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1.
在我国的司法实践中,就侵犯公民权益的案件而言,似乎只有直接对公民生命和健康造成侵害的犯罪才受到关注,而作为直接保障公民人身自由的非法拘禁罪并未引起人们足够的重视。而正是如此,对非法拘禁罪的研究才更有现实意义。  相似文献   
2.
文章论述了京剧在 2 0世纪 30年代达到鼎盛阶段的内外部原因。在其内部原因上 ,作者以其研究古代文学史时所提出的“原生态式的把握方式”来观察这一段京剧史 ,从而对这一段京剧史的发展作了新的勾勒 :艺术块团之形成、相互间的争锋、浮沉以及名号形成的种种情况。在其外部原因上 ,论述了京剧是如何从回应“五四”新文化运动的批评以及如何从向话剧的学习中受益的。 30年代新文化界对于当时京剧的雅化是批判的 ,作者则对此取肯定态度。最后还说明了 ,当京剧出国演出时 ,它的许多曾受“五四”新文化运动批判的特点 ,却受到了国外艺术家的肯定 ,中国的京剧艺术家们也更加开拓了视野 :由此勾勒出京剧发展过程中的一个大的回旋  相似文献   
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The sociological intervention is a research method developed in France by Alain Touraine in 1976 to explore social movement action. Since then it has undergone significant development, both in terms of the type of social experience explored and the broader research program framing it. Despite its importance, the intervention remains little known and virtually untested within English-language sociology. This article examines key dimensions of this research method through discussing several examples, and argues that the intervention has much to offer English-language sociologists concerned with questions of agency and reflexivity, relationship, narrative and experience.  相似文献   
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促进农村农民的共同富裕是实现全体人民共同富裕的重要内容和难点问题。以山东省代村为例,运用行动者网络理论,解构了新型村集体经济异质行动者网络转译过程,剖析了村集体经济推动村民实现共同富裕的路径。研究发现:新型村集体经济发展推动村民实现共同富裕过程,是以乡村政治精英领导的村“两委”班子为关键人类行动者和土地、房屋等非人类行动者,通过行政征召、专家征召、文化征召等方式推动行动者网络形成与发展,并不断破解村民的异议与矛盾,从而达成利益联盟,构建稳定行动者网络的动态发展过程。以村民利益为核心的集体经济发展思路和村干部说服性治理工作逻辑在矛盾化解、争取村民信任与支持方面发挥了重要作用;绿色高质量发展的新型村集体经济进一步推动了村内民生保障体系建设;通过公平利益分配、文化权益保障等方式实现了村民物质富裕与精神文化富有。  相似文献   
5.
行动者网络理论为三网融合的发展提供了一种新视角和新的分析工具。研究表明:三网融合既是技术创新和市场竞争推动的结果,也是政府管制的结果;作为核心行动者,政府应采取合理的手段调整行动主体的行为,引导其积极加入到网络中;在多异质行动者参与的三网融合博弈进程,由于诸多利益因素的存在,网络有可能重构,甚至瓦解。我国应从制定合理的发展路径和科学的实施步骤、完善政策资源供给和重视各方利益整合等方面加强三网融合发展战略指导。  相似文献   
6.
Lighting is increasingly recognized as a significant social intervention by both lighting professionals and academic social scientists. However, what counts as ‘the social’ is diverse and contested, with consequences for what kind of ‘social’ is performed or invented. Based on a long‐term research programme, we argue that collaboration between sociologists and lighting professionals requires negotiating discourses and practices of ‘the social’. This paper explores the quality and kinds of spaces made for ‘the social’ in professional practices and academic collaborations, focusing on two case studies of urban lighting that demonstrate how the space of ‘the social’ is constrained and impoverished by an institutionalized division between technical and aesthetic lighting. We consider the potential role of sociologists in making more productive spaces for ‘the social’ in urban design, as part of the central sociological task of ‘inventing the social’ (Marres, Guggenheim and Wilkie 2018) in the process of studying it.  相似文献   
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ABSTRACT

This paper examines two large-scale cases ? the 2013 Boston bombing and the 2015 Bangkok bombing, each of which spurred an online investigation conducted by concerned citizens to find the bombers. While both bombing cases had different cultural discourses, the processes and outcomes of the online investigation were similar: there were rampant speculation and rumor-mongering, as well as false accusations and harassment of innocent suspects. The aim of the paper is to understand how such acts of mob justice happened. Using actor–network theory, a theoretical and methodological tool for mapping out the networks human and non-human interactions, I discuss two types of networks found in both investigations. The two network types demonstrate how a claim can be construed as fact or fiction through such networks of interaction. In light of debates on the proliferation of fake news and alternative facts, the findings have implications for the current and precarious state of truth in today’s society.  相似文献   
9.
This article examines the change in Turkish domestic space through modernization and, in particular, the artifact of lace, as a nonchanging object in Turkish home in its relationship with the “traditional” and the “modern” domestic settings. Thereby it investigates how traditional and modern settings are defined in Turkish society and, this leads to a further analysis of the modernization process in Turkey within the scope of Turkish house and its domestic settings. The aim of the article is to analyze lace as an agent, which is an actant of the change in domestic settings, to read the connection between the daily life of people and social lives of artifacts. Therefore, examining the dialogue of lace with traditional and modern domestic settings provides to deconstruct the network of the artifact, the house and the individual during the modernization process that Turkish society has been through. The theoretical perspective of the article relies on a material‐semiotic approach with an emphasis on Latour's Actor‐Network Theory and, the methodology of the article is based on ethnography: It includes observations and semi‐structured interviews conducted with people from different social environments focusing on the meaning and the use of lace in domestic environment.  相似文献   
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