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刘宝珍 《湖北师范学院学报(哲学社会科学版)》2005,25(1):61-63
随着隐性采访在广播电视领域的广泛运用,这一手法开始引起人们的普遍关注。正如任何事物的产生和发展都同时存在着利与弊两个方面一样,隐性采访也不例外。隐性采访在法律和伦理层面上都有它必守的禁区,当新闻记者的不能随心所欲越过法律和伦理的禁区,否则在隐性采访中将出现失度表现。 相似文献
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《The Senses and Society》2013,8(3):268-289
ABSTRACTIn this article I draw on a study of sensory aspects of teenagers' use of digital media, how these sensory aspects are incorporated in emerging learning strategies, and the implications of this for the same teenagers' engagement in museums. My focus is on how an ethnographic approach that attends to the senses may enable a critical review of prevailing pedagogical ideas in museums. Recent developments in museum education have led to large investments in state-of-the-art technology to produce interactive, multisensory exhibits. However, the question of how teenagers respond to these campaigns remains rather under-researched. This article shows how habitual use of digital media in teenage everyday practice incorporates learning to appropriate other people's experiences and ideas through a configuration of vision, touch, motion, and imagination, thereby enhancing non-representational learning qualities such as affect and sensation. The implications of this sensory approach open up routes to differentiate pedagogical settings in museums that on a superficial level apply the same educational technologies, but since they are based in different sensorial belief systems, different conditions for learning unfold in their use. In developing this analysis I argue that through ethnographic attention to the senses we might advance theories of learning within museum education. 相似文献
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观察和思考是摄影创作的基础与前提,是摄影创作必不可少的环节。中外摄影名家都很善于观察和思考,是这方面的行家里手。探讨观察和思考的具体方法与途径,对于培养和提高大学生摄影实践能力及欣赏水平有着积极的现实意义。 相似文献
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孔伟 《南京理工大学学报(社会科学版)》2005,18(6):29-31
摄影不仅是一种具有审美功能的视觉艺术,而且还是一种负有传播现代文明重任的视觉文化;摄影促使了文化传播的主流由文本方式向图像方式的转换。本文约略论述了摄影的文化在历史发展中的一些价值体现。 相似文献
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论审美与摄影艺术的创作关系 总被引:1,自引:0,他引:1
朱德隆 《渝西学院学报(社会科学版)》2004,3(1):76-79
摄影是瞬间艺术,怎样才能发现别人不注意的美,发现独特的美,怎样才能捕捉到那瞬间的美呢?这就涉及到摄影者的审美意识了。 相似文献
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张德成 《盐城师范学院学报》2004,24(3):137-140
摄影艺术的生命在于创新 ,摄影创作的创新依赖于拍摄者对生活的观察和思考 ,依赖于个人的知识和艺术修养。创作者在摄影主题的选择、画面的构思、拍摄技术和影像制作等方面 ,都必须要有创新精神和创新思维。 相似文献
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