Spectacles of intimacy? Mapping the moral landscape of teenage social media

This paper explores young people's expressed concerns about privacy in the context of a highly mediated cultural environment, mapping social media practices against axes of visibility and participation. Drawing on interdisciplinary conceptual resources from both the humanities and social sciences, we use ‘spectacles of intimacy’ to conceptualise breaches of privacy, mapping an emergent moral landscape for young people that moves beyond concerns with e-safety to engage with the production and circulation of audiences and value. The paper draws on data from a methodological innovation project using multi-media and mixed methods to capture lived temporalities for children and young people. We present a model that captures a moral landscape shaped by emotional concerns about social media, the affordances of those media and affective discourses emerging from young people's use of the media.     

People with disability and new disaster communications: access and the social media mash-up

This article explores how a lack of access to increasingly complex and overlapping digital communications platforms in times of disaster for people with disabilities has the potential to make already life-threatening situations considerably more dangerous. As we are increasingly coming to rely on a social media mash-up of digital platforms to assist in communications during disaster situations, the issue of accessibility for people with disabilities is as dire as if it was high ground during a tsunami or transport during a typhoon. The contemporary social media environment is characterised by a complex and overlapping network of complementary platforms, populated by user-generated content, where people communicate and exchange ideas. In this environment, YouTube videos are posted to Facebook and embedded in blogs, and Twitter is used to link to these other sites and is itself embedded in other platforms. These networks are increasingly supplementing and supplanting more traditional communication platforms, such as the television and radio, particularly in times of disaster. The concern of this paper is that the elements from which this mash-up of communications channels is made are not always accessible to people with disabilities. This evolving network of social media-based communication exposes the limits of existing Internet-based universal design.     

孔隙介质中滞留聚合物分子的粘弹效应系数

本文在文献[1]的基础上做了进一步的试验研究,发现慢速降压过程流速对时间的依赖关系呈指数曲线形式,同时进行了慢速升压试验,同样发现流速与时间的指数关系。文中对文献[1]定义的附加残余效应系数提出了修改,重新定义为滞留分子粘弹效应系数,对降压过程和升压过程的粘弹效应系数进行了对比。通过岩心出口液浓度数据,证实了文中描述的粘弹效应机理和分子构象改变的物理模型的可靠性。     

Young people,social media and connective action: from organisational maintenance to everyday political talk

Social media is pervasive in the lives of young people, and this paper critically analyses how politically engaged young people integrate social media use into their existing organisations and political communications. This qualitative research project studied how young people from a broad range of existing political and civic groups use social media for sharing information, mobilisation and, increasingly, as a means to redefine political action and political spaces. Twelve in-person focus groups were conducted in Australia, the USA and the UK with matched affinity groups based on university campuses. The groups were of four types: party political group, issue-based group, identity-based group and social group. Our focus group findings suggest that this in-depth approach to understanding young people's political engagement reveals important group-based differences emerging in young people's citizenship norms: between the dutiful allegiance to formal politics and a more personalised, self-actualising preference for online, discursive forms of political engagement and organising. The ways in which political information is broadcast, shared and talked about on social media by engaged young people demonstrate the importance of communicative forms of action for the future of political engagement and connective action.     

What is Flint? Place,storytelling, and social media narrative reclamation during the Flint water crisis

ABSTRACT

The Flint Water Crisis became a national news story in January of 2016, when major publishers such as The New York Times began covering the story. In the same month, an influx of social media activism occurred in response to the crisis, with citizens developing hashtag campaigns such as #FlintFwd in order to disseminate news and stories from a citizen’s perspective; these campaigns often positioned Flint positively ? as a recovering community ? rather than a city in the middle of a public health crisis, and often addressed not a national public but a local audience. This paper considers Flint-based social media activity to investigate the emergence of place-based activism within the ostensibly global network of social media. In doing so, it identifies three key themes; 1) leveraging social media to forward a critique of deficient journalistic storytelling; 2) using the affective process of storytelling via social media to claim authority over their own material offline existence, and 3) using place-based storytelling to implicate others as witnesses via the global network of social media. These themes coalesce around a distinctly critical logic of connectivity. This logic extends the notion of connectivity articulated by Van Dijck and Poell [2013. Understanding social media logic. Media and Communication, 1(1), 2–14.] and the strategies of platform activism explored by Tufekci [2017. Twitter and tear gas: The power and fragility of networked protest. New Haven: Yale University Press.] to explain how social media works to expose discrepancies between the public story of the water crisis and material, lived conditions of Flint, rendering visible a discursive identity of Flint thus far unrecognized.     

大众传播中的“国家教师”媒介形象分析

运用传播学内容分析法，以中央媒体对获得"全国教书育人楷模"和"最美教师"荣誉称号的"国家教师"相关报道为研究对象，从外在和内在两个方面对大众传播的"国家教师"媒介形象进行分析。外在形象包括教师性别、年龄、教龄、外表、场景以及任教的学校类别、区域、学科专业等方面，内在形象包括职业精神、职业知识和职业能力等方面。研究发现，大众媒体对"国家教师"形象的刻画和宣传符合社会公众认知教师职业的基本逻辑，起到了传递教师精神、端正教师形象、唤起社会尊重教师的功效，但也存在城乡教师形象传播刻板化以及教师普通人形象展现不充分等问题，可在后续的传播中对"国家教师"形象的价值倾向进行适当调整。     

Chinese Language Media in the United States: Immigration and Assimilation in American Life

Qualitative Sociology - The upsurge of Chinese language media—publications, radio, television, and the Internet—mirrors the linguistic, cultural, and socioeconomic diversity of the...     

网络媒体与网络新闻传播

随着网络媒体的出现 ,新闻传播发生了深刻的变革 ,一场借助网络平台进行传播竞争的局面正在形成。网络传播的优势何在 ,如何实现网络新闻传播 ,以及传播环节技术如何运用 ,文章对此进行了探讨。     

游于艺:徐渭的艺术精神

徐渭虽然是明代文坛的边缘人 ,但却代表着明代文学的一种新精神 ,就是以“玩文学”的方式消解“诗言志”、“文载道”的传统。他的诗文创作既非源自某种使命感或道义精神 ,也非社会的写照或干预生活的武器 ,而是一种游戏人生自得其乐的生存方式。他拒绝崇高拒绝深刻 ,化神圣为笑谈 ,化正经为滑稽 ,在明代文学特定的语境中横空出世 ,开启了晚明“独抒性灵”的诗风与文风     

美学方法论和艺术本质观--从东、西方古典美学看艺术的审美本质

本文从美学方法论的角度 ,以对东西方古典美学艺术本质观的论述为基础 ,结合当前的文艺实践 ,对艺术本质给予了现时代的规定。本文认为 ,西方古典美学和艺术思想的基本特征 ,是以纯哲学和社会学的方法研究艺术 ,把艺术规定为是一种特殊的认识活动 ,将摹拟、再现、认识看作是艺术的本质特征 ;而中国古典美学则主要是以伦理学与哲学的辩证统一、艺术哲学和艺术心理学相统一的方法观察和研究艺术 ,把情感看作艺术的特质 ,将抒情、写意规定为是艺术的基本特征。东西方古典美学各自在艺术本质问题上的合理性和片面性 ,以及当今东西方艺术发展的趋势 ,说明对艺术本质的思考和探求 ,既不能单纯执着于表现主义 ,也不能固守于理智主义 ,而是应该扬弃其各自的片面性 ,对东西方古典美学的艺术本质观 ,在现时代的规定下进行辩证的综合