20世纪艺术理论中的再现说

“再现说”是 20世纪中国艺术理论史中占主导地位的艺术理论,它影响了 20世纪中国艺术实践和艺术理论的整体格局,也影响了人们对艺术起源、艺术本质的看法。20世纪中国社会的动荡,使“再现说”为承载社会责任而偏离了艺术对它的要求。因此,要结合各种观点的语境分析其合理性,并结合“表现说”来分析其得失。     

Changing informal institutions via mimesis: Gender equality in marriage proposals

Marriage equality has exposed how the institution of marriage is changing, but less attention has been given to how informal institutions around heterosexual marriage rituals are affected by a growing demand for gender equality. By applying institutional theory and feminist institutionalism to the context of women proposing to their male partners, this paper observes how shifts in gender norms change heteronormative institutions. Drawing from interviews with women who proposed to men and a virtual ethnography, we describe how reverse proposals can set precedence for emulation of practices or mimetic isomorphism. We therewith contribute to institutional theory in threefold ways. First, we describe how mimetic isomorphism introduces new standards and norms into a highly traditional institution. Second, we show how this integration of new standards and norms serves this patriarchal institution to remain relevant and appear progressive. Finally, we contend that this tension of joining a patriarchal institution but doing so in a subversive manner represents a double bind for women who are encouraged by society to formalize their heteronormative relationships through marriage and yet chastised for initiating this themselves.     

罗伯特·库弗《卡通》中的模拟和心理矛盾

罗伯特·库弗是美国后现代小说的代表作家,其代表作《卡通》充分体现了后现代小说的主要特征:元小说、模拟与隐喻、现实与虚幻的并存等等。本文通过分析模拟手法在《卡通》中的应用,揭示它们背后的隐含寓意,并对小说主人公进行心理剖析,论述了道德沦丧的社会给人们心理上带来的沉重负担。     

拟声词拟态化在《诗经》中的应用研究

《诗经》中有些叠音的拟声词,其构词单字即已可表达重叠时的词面意义。以往研究多从修辞、语法（含词汇学）的角度入手,语法方面也多注重构词问题,少有论及这类词作为onomatopee的特性,利用日语学界关于onomatopee 的研究成果,对《诗经》中拟音向拟态转变的词语进行研究。研究发现,《诗经》中部分单字或叠词常常使用于某一类情境时并不用来拟声,其固定地与另一组不视为拟声的单字或该字所构成的叠词对举,为了共同营造某种意思,此类单字或叠词的拟声性格已弱。比如“肃”与“雍”常配套使用,前者未见有拟声之说,后者常被解作拟声词;然而在配套使用的情况下,“雍”字又并非都能够解为拟声。又据这类词拟声与非拟声时的语义关联,可知这些词其实有拟音、表意两种功效,且该两种功效互相有所关联。分析可知这种词的表意或拟态出于拟音,这种由拟音而拟态的情况在现代汉语中也可见到,不少理应是拟声词者,实际使用中由此可逆推某些通常不视为拟声的词,其源头或许也是拟声。前人关于这种nomatopee 的注释分歧,有些即出自对拟音或拟态的关注侧重不同。     

社会表演学:现实与虚拟之间

表演学源自戏剧研究,发展到涵盖所有人类的表演活动,其四种范式是:剧场表演学、人类表演学、口头表演学、社会表演学.后者是最具中国特色的一种,强调要分析现实社会和虚拟表演之间多层次多样式的过渡关系,在社会表演和艺术表演领域中探索更多更好的改善方法.     

Journeying and the experiential gaze in research: Theorizing as a form of knowing

In this paper, we consider the implications of the ideas of journeying and the experiential gaze for research practice. We do so by drawing first upon Plato's allegory of the Cave as a representation of the journey of the philosopher to see reality, invisible and unknown, but constituting the underlying truth of what we experience through our senses. We use this as a metaphor for research as a journey of discovery. Recognizing that, for some, ancient philosophy may not provide the most convincing model for a consideration of research practice, we suggest that a parallel process is evident in the approach of the eminent British psychoanalyst, Wilfred Bion. We suggest that this metaphor offers a basis for understanding theorizing as a form of knowing that, while absent from a large proportion of modern scientific discourse, is again emerging in some recent developments in organizational research.     

仿拟的运作机制及其在后现代文化语境中的表现

认为仿拟的运作机制与人们建构知识体系和意识形态的过程是最为吻合的,因此对其研究不应止于修辞层面。仿拟在运作中标立原型的参照作用,强调对原型的继承与改造,因此代表一种积极的思维倾向。以parody的词源分析为切入点,探究仿拟的运作机制以及仿拟参与文本建构的语用意义,并以此推出仿拟与后现代文化思想的联系及其在后现代文化语境中的表现。     

艺术真实观在西方文学传统中的嬗变

什么是艺术之真？艺术应如何求取真实？这一直是西方文艺理论家们争论不休的话题。从古典主义到浪漫主义、再到现实主义、现代主义和后现代主义,不同时期的人们对艺术与真实的关系均作出了各种解释。系统考察从古希腊以来西方理论家在这个问题上所作的探索将有助于我们理解当下文学所面临的困境,并思索未来可能的走向。