Design selection for strong orthogonal arrays

Strong orthogonal arrays (SOAs) were recently introduced and studied as a class of space‐filling designs for computer experiments. An important problem that has not been addressed in the literature is that of design selection for such arrays. In this article, we conduct a systematic investigation into this problem, and we focus on the most useful SOA(n,m,4,2 + )s and SOA(n,m,4,2)s. This article first addresses the problem of design selection for SOAs of strength 2+ by examining their three‐dimensional projections. Both theoretical and computational results are presented. When SOAs of strength 2+ do not exist, we formulate a general framework for the selection of SOAs of strength 2 by looking at their two‐dimensional projections. The approach is fruitful, as it is applicable when SOAs of strength 2+ do not exist and it gives rise to them when they do. The Canadian Journal of Statistics 47: 302–314; 2019 © 2019 Statistical Society of Canada     

住宅小区景观的配套设计与绿化

当前，小区的景观配置及绿化已经成为人们选择住宅的重要条件之一。小区景观设计的细节往往是小区景观的配套设计与绿化成功的关键。住宅小区景观的配套设计与绿化是自然与人的完美协调与交融，是人的精神通过加工寄托于景物的一个过程。     

Modifications of sequential designs in bioequivalence trials

Bioequivalence (BE) studies are designed to show that two formulations of one drug are equivalent and they play an important role in drug development. When in a design stage, it is possible that there is a high degree of uncertainty on variability of the formulations and the actual performance of the test versus reference formulation. Therefore, an interim look may be desirable to stop the study if there is no chance of claiming BE at the end (futility), or claim BE if evidence is sufficient (efficacy), or adjust the sample size. Sequential design approaches specially for BE studies have been proposed previously in publications. We applied modification to the existing methods focusing on simplified multiplicity adjustment and futility stopping. We name our method modified sequential design for BE studies (MSDBE). Simulation results demonstrate comparable performance between MSDBE and the original published methods while MSDBE offers more transparency and better applicability. The R package MSDBE is available at https://sites.google.com/site/modsdbe/ . Copyright © 2015 John Wiley & Sons, Ltd.     

三维实体设计与工程制图课程的改革

三维实体设计是工程设计的必然趋势,设计方法的变革导致企业对人才的新需求,也给传统的工程制图课程体系带来了巨大的冲击。改革与现代生产和人才需求不相适应的教学内容,建立以三维设计为主线,以培养创新思维和创新能力为目标的工程制图新体系,是工程制图课程改革的方向。     

基于WEB的远程教学管理软件分析与设计

本论文主要讨论了基于WEB远程教学管理软件的分析与设计。首先对远程教育与传统教育进行了比较研究,确定远程教育是现代教育发展的方向;其次对开发基于WEB远程教学管理软件进行了环境分析和需求分析;最后讨论了远程教学管理软件的实现,包括软件模块结构设计和网站的总体框架。     

工业设计专业数字化设计类课程体系建设的思考

针对数字化技术对工业设计的巨大影响 ,提出了工业设计专业数字化设计类课程体系的框架和对一些课程设置及教学方法的设想     

ALL-BIAS DESIGNS FOR POLYNOMIAL SPLINE REGRESSION MODELS

Polynomial spline regression models of low degree have proved useful in modeling responses from designed experiments in science and engineering when simple polynomial models are inadequate. Where there is uncertainty in the number and location of the knots, or breakpoints, of the spline, then designs that minimize the systematic errors resulting from model misspecification may be appropriate. This paper gives a method for constructing such all‐bias designs for a single variable spline when the distinct knots in the assumed and true models come from some specified set. A class of designs is defined in terms of the inter‐knot intervals and sufficient conditions are obtained for a design within this class to be all‐bias under linear, quadratic and cubic spline models. An example of the construction of all‐bias designs is given.     

四种企业成本控制模式的比较分析及启示

面对日趋激烈的市场竞争环境 ,成本控制成为决定企业生存与发展的关键因素。对目前国内外较为典型的四种成本控制模式的比较分析 ,将为我国企业成本控制模式的选择提供有益的启示     

游于艺:徐渭的艺术精神

徐渭虽然是明代文坛的边缘人 ,但却代表着明代文学的一种新精神 ,就是以“玩文学”的方式消解“诗言志”、“文载道”的传统。他的诗文创作既非源自某种使命感或道义精神 ,也非社会的写照或干预生活的武器 ,而是一种游戏人生自得其乐的生存方式。他拒绝崇高拒绝深刻 ,化神圣为笑谈 ,化正经为滑稽 ,在明代文学特定的语境中横空出世 ,开启了晚明“独抒性灵”的诗风与文风     

美学方法论和艺术本质观--从东、西方古典美学看艺术的审美本质

本文从美学方法论的角度 ,以对东西方古典美学艺术本质观的论述为基础 ,结合当前的文艺实践 ,对艺术本质给予了现时代的规定。本文认为 ,西方古典美学和艺术思想的基本特征 ,是以纯哲学和社会学的方法研究艺术 ,把艺术规定为是一种特殊的认识活动 ,将摹拟、再现、认识看作是艺术的本质特征 ;而中国古典美学则主要是以伦理学与哲学的辩证统一、艺术哲学和艺术心理学相统一的方法观察和研究艺术 ,把情感看作艺术的特质 ,将抒情、写意规定为是艺术的基本特征。东西方古典美学各自在艺术本质问题上的合理性和片面性 ,以及当今东西方艺术发展的趋势 ,说明对艺术本质的思考和探求 ,既不能单纯执着于表现主义 ,也不能固守于理智主义 ,而是应该扬弃其各自的片面性 ,对东西方古典美学的艺术本质观 ,在现时代的规定下进行辩证的综合