Conceptualizing Cultural Politics in Subcultural and Social Movement Studies

In this article it is argued that combining theories of social movements and subcultures provides a way of 'conceptualizing cultural politics'. The focus is on debates that have taken place over the conceptualization of subcultures and social movements as well as the status and viability of cultural politics. Contemporary subcultural theorists are critical of the rigid concepts used by the Centre for Contemporary Cultural Studies (CCCS) but, it is argued, they provide few feasible alternatives. They also have little to say about the supposed contemporary significance of cultural politics. New social movement (NSM) theorists, on the other hand, have generated conceptual frameworks that recognize the complexity of collective phenomena and have developed an approach which enables us to engage with the controversy over cultural politics. However, they concentrate too narrowly on struggles waged at the level of lifestyle, culture and civil society. The article shows how, like the CCCS, critics of NSM theory rightly question the potency of symbolic challenges and stress the persistent role of material issues and the continued part that conventional political actors, such as the state, play in contemporary social conflicts. Finally, the case of New Age Travellers is used to illuminate these debates in subcultural and social movement studies and to show how elements of each approach can be employed fruitfully in empirical research.     

State-level personality and presidential vote share in the 2008 and 2012 presidential elections

Recent research has examined how variation across the states in the “Big Five” personality trait taxonomy helps explain the proportion of votes the presidential candidates receive in the states, concluding that state personality traits had a direct effect on presidential vote share in the 1996, 2000, and 2004 presidential elections. The current study has three goals: First, to examine the influence of personality traits on Barack Obama's vote share in the 2008 and 2012 elections; second to test whether the influence of personality traits on vote share holds under stricter controls for political factors and white racial prejudice; and, third, to test for potential meditating effects of state-level political characteristics and white racial prejudice in linking state-level personality traits with Obama's vote share. The findings indicate that two state personality traits – conscientiousness and openness – had indirect effects on Obama's 2008 and 2012 vote share through their influence on state ideology, partisanship, and white racial prejudice.     

Organizational factors affecting the incident reporting of train drivers

The under-reporting of accidents and incidents is well established as a substantial problem across industries; however, few studies have specifically examined employees' reasons for failing to report. This study investigates the factors affecting incident reporting by train drivers (n = 128) in three different areas of British Rail (the company that operated the railway network in Britain, prior to its privatization in 1994). Drivers completed a questionnaire rating their likelihood of reporting a number of hazardous incidents and giving their reasons for not reporting them. Intention not to report incidents was predicted by 'managers take no notice' of reports and the interaction between 'just part of the day's work' and 'nothing would get done'. It is concluded that incident reporting is most influenced by the way that drivers perceive managers' reactions to reports. In addition, the three areas differed significantly in their likelihood of reporting incidents, suggesting that the local subculture has an important influence on intentions to report, with negative perceptions of managers' attitudes suppressing the reporting of incidents.     

CULT FICTIONS: CULT MOVIES,SUBCULTURAL CAPITAL AND THE PRODUCTION OF CULTURAL DISTINCTIONS

Using the work of Pierre Bourdieu and Sara Thornton, the paper investigates the problems of ‘writing as a fan’ through an analysis of cult movie fandom. It starts out from a critique of Jeff Sconce's work which claims that he fails to question the subcultural ideology through which fan cultures produce a sense of identity through their supposed difference from the ‘mainstream’. It then moves on to an analysis of fan writing on the ‘cult movie’, which examines not only the complex and contradictory strategies through which these writings produce a sense of subcultural identity, but also the extent to which these writings seek to construct identities through the construction of an inauthentic Other. The next section examines both exhibition practices and intellectual trends to illustrate the ways in which cult movie fandom emerged not as a reaction against the market or the academy,but rather through their historical development. Finally,the paper looks at the role of mass, niche and micro media within the production and maintenance of the scene and at the functions of rarity and exclusivity within it. In the process, the essay explores the contradictory and problematic nature of the concept of ‘mainstream, commercial cinema’, and the ways in which it is produced as the other of supposedly radical and alternative taste cultures, whether subcultural or academic.