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布迪厄的场域理论为我们研究中国古典文人园林背后的社会关系提供了一种新的可能性。文人园林在遵循权力场域的运作逻辑的同时有其自身相对独立性,它是以文人群体为核心建构起来的权力网络;文人园林作为场域是以文化资本的争夺为中心的;文人园林内的行动者形成一定的审美惯习,但是这一惯习背后隐含着重要的社会区分功能。  相似文献   
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Drawing on a 2-year study, I argue that the UK vape industry is engaged in a classificatory struggle between a subcultural industry and its “other”, the mainstream industry. I build on Thornton's analysis of club culture to characterize the subcultural vape industry as a community of taste built round a masculine aesthetic and a commitment to authenticity and DIY practice. Its attachment to complex systems and masculine spaces risked excluding customers without specialist knowledge or interest. The mainstream industry included tobacco companies which promoted vaping as a complementary category to smoking, linking their own vaping products to historic meanings of the cigarette as a lifestyle product. This task was hampered by the toxic legacy of combusted tobacco and its increasing reversion to a generic category rather than a branded product. Finally, the success of the price-focused vaping industry has been largely overlooked, but suggests that for most consumers, electronic cigarettes are still a contrasting category to combusted tobacco and are purchased largely on price. I conclude that the exclusion of a feminized, classed “other” is a defining element of subcultural formation, itself an overwhelmingly male mechanism of group identity construction.  相似文献   
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