比较文学形象学理论研究在中国

国内形象学理论研究在整体总论、基本问题探究、学科互涉研究三个方面取得了一些初步的成果,但还缺乏自己的理论体系和学术特色。我们应当在接受和整合其它学科理论的基础上,构建具有中国特色的形象学理论,为我们今天的文学创作和文化建设提供可资借鉴的理论指导。     

THE AMBIGUITIES OF EXTERNAL MINORITY PROTECTION

This article focuses on the special and prominent place that the “Jewish question” occupied in the general discussion about Russian modernisation in the pre‐1914 period, both in American society and in the arena of US–Russian relations. It analyses the role that anti‐Jewish violence in Russia had in effecting a dramatic shift in the way Americans viewed the Russian Empire, which was being depicted by the American Jews and the leaders of the crusade for a “Free Russia” as a barbarous oppressor of political dissent and a savage persecutor of religious, national, and ethnic minorities. American society’s reaction to anti‐Jewish violence in the Russian Empire at the turn of the twentieth century helped, on the one hand, to shape the idea of the American belief that the United States bore special responsibility for carrying out reforms in Russia, and, on the other hand, to place relations between the two countries within such binary oppositions as “light and darkness,” “civilization and barbarity,” “modernity and medievalism,” “democracy and authoritarianism,” “freedom and slavery,” “the West and the Orient.” The article uses a broad range of verbal and graphic sources from the American press and new sources from archival collections. These sources help to illustrate one of the author’s principal tenets which holds that the United States’ view of the foreign policy of the Russian Empire was a result of the Americans’ projection of their own vision of the nature of the US foreign policy. In their official and public discourses, Americans considered Russia’s foreign policy an extension of Russia’s political regime. This study examines US foreign policy as a vital sphere in which national identity is redefined and reaffirmed and gives an opportunity to draw attention to the cultural and ideological dimensions of Russian–American relations, to understand the origins of dualistic American myths about Russia that have proven so enduring, and to demonstrate how a demonised Russia serves to revitalise American nationalism and how the Russian “Other” was used, in part, to construct the American “Self.”     

论作家形象

本文提出了“作家形象学”的学科分支概念,从内涵、系统构成、特点、理论意义等方面,对作家形象这一文化符号现象作了初步论述,认为：作家形象就是社会公众以作家某些个性特征为核心,通过对其思想方面的某些要素加以概括,而在公共话语空间建构起来的,具有独特精神面貌的定型化形象;作家形象由理性评判系统和感性印象系统有机构成;它的特征是客观性与主观性、动态性与稳定性、集体性与寓言性等;作家形象在文学领域内具有重要的形象学意义。     

论郭沫若的歌德作品翻译

郭沫若对歌德的批评有多次的变化,考察郭沫若笔下歌德的四重形象,对歌德和郭沫若的认知是大有裨益的。郭沫若翻译了歌德的24首诗歌及诗片段,这些译诗成功的极少,但是他翻译的《少年维特之烦恼》至今犹为一些读者喜爱。这部作品的翻译,表现出郭沫若独特的翻译风格,也是现代白话的翻译经典。     

跨文化形象学的研究对象、方法及存在的问题

为了解决跨文化形象学理论研究薄弱的问题,采用比较以及跨学科的研究方法,对跨文化形象学的研究对象、方法及存在的问题进行了研究.结果表明：在研究对象上,跨文化形象学从单纯的文学文本延伸到其他多种类型的文本.在研究方法上同样注重文本细读,形象勾勒以及形象类型归纳和分析并借鉴其他学科理论方法.中国跨文化形象学研究范围仍然比较狭窄,视野比较单一,同时不少研究有无限扩大学科范围的倾向,还有一些研究理论套用痕迹明显.     

凡尔纳作品《一个中国人在中国的遭遇》中的中国人形象

《一个中国人在中国的遭遇》是凡尔纳创作的一部完全以中国为背景的小说,2010年才在中国有了首译本。运用比较文学形象学的方法,从形象学的角度分析在18世纪欧洲掀起的＂中国热＂风潮余温的影响下,凡尔纳笔下的中国人集体形象。