解读池莉小说创作的主体意识

池莉生活和创作心态朴实平和,这就形成了她独特的平民创作风格。对她创作主体意识的阐释,本文从母性意识、城市情结和真实的自我这三个方面来完成。     

建筑设计意识之我见

建筑是人创造的物质文化产品 ,是科学技术与艺术的统一体 ,蕴含着人们的思想意识、价值观念、审美情趣等。本文介绍了建筑设计活动中的一些见解 ,意在促进建筑水平的提高 ,繁荣建筑创作。     

论词在宋代的接受背景

:词的出现是对传统诗教观念的突破,它的发展经历了一个曲折的过程,不但关乎文学自身的规律,还涉及到复杂的士人心理和社会关系的变革。笔者拟从文学接受的外部环境和内部机制两个角度切入,探讨词在宋代的接受背景。     

Evaluation of HIV/AIDS peer education projects in Zambia

This 1998 evaluation assessed the peer education programmes of HIV/AIDS projects run by four non-governmental organisations. A mini-case study approach was used and analysis was based on cross-case itemistic variables. The projects were assessed only in terms of immediate developmental outcomes to target groups rather than on long-term impact. The study concluded the following: (1) The projects had raised community awareness of HIV/AIDS; (2) Basic knowledge of HIV/AIDS was for the most part accurate; (3) There was anecdotal evidence of behavioural changes in terms of partner-reduction as reported by the projects, though the evidence was sometimes conflicting; and (4) There was evidence that certain traditional practices, which contributed to the spread of the virus (e.g. sexual cleansing and scarification), were becoming modified over time. The programmes were also instrumental in protecting human rights and enabling people living with HIV/AIDS to maintain human dignity.     

论商标翻译的跨文化意识

商标翻译涉及到民族文化、地域文化及他国消费心理等诸多因素。它是一种跨文化翻译。译者应具有很强的跨文化意识。本文从文化的角度，探讨商标翻译。认为商标翻译必须充分考虑文化差异，努力跨越文化鸿沟；必须熟知外国语言习俗，力避他国禁忌。     

现代编辑意识浅议

编辑意识是指在编辑活动中，编辑人员所具有的观念，也就是引导编辑做好选题策划、审稿编稿、出版发行的指导思想，是从事编辑工作的主导意识。不断增强和优化编辑个体素养与群体意识、社会服务与引领学科发展意识、创新与超前意识、商品与经营意识，对促进刊物品质具有重要意义。     

社会性别:女性主义文学的基点

女性主义文学的内涵及其特点都是基于社会性别 ,从长远的斗争目标来看 ,女权主义要用“关怀”代替“平等”这个口号 ,并在此基础上 ,形成一种新的“女性写作”。     

20世纪90年代女性诗歌的语言书写策略

女性诗歌经历了20世纪80年代的躯体写作后,90年代转向了语言写作。90年代以来,伴随着整个社会的进步和对诗歌认识的改变,女性诗人不仅以诗歌的姿态表述自己,而且以具有女性主体性的"人"的立场进入诗歌,聆听和感受世界,既不放弃性别立场,又不放弃艺术价值,使女性诗歌达到人文价值与诗性价值合一的高度。90年代女性诗歌的语言写作,使女诗人以独立的女性话语与充分女性化的写作策略,实现了女性世界的完全自立和性别表达,并形成自己独立的审美体系,从而实现了女性诗歌写作的"宁静的丰收"。女性诗歌从此走上包含性别但又超越性别的更为广阔的前景。     

Changing Gender: The Discursive Construction of Equal Opportunities

This article provides a discursive perspective on the dilemmas of sameness and difference feminisms and their consequences for change projects. It explores how equal opportunity officers dealing with gender issues and introducing equality legislation in practice construct the meaning of equal opportunities. The analysis of the interpretative repertoires and ideological dilemmas drawn upon in ten interviews shows the highly context‐specific use of four different repertoires constructing gender equality: the sameness, difference, bandwidth and deconstructive repertoire. Interpreting the shifts between repertoires from the perspective of the ideological dilemma, new avenues for change are explored. The article concludes that the simultaneous use of all possible theoretical perspectives might be a worthwhile objective.     

孟子的人格美论及其现代价值

孟子美学思想中最突出的是人格美学精神,他不仅最早对人格美及其层次做出了明确的价值规定与区分,而且明确地将审美从人的感官之乐引向了道德领域,并提出了"我善养吾浩然之气"这一高扬自主精神的话语,表现出强烈的人本意识、人性色彩和人格自主的悦乐感。现代人在实现其对主体意义的重建、确定人生存的内在根基、超越物性束缚时,应汲取孟子人格美论中的思想养料———人格意识、自律意识、超越意识。