本上说还不是一个媒介事件和现象,而是一个同我们每个人相关的东西——不管它是不是商品。     

五字教学法在两课教学中的应用

政治思想道德教育的全过程,是一个由知到行转化的复杂过程。它包含了知、情、意、信、行五个关键环节。因此,马列主义理论课和总想政治教育课教学应体现知、情、意、信、行五字法。这五者也是构成学生政治思想道德品质的基本要素,两课教学的过程是五个基本要素培养、提高和发展的过程。     

西方国家起源理论研究述评

国家起源问题一直备受学者关注,特别是20世纪以来,西方学者注重从人类学、考古学、历史学、社会学等各方面入手研究国家起源。从人类学的视角来说,塞维斯和弗里德提出了著名的酋邦理论和分层学说。与此同时,各种具体理论也不断出现,如城市革命、灌溉、贸易和战争。由于单一的因素不能解释国家的产生,因此综合理论应运而生。生态学理论注重利用气象数据并与合理的推测相结合,社会理论则以更具体的权力、意识、个人、性别和团体进行研究,而这些都推动着国家起源理论的发展。     

"百苗图"源流考略--以《黔苗图说》为范本

“百苗图”是历史背景较为复杂的一种反映贵州古代少数民族的地方文献,其版本众多。据考,它们是源自清人陈浩著的《八十二种苗图并说》。关于其母本的产生历史,学术界纷争不一。《黔苗图说》是贵州省博物馆收藏的一部较为典型的百苗图册页。本文以它为例,试对“百苗图”的源流做一些考证。并认为其母本并非某一时代实地调查的第一手资料,而主要是利用许多地方文献的相关材料编纂成册。