陶渊明的诗化人格

作家的人格是其作品风格的内在因素 ,往往决定着其作品的风格。我们在研究作品风格的时候 ,不能不关注作家的人格。只有对作家的人格进行全面深入的审视 ,才能更准确地理解和把握其作品的风格。探讨陶渊明的人格魅力及其特征 ,是深入研究陶渊明作品风格的至关重要的途径。从陶渊明的作品中 ,从他的言行中 ,我们可以领悟到他的情趣和胸襟 ,领悟到一种具体的人格。陶渊明自然率真平和旷达的个性特征构筑了他的诗化人格 ,即未经世俗异化的高尚贞洁的人格。这种人格的内在思想根源是自然化迁的宇宙观和委运自然的人生观。这种人格的外在表现形式是他任真自得和固穷守节的行为方式。他的作品中常见的酒与菊、孤松、孤云与归鸟等艺术形象组成了陶渊明诗化人格的象征系列     

完善民事简易程序的现实必要性及其应遵守的原则

民事简易程序亟需加以完善.完善的现实必要性一是"权利的勃兴是一般背景";二是"冲突增多与司法资源有限是客观需求".完善时必须遵守最低程序保障原则、确保基本公正的原则和司法大众化的原则.     

A circular-cone test for testing homogeneity against a simple tree order

Several methods exist for the problem of testing the equality of several treatments against the one-sided alternative that the treatments are better than the control. These methods include Dunnett's test, Bartholomew's likelihood-ratio test, the Abelson-Tukey-Schaafsma-Smid optimal-contrast test, and the multiple-contrast test of Mukerjee, Robertson, and Wright. A new test is proposed based on an approximation of the likelihood-ratio test of Bartholomew. This test involves using a circular cone in place of the alternative-hypothesis cone. The circular-cone test has excellent power characteristics similar to those of Bartholomew's test. Moreover, it has the advantages of being simpler to compute and may be used with unequal sample sizes.     

司马谈论道家的尚简政治思想

司马谈是西汉时期的史学家、思想家和大学者.他对先秦诸子百家的学说作过深入研究,其成果集中体现在《论六家要指》一文之中.司马谈从"务为治"即把六家学说定性为治理国家的政治学说发论,把道家的政治思想与阴阳、儒、名、墨、法等五家的政治思想作了区分和比较.他认为,道家吸收了其他五家的长处,又没有五家的短处,比较明确地把道家无为政治思想概括为简易政治思想,形成了道家独特的简易政治思想风格.司马谈虽然论的是道家,但主要讲的是老子.     

Sampling from spatial databases

This paper deals with techniques for obtaining random point samples from spatial databases. We seek random points from a continuous domain (usually ²) which satisfy a spatial predicate that is represented in the database as a collection of polygons. Several applications of spatial sampling (e.g. environmental monitoring, agronomy, forestry, etc) are described. Sampling problems are characterized in terms of two key parameters: coverage (selectivity), and expected stabbing number (overlap). We discuss two fundamental approaches to sampling with spatial predicates, depending on whether we sample first or evaluate the predicate first. The approaches are described in the context of both quadtrees and R-trees, detailing the sample first, acceptance/rejection tree, and partial area tree algorithms. A sequential algorithm, the one-pass spatial reservoir algorithm is also described. The relative performance of the various sampling algorithms is compared and choice of preferred algorithms is suggested. We conclude with a short discussion of possible extensions.     

Comparison of computer programs for simple linear L 1 regression

A number of efficient computer codes are available for the simple linear L ₁ regression problem. However, a number of these codes can be made more efficient by utilizing the least squares solution. In fact, a couple of available computer programs already do so.

We report the results of a computational study comparing several openly available computer programs for solving the simple linear L ₁ regression problem with and without computing and utilizing a least squares solution.     

我国亲告罪追诉模式之困境及其重构——以网络诽谤案件的证据收集问题为切入点

网络诽谤犯罪属于《刑法》规定的亲告罪类型,此类案件中被害人的证据收集能力受到较大制约,导致其面临“自诉困境”。对此问题,不论是亲告罪的选择性公诉化,还是公权力适当介入证据收集过程的处理路径均存在不足。《刑法修正案(九)》针对网络侮辱、诽谤犯罪的证据收集问题作出新规定,但是无法扩张适用于所有亲告罪类型。亲告罪的自诉困境凸显出我国对亲告罪确立的单纯自诉制追诉模式存在显著缺陷：不利于对被害人的平等保护,以及混淆告诉权和举证责任。重构亲告罪追诉模式的前提是对刑事法中的“告诉”进行重新解释,使其本质回归为诉讼条件,与证明责任“解绑”。在模式选择上,应确立混合告诉制的追诉模式,被害人提起告诉后,可以自主选择适用自诉程序还是公诉程序。     

论刑事简易程序被告人的选择权

刑事简易程序被告人的选择权是指被告人享有独立自主的决定是否启动或者变更刑事简易程序的权利。刑事简易程序被告人的选择权是被告人所享有的一项重要的诉讼权利,大多数国家的刑事诉讼法对此均有规定。我国现行刑事诉讼法并没有赋予被告人自主选择是否启动或者变更简易程序的权利。我国的刑事立法应当明确赋予简易程序被告人的选择权,并在实践中切实保障这一权利的实现。     

底蕴深厚论国是朴实无华评天下——全国政协主席李瑞环政治语言赏析

本文主要分析了李瑞环的政治语言特点,即淳朴、哲理、清新隽永、通俗酣畅.由微见著,朴实中显睿智,通俗中藏深刻,情真而意深,言精而意远,平实而感人,独到而精辟的语言风格,而这些皆根源于他深厚的理论功底和高尚的人格魅力.     

平实的深刻:论朱自清的《新诗杂话》

《新诗杂话》是朱自清先生研究中国现代新诗的一部著作。朱先生在这部诗学著作中,坚守诗歌文本的分析,坚持对诗歌意义进进缜密详实的“解读”,并认为这是新诗研究的基础。论及范围宽泛,富于创见性,是这部著作的显著特点。以“解诗”为出发点,《新诗杂话》探讨了诗与感觉、诗与哲理、诗与幽默、抗战与诗、诗与建国、诗的形式、歌谣与译诗、新诗的进步性、新诗的发展趋势等诸多关系,平实而深刻,精确而简洁,“将深化为浅”是《新诗杂话》最富于生机与活力的语言叙述原则。