禅宗“斗机锋”交际的核心思维模式

“斗机锋”在行为表层体现为双人或多人参与的言语、副言语互动交际。“斗机锋”与一般交际行为存在共性,同时也存在显著差异。“斗机锋”是由禅宗逻辑下的思维系统驱动的,在一般理性下显得不可理喻。“斗机锋”展现出令人眼花缭乱的互动,若剥离其行为表层,则可还原为不同思维模式之间的对垒,涉及的思维模式主要有五类：“一切现成”思维、“不二”思维、“究竟本缘”思维、“离杀”思维、“空空”思维。“斗机锋”训练的基本目标是消除参与者对固化思维程式的执著,开发更广泛的思维途径。经过训练,参与者可以提升思维的创造性、灵活性和迅捷性,也可能被偶然地诱导发生顿悟。     

从近年来自由式摔跤规则的变化探索女子自由式摔跤的发展趋势

在雅典举行的第28届奥运会女子自由式摔跤比赛中,中国运动员王旭在72公斤级比赛中问鼎,为中国运动员获得在奥运会摔跤比赛的第一枚金牌,成为历史性的突破。为了继续巩固我国女子自由式摔跤在奥运会的领先地位,也为2008年的北京奥运会成为竞技体育强国作准备,本文运用文献资料法、调查访问法和逻辑推理法,对近年来两次女子自由式摔跤规则的重大变化进行总结研究,诣在探索规则的内涵和寓意及发展趋势。研究结果得出近两次规则变化的一些特点和规律,为今后我国女子自由式摔跤在训练中提供一定的参考。     

非物质文化遗产项目“沈氏摔跤”传承空间及其组织形式调查与分析

通过实地参与及观察，对河南省非物质文化遗产项目“沈氏摔跤”的培训场地、器材及学员情况进行调查，发现在传承过程中存在场地要求难以满足、器材较为简陋及学员年龄偏低等问题。就其深层原因而言，“沈氏摔跤”所面临的传承问题折射出社会文化变迁对传统民俗文化的冲击与解构。这也是政府、社会与个人共同需要面对、解决的问题。     

作为爱情悲剧和攻击型传奇作品的《霍小玉传》

当代文史专家认为:<霍小玉传>是一部早期"牛李"党争产物.作者在此基础上,确定其创作时间为长庆四年二月前,同时进一步确定了蒋防此传的创作意图,即间接打击牛党,美化李党.论述了本传中两大层次的对比:一是以霍小玉的挚情与李益的薄情作对比,二是以李益作为进士的浮浪、薄幸与山东士族的礼法、恩义、豪侠作时比,这两种对比奠定了本传之为爱情悲剧经典和"攻击型"传奇作品.     

Pain in the Act: The Meanings of Pain Among Professional Wrestlers

This paper draws upon the relational turn in the study of pain to understand and explain the ways in which professional wrestlers manage and make sense of physical suffering. The paper focuses on how pain-laden interactions in the ring and the gym give form to the ways in which participants of wrestling think and feel about pain. The research is based on a long-term ethnography of professional wrestling. The article does two things: (a) explores the bodily skills that wrestlers cultivate to handle a context of ever-present pain, and (b) explains what the wrestlers’ interactions tell us about the meanings of pain that wrestlers come to share. Based on the reconstruction of participants’ lived experience of pro wrestling, I suggest that pain becomes attractive to wrestlers because it is given substantive meaning which encompasses denial, authenticity, solidarity, and dominance.

All the world's a stage: transnationalism and adaptation in professional wrestling style c. 1930–45

Between 1930 and 1945 professional wrestling could lay claim to being one of the most transnational sports moving across the Anglo-world. Participants originated from western and eastern Europe, North America, the Antipodes, Britain and India. Significantly, wrestling was one of the few sports in which participants from the British Empire and the USA competed in these decades of comparative sporting isolationism. It is argued here that the ‘All-In’ American style which came to dominate the sport as an extreme and theatrical form of ‘catch-as-catch-can’ wrestling was not uniformly accepted across the Anglo-world. Cultural differences between the USA and the British Empire meant wrestling styles had to be adapted as they crossed national boundaries. The notion of ‘cultural hybridity’ is a valuable concept here as ‘All-In’ met three different responses within the Empire: complete acceptance, modification and rejection. The reasons for the varied responses are considered and the argument made that while American culture was at one level admired in the British Empire, there was also concern about perceived professionalization and corruption in North America, which wrestling seemed to epitomize.     

汉画中的射箭、击剑和摔跤运动

汉画中有不少表现汉代射箭、击剑和摔跤运动的图像,结合古代文献,可知这三类体育运动在汉代已相当普及,这对研究古代体育的发展大有帮助.     

湘西土家族摔抱腰及其文化探析

湘西土家族摔抱腰即摔跤是深受土家族人民喜爱的一项民族传统体育项目。土家族摔抱腰按身体接触方式可分为固定式和自由式两大类,由于其规则简单、场地器材要求简易而在土家族地区得到广泛流行。它产生于土家族人民的生产生活实践,体现了土家族悍劲勇、尚武好斗的民族个性特征。     

对影响摔跤运动员科学选材的相关因素分析

根据摔跤运动的特点和高水平摔跤运动员所具备的能力特征,对影响摔跤运动科学选材的因素进行了探讨与分析,并提出合理化建议。     

对影响摔跤运动员科学选材的相关因素分析

根据摔跤运动的特点和高水平摔跤运动员所具备的能力特征，对影响摔跤运动科学选材的因素进行了探讨与分析，并提出合理化建议。