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金庸武侠小说研究成为时下的热门课题,在其十五部作品中,从陈家洛、郭靖到萧峰,再到令狐冲、杨过,最后通过韦小宝,展示了金庸武侠小说中“侠客”的形象在不断地发生着变化———从“侠之正”到“侠之变”再到最后的“侠之反”。  相似文献   
3.
ABSTRACT

Scholarly textbooks often follow a logic where suitable empirical cases are selected to illustrate the theoretical and analytical points that we as scholars want to make. But what would happen if we would do the opposite: build a textbook on a novel written by a novelist for such purpose and let the theories explain the actions and emotions of fictional characters? In this article, we share and reflect upon our experiences of co-authoring a textbook in organization theory together with a professional novelist. We argue that the novel can function as an eye-opener in organizational analysis, forcing us to look beyond more static and rationalistic perspectives on organizations as well as the stereotypes of such. We build and relate our experiences to the growing literature about using fiction in scholarly work and discuss the potential of such genre-bending work when we bring in flesh and blood into the analyses.  相似文献   
4.
Homosexual sociability space in Santiago is not socially homogenous. Beyond non-heterosexual identities segmentation (gay, lesbian, queer, BDSM, etc.), the present article proposes a reflection observing certain social distinctions or differences that come into play to create a hierarchy among gay and lesbian individuals within that space. Using a qualitative approximation, we analyze the discourse of homosexual men and women about ways to display homosexuality in different places in the city, as well as some sociability practices used in homosexual venues. The resulting social hierarchy is understood through two central subjective rules: discretion and good taste, dynamic mechanisms that perpetuate the distance among groups within the same sociability space, and to some extent reproduce the city’s class structure. Given that material means to privatize and sophisticate homosexual expression are unequally distributed in Santiago, the resulting differentiated social networks end up configuring the visibility strategies of homosexual identity played out in the city in the last years.  相似文献   
5.
The socio-economic literature has focused much on how overall inequality in income distribution (frequently measured by the Gini coefficient) undermines the “trickle down” effect. In other words, the higher the inequality in the income distribution, the lower is the growth elasticity of poverty. However, with the publication of Piketty’s magnum opus (2014), and a subsequent study by Chancel and Piketty (2017) of evolution of income inequality in India since 1922, the focus has shifted to the income disparity between the richest 1% (or 0.01%) and the bottom 50%. Their central argument is that the rapid growth of income at the top end of millionaires and billionaires is a by-product of growth. The present study extends this argument by linking it to poverty indices in India. Based on the India Human Development Survey 2005–12 – a nationwide panel survey-we examine the links between poverty and income inequality, especially in the upper tail relative to the bottom 50%, state affluence (measured in per capita income) and their interaction or their joint effect. Another feature of our research is that we analyse their effects on the FGT class of poverty indices. The results are similar in as much as direction of association is concerned but the elasticities vary with the poverty index. The growth elasticities are negative and significant for all poverty indices. In all three cases, the disparity between the income share of the top 1% and share of the bottom 50% is associated with greater poverty. These elasticities are much higher than the (absolute) income elasticities except in the case of the poverty gap. The largest increase occurs in the poverty gap squared – a 1% greater income disparity is associated with a 1.24% higher value of this index. Thus the consequences of even a small increase in the income disparity are alarming for the poorest.  相似文献   
6.
废名是我国现代文学史上颇有个性的小说家。他的小说充满着幽静和平之美,颇有中国古代山水画和田园诗的韵味。其幽静平和的美学风格,突出地表现在对日常生活的诗意叙写和对大自然的禅味审视,即将少女诗化,将俗人雅化,将平凡田园劳动美化和注意时空的构成,诸多意象的衬托,空寂、清远、静谧的展现。之所以能形成这样的创作个性,是因为他当初是一位诗人,且深受中国古典诗词的浸润,同时他又是一个佛教徒,对佛教禅学有一定的研究。  相似文献   
7.
宋元的啸     
啸在唐代以后仍然有所发展。苏东坡宋代是啸文学的突出代表 ;南宋时社会观念对啸持贬斥态度 ,啸发生转折。之后 ,啸的主体转入民间 ,实用暗号性的啸在社会生活中十分盛行 ,同时唐进入文学作品 ,为文学画廊增添了新的情节和新的人物形象  相似文献   
8.
文章通过对一位彝族妇女的个案分析,揭示了文化、阶级、性别是如何纠合在一起,作为一种强大的推拉力,迫使一些妇女进入和滞留于商业性性交易中的。  相似文献   
9.
反思型教师教育的模式述评   总被引:15,自引:0,他引:15  
在反思型教师与教师教育运动中 ,涌现出多种教师教育模式。其中技术性反思模式、行动中和行动后反思模式、缜密性反思模式、人格性反思模式和批判性反思模式最具代表性。这五种模式各有优缺点 ,可以实现互补。因此 ,教师教育计划应该对五种反思能力的培养均给予关注  相似文献   
10.
20世纪上半叶在以战争与革命为主题的时代背景下 ,外国帝国主义的侵略和俄国十月革命对中国社会发展产生了重大影响。半殖民地半封建的社会形态、错综复杂的阶级结构和阶级关系、2 0世纪中国的两大历史主题等也是制约中国社会发展的重要因素。正是由于对这四个因素的正确认识和准确把握 ,中华民族实现了 2 0世纪上半叶中国社会的巨大变革  相似文献   
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