重在引发--建筑学专业素描课程教改之我见

文章分析了当前建筑学专业素描的现状,结合我国入世后的实际情况,对建筑学专业素描的教学思想、教学手段、教学组织、教学内容、课程结构等方面提出了一系列的改革建议.     

平生重交结,为多山水乐 --孟浩然的自我审视与人格追求

历来人们大多认为孟浩然的归隐源于仕途上的挫折和政治的毫无出路,这一看法有些一厢情愿,忽略了对孟浩然自身兴趣的关注.虽然有关孟浩然的史料相当稀少,但从现存他的诗歌中,我们还是能够发现他对山水的爱好是由衷的.这决定了他交游的对象、他诗歌创作的题材和艺术风格.     

Comic revisions? Motherhood and women’s comedy in contemporary Germany

Maternal stereotypes and the realities of mothering are prominent themes in Anke Engelke’s Ladykracher and Martina Hill’s Knallerfrauen, two of the most popular sketch shows in twenty-first-century Germany. This article relates their success to social anxieties about motherhood, which Engelke and Hill illuminate through the theme of their sketches as well as through their very use of comedy to do so. I begin by using close-readings of Ladykracher and Knallerfrauen to illuminate the political potential of the sketch form to challenge maternal myths and articulate taboo feelings such as maternal ambivalence. I then consider the innovation of these maternal sketches in view of traditional theories of comedy, which paradoxically draw their imagery from the realm of the maternal even though they discount real women and mothers as comic agents. I argue that the maternal sketches of Engelke and Hill are thus doubly subversive, challenging maternal taboos as well as the discursive and generic norms they sustain.     

叶麟思想和著作面面观

叶麟，法国里昂大学博士。曾参加四川辛亥革命。对无政府主义有过简明扼要的介绍。其治学，以心理学为专攻，并翻译《阿朵耳夫》等多种心理小说。教育教学方面，亦有精彩的论说。叶麟好文，其人物特写，形神具备；其诗词创作，情深语妙。     

生态竞争排斥法则对高校经营管理的启示

生态竞争排斥法则本是生态学的重要概念之一。我们尽管不能机械地将其套用于当前我国高校的生存、竞争、经营和管理,但它于此却启示多多,善于借鉴和运用之,定能营造出和谐的高校生态景观。     

唐代佛教与山水共生的寺院诗

在中国诗史上,唐代是寺院诗创作的转进与勃兴期,作品数量及题材拓展均取得极大突破。在书写模式上,相继形成藉景畅理、触境明心、纪实绘景三种类型,充分体现佛教与山水互彰的共生性,为山水诗开拓出全新境界。唐人寺院诗重写景造境,常以动静相生法状清寂之景,物态生动,意境幽玄。寺院诗在艺术表现上追求警策,字锻句炼,隽语频出,普遍形成以精切之语状绝胜之景的艺术效果。     

旅游景点公示语英译现状调查与分析——以镇江市6家公园为例

公示语是一种具有感召力的文本,意在促使读者按照文本预期意图做出反应;旅游景点公示语是景点管理机构与游客对话的重要手段和渠道。镇江是江苏省重点旅游城市之一,景点公共标识都会使用英语译文。选取镇江市6家公园的公示语英译为个案,通过实地采集大量语料对旅游景点公示语英译的现状进行调查,分析产生错误的原因并提出相应的改进建议。     

Establishing a new scopic regime: the new landscape painting of Mao’s era

ABSTRACT

After 1949, with ‘serving the people’ established as the basic guideline of art, the reform of traditional landscape painting, which had been appropriated by the cultural elites for thousands of years, was put on the agenda as well. Beginning from the early of 1950s, there were continual debates on the reform of traditional Chinese painting within the art field, through which many artists gradually reached a consensus on the development direction of Chinese painting. At the same time, stimulated by the large-scale xiesheng movement sponsored by the government, Chinese landscape painting changed dramatically in subject, theme, and brushstroke technique, and developed a new style which has its own signifying system. Blending both Chinese and western drawing skills, the new landscape painting successfully created a unique scopic regime, which can establish an organic relationship between personal aesthetic experience and collective historical experience. As a prominent cultural achievement of Mao’s era, the new landscape painting embodies the cultural politics and the technologies of the self at that time.     

诗情画意的完美融合--谈席慕容诗歌的“诗中有画”

席慕容本是一位画家,然而她却因为诗学成就风靡了台湾进而震荡了大陆。她的诗歌主要描写年轻一代的人生、爱情、乡愁、人情,自然洒脱、浑然天成。她不仅善于将绘画艺术的表现形式用于诗歌创作中,而且还能够将古典诗词的诗情画意融入到她的诗歌之中,因此她的诗歌营造出唯美的情景,是诗情与画意的交融。她的诗歌“诗中有画”,不仅景中生情、情中有景,而且善于运用各种不同的意象组合营造清丽唯美的画境。     

生命感悟之剪辑下的人与自然——解读迟子建小说《原始风景》中的生态美

迟子建在<原始风景>中以对生命感悟之剪辑下的人与自然的审视为支点,表达作家对自然生态的现实关注和终极关怀;并在描绘人与白山黑水的自然休戚相关的亲和之美中,凸显出生命烛照下的"原始风景",显露出难能可贵的"绿色"生态意识和谐的生态环境是有生命灵性的自然与人栖居的"绿色之都".