1930年代沪上文坛独特的“新感觉”--南洋华侨作家黑婴的“乡愁”书写

史称“新感觉派”后起之秀的黑婴是唯一一位跻身于1930年代中国主流文坛的南洋华侨作家。这位生于荷印棉兰，长于广东梅县，深造于“魔都”上海的新一代南洋华侨，在“民国时态”浓郁的南洋氛围中登陆沪上文坛。在此跨文化的激烈碰撞与深度融合中，黑婴经由“乡愁”的激发与引领，讲述了新一代南洋华侨青年的苦难、迷惘以及艰难的蜕变。今天看来，这种包含着独特生命体验和丰富历史痛感的文化乡愁，正是南侨作家黑婴在“华文文学”和“海派文学”的脉络之外，贡献给中国现代文学真正而独特的“新感觉”。     

Humor and satire in politics: Introducing cultural sociology to the field

The landscape of political humor and satire is changing rapidly, and it is becoming an increasingly relevant aspect of our culture. Although scholars have been actively trying to capture this change, majority of the existing frameworks for understanding humor and satire in politics still reduce these phenomena to mere genres or rhetoric tools. In addition, they provide insufficient accounts concerning the reception of humor and satire, and neglect to interpret and explain what they communicate. In the article, a general understanding of humor and satire outside of a political context, followed by an overview of studies discussing humor and satire in politics through their applications in social movements, as leadership tools, and through their manifestations in mass media has been presented. Lastly, a cultural sociological perspective to the field has been introduced. It has been argued that approaching humor and satire in politics through a structural hermeneutic method of the Strong Program will enable us to recognize and treat political humor and satire as autonomous and complex cultural systems which carry an internal power to move people.     

与时俱进、创新理论是党的建设的基础——学习江泽民同志《论党的建设》

理论建设是党的建设的首要问题。与时俱进、创新理论是马克思主义基本原理的必然要求,是保持党的先进性的客观需要,是党的建设的永恒主题。     

局部Haar条件下的变形非线性L逼近

本文讨论了局部Ｈａａｒ条件下变形的非线性Ｌ逼近，得到了包括交错定理在内的特征定理、唯一性和强唯一性定理。     

Imagined Memories

Most discussions of popular music on the Internet focus on the utopian potential of new file-sharing technologies, yet applications that reproduce existing inequalities also deserve attention. Webcasting is the streaming (transmission) of digital video to multiple recipients in cyberspace. Paul McCartney's Webcast from the Cavern was a landmark case. It was a digital package staged for reproduction, and yet it felt live; in this article I explore why and offer a two-part explanation. The first part is that "live'-ness is based on an increasingly false opposition to recording, but, because that opposition still remains, Little Big Gig could seem live by adopting some trappings associated with it. The second part is that Internet use is mediated by daily life and computer users brought their own desire to the Webcast, in particular desires to see a Beatle play in the Cavern. Webcasting is an unanticipated use of the Internet that is being used to support corporate interests. With its widespread publicity, Little Big Gig helped naturalize that process.     

La médiane simpliciale d'Oja: Existence,unicité et stabilité

Oja (1983) examined various ways of measuring location, scatter, skewness, and kurtosis for multivariate distributions. Among other measures of location, he introduced a generalised median known in this paper under the name of the Oja median. In our study of the existence of that median, we show that Oja's definition can only be applied to distributions having a mean. In dimension d θ 2, we establish that the usual method of extension breaks down, which raises the question of the validity of the concept as a notion of median. Two fundamental theoretical properties of that median are also considered: uniqueness and consistency.     

民族地区构建和谐社会应加强对传统多元生态文化的利用和改造

“人与自然和谐相处”是社会主义和谐社会的六个基本特征之一,民族地区构建社会主义和谐社会必须考虑到传统多元生态文化的功能。在开放的、以市场经济为主导的现代社会生态经济系统下,传统多元生态文化的约束力远不如在传统社会生态经济系统中那么有效、广泛。民族地区只有在维护自身生态经济系统可持续运作的基础上,进一步加强对传统多元生态文化的利用和改造,才能充分发挥生态文化的协调功能。因此,民族地区应当在继续维护传统生态文化的多元性、科学性和合理性的同时,根据现行社会生态经济系统的特征,把其改造成为“强生态文化”,构建以科学发展观为基础,具有较强约束力的、适应现行社会生态经济系统的、协调人与自然关系的,包括精神、物质、制度层面的整体文化体系。     

Conditional entropy,entropy density,and strong law of large numbers for generalized controlled tree-indexed Markov chains

In this paper, we first introduces a tree model without degree boundedness restriction namely generalized controlled tree T, which is an extension of some known tree models, such as homogeneous tree model, uniformly bounded degree tree model, controlled tree model, etc. Then some limit properties including strong law of large numbers for generalized controlled tree-indexed non homogeneous Markov chain are obtained. Finally, we establish some entropy density properties, monotonicity of conditional entropy, and entropy properties for generalized controlled tree-indexed Markov chains.     

The almost sure convergence rate of the estimator of optimized certainty equivalent risk measure under α-mixing sequences

Conditional value-at-risk (CVaR) model is a kind of financial risk measure that is extensively supported and accepted by international financial community. Its optimized form can be regarded as an optimized certainty equivalent (OCE) risk measurement. In this paper, we mainly discuss and analyze the strong laws of large numbers and the convergence rate of OCE's estimator under α-mixing sequences. The result shows that the almost sure convergence rate of CVaR estimator is given by the results of OCE estimator. Its convergence rate is inversely proportional to the square root of the sample size under certain conditions. Its effectiveness is verified by simulation experiments for two classical α-mixing sequences.     

Spectres of Afrikanerdom in contemporary commodity culture: history,memory, and imagining the self

The centrality of nostalgia in contemporary Afrikaner culture is contingent on the gradual demotion of Afrikaner history in post-apartheid South Africa. This article, however, departs from the view that such recapitulations of the past are necessarily always intransigent. Casting Afrikaner nostalgia as manifesting dissatisfaction with the government is ultimately not representative of the diverse spectres of Afrikanerdom that haunt selected commodity items, such as the t-shirts discussed in this article. If we allow for a melange of narratives and interpretations to emerge, as a postmodern view of history would encourage, it enables us to challenge a one-dimensional view of Afrikaner nostalgia. This article therefore posits that specific nostalgic imaginings of Afrikanerdom are decidedly self-reflexive and progressive. Instead of attempting to reify the past (together with irrecoverable positions of power), some of the discourses addressed in this article reveal Afrikanerdom’s capacities for appropriation, aestheticisation and commodification, which open up new possibilities for thinking about Afrikaner subjectivity in post-apartheid South Africa.