西方女性主义文论与中国的女性文学发展

西方女性主义文论的背景(女权主义运动)及其理论成果对中国女性意识的崛起和女性文学的发展有着或深或浅的影响作用。通过梳理西方女性主义文论的兴起和中国女性文学的发展，指出这种影响作用是相互的，它不仅对促进中国文学创作的发展、审美价值观念的更新和批评话语的重建，乃至中国的妇女解放，都有着十分重要的现实意义，而且对世界范围内的女性主义文论的成熟和进一步发展，也能起到一定的促进和参照作用。     

社会性别:女性主义文学的基点

女性主义文学的内涵及其特点都是基于社会性别 ,从长远的斗争目标来看 ,女权主义要用“关怀”代替“平等”这个口号 ,并在此基础上 ,形成一种新的“女性写作”。     

20世纪90年代女性诗歌的语言书写策略

女性诗歌经历了20世纪80年代的躯体写作后,90年代转向了语言写作。90年代以来,伴随着整个社会的进步和对诗歌认识的改变,女性诗人不仅以诗歌的姿态表述自己,而且以具有女性主体性的"人"的立场进入诗歌,聆听和感受世界,既不放弃性别立场,又不放弃艺术价值,使女性诗歌达到人文价值与诗性价值合一的高度。90年代女性诗歌的语言写作,使女诗人以独立的女性话语与充分女性化的写作策略,实现了女性世界的完全自立和性别表达,并形成自己独立的审美体系,从而实现了女性诗歌写作的"宁静的丰收"。女性诗歌从此走上包含性别但又超越性别的更为广阔的前景。     

红杏出墙新解——谈《犬奸》、《贾儿》、《成仙》

本文从女性主义视角出发,对《聊斋志异》的《犬奸》、《贾儿》、《成仙》三篇小说进行了再次解读,特别对那个时代的人们对"红杏出墙"的女人的处理方式进行了重新阐释和分析,进而得出了不一样的结论。     

Changing Gender: The Discursive Construction of Equal Opportunities

This article provides a discursive perspective on the dilemmas of sameness and difference feminisms and their consequences for change projects. It explores how equal opportunity officers dealing with gender issues and introducing equality legislation in practice construct the meaning of equal opportunities. The analysis of the interpretative repertoires and ideological dilemmas drawn upon in ten interviews shows the highly context‐specific use of four different repertoires constructing gender equality: the sameness, difference, bandwidth and deconstructive repertoire. Interpreting the shifts between repertoires from the perspective of the ideological dilemma, new avenues for change are explored. The article concludes that the simultaneous use of all possible theoretical perspectives might be a worthwhile objective.     

Comic revisions? Motherhood and women’s comedy in contemporary Germany

Maternal stereotypes and the realities of mothering are prominent themes in Anke Engelke’s Ladykracher and Martina Hill’s Knallerfrauen, two of the most popular sketch shows in twenty-first-century Germany. This article relates their success to social anxieties about motherhood, which Engelke and Hill illuminate through the theme of their sketches as well as through their very use of comedy to do so. I begin by using close-readings of Ladykracher and Knallerfrauen to illuminate the political potential of the sketch form to challenge maternal myths and articulate taboo feelings such as maternal ambivalence. I then consider the innovation of these maternal sketches in view of traditional theories of comedy, which paradoxically draw their imagery from the realm of the maternal even though they discount real women and mothers as comic agents. I argue that the maternal sketches of Engelke and Hill are thus doubly subversive, challenging maternal taboos as well as the discursive and generic norms they sustain.     

The politics of community arts: quilting the power and identity of women

This article attempts to articulate and re-validate the unique social contributions of marginalized and working women to their communities and to society-at-large, contributions which tend to be obscured if not forgotten, given the global dynamics of exclusion as they are at work in the capitalist society of Hong Kong. It looks at how a group of disenfranchised women workers renegotiate their identity, reclaim their dignity and regenerate social power through a community arts project ‘Quilting the Power and Identity’; that is, how through these creative but powerful actions, their transformation from a transient state of imposed victimhood into active agency could be made possible.     

走出男权传统樊篱的奥斯丁

简·奥斯丁作为女性文学的先驱,以其敏锐的女性视角,将备受冷落和歧视的女性带入了人们的视野,通过对妇女的地位、权利、禀赋等问题的理性思考,奥斯丁在男权文化传统下努力构建起女性文学的王国,从而走出了以男权思想为中心的男权传统的樊篱,表达出明确的女性意识、前卫的婚姻观念和深刻的思想内涵。     

“Come for the period comics. Stay for the cultural awareness”: reclaiming the troll identity through feminist humor on Reddit’s /r/TrollXChromosomes

/r/TrollXChromosomes is a women-focused humor subreddit on the community site Reddit.com. This essay presents the findings of a thematic content analysis of TrollX’s top-ranked postings. Several themes emerge: that TrollX is a space for networked affective content, that postings often concern women’s embodiment and sexuality, and that they suggest feminist perspectives. These themes are all linked by the image of the troll: a remixed version of the negative, antisocial identity that disrupts and often harasses communities. The TrollX troll invokes a spirit of self-deprecation to revel in the absurdities of life and collectively celebrate women’s everyday experiences. However, this research also argues that the TrollX version of the feminist troll is only partially realized, as it tends to express ambivalence in regards to systemic, intersectional oppression.